I’m very pleased to announce that I have a poem coming out in the Emma Press’s new collection, The Emma Press Anthology of Contemporary Gothic Verse. From the press release:
The anthology was compiled from poems sourced in an open call for submissions launched towards the end of last year. 294 poets entered, of which 26 were chosen for the anthology. Editor Nisha Bhakoo says in her introduction to the book: “My hope for this anthology was to showcase poems that pointed to the uncanniness of our present time, giving traditional gothic tropes a compelling, contemporary flavour. I not only wanted the poems to hold up a mirror to our post-postmodern age, but also to challenge the norms and unwritten rules of it.”
Although I make no money from the sale, please consider buying a copy of the Anthology from the Press’s UK-based store. Small presses need as much support as we can give them, and the Emma Press has published some really great contemporary poetry. Pick up your copy today!
Over at Patreon, I’ve published the second part of my weird story, “Mirrors.” Novelist Jonas Beckley is having a more and more unsettling time in his new lodgings.
Here’s an excerpt:
There was a strange smell in the staircase today. Heavy, piercing, wet, rotten. Familiar, somehow, though I couldn’t place it. I think it must have been connected with whatever that black substance was on the stairs leading up from my floor. When I went to tell Wilson about it, he was nowhere to be found.
“Mirrors,” Part II – By Rick Yoder
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Over at Patreon, I’ve published the first part of a new weird story, “Mirrors.” A popular writer moves into new lodgings, only to discover that the odd neighbors aren’t the only thing strange about the place…
Here’s an excerpt:
I still have not met any of my other neighbors, but I have heard them. Last night, I was woken up some time past midnight by several large thuds from above. It sounded as if someone was dropping bowling balls again and again on the floorboards. Just when I got out of bed and was halfway to making up my mind about whether or not I should go complain, the noise stopped. I hope this will not be a nightly recurrence, as it will surely impact my writing.
“Mirrors,” Part I – By Rick Yoder
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The Bishop of Northampton has announced that G.K. Chesterton’s cause for canonization has been dropped. There will be no St. Gilbert Keith Chesterton, his portly visage peering out of a halo over an altar in some out-of-the-way country church. There will be no Gilberttide Novenas, with each day dedicated to some tired and over-labored paradox the man squirted out for an article on H.G. Wells some time in the late Edwardian period. There will be no holy relics passed around – “The pipe he used to smoke with the Blessed Belloc!” – nor even little medals or fat statues cramming the shelves of the stores that specialize in such pious kitsch.
Good. The Bishop has decided wisely. The cause never should have been opened in the first place. Its continuation would represent, if not an abuse of the process, then a serious misstep in the liturgical and devotional life of the Church.
Quaeritur: Why do we raise saints to the altar?
Respondeo: There are three reasons.
1) To hallow and liturgically organize a pre-existing popular cult of a holy person.
2) To recognize that said holy person is in Heaven.
3) To raise up a holy soul as an example to the Faithful.
The third is insufficient on its own. The second is implied and proven in the act of canonization itself, though the inquiry into a saint’s alleged miracles is adjunct to it. The first is thus the most important, foundational reason for the whole process.
As the Bishop pointed out in his statement, there is essentially no local cult of G.K. Chesterton in either his diocese or, I would wager, in the rest of the United Kingdom. There is such a cult in America. I was once part of it, as a member, officer, and president of UVA’s G.K. Chesterton Society. I was thus shocked to discover when I moved to England that nobody – not even most Catholics I knew – read or particularly cared about Chesterton. The British, for reasons I have never really understood, ignore much of their own “spiritual heritage,” as Americans might think of it. Even the relics of St. Edmund Campion barely raised an eyebrow when they visited Oxford in Hilary Term 2018. In the chapel where they were offered for public veneration after a sparsely-attended Mass, I watched as less than half the room went forward to pay their respects to the Jesuit martyr. Can you imagine the crowds that the same small relic would draw in Chicago or Virginia or California?
I digress. The point is that instituting an official cult of Chesterton where no such popular cult exists is to vitiate the process of Beatification.
I remain agnostic as to whether Chesterton is in heaven. I hope he is, and I pray that he might achieve the Beatific Vision if he hasn’t already. But we’ll never know until we get to heaven ourselves, now that the cause won’t advance.
But, is Chesterton an example to the faithful? My own thoughts on the matter are mixed. Clearly, he was a great apologist who presented an appealing if idiosyncratic vision of orthodox Christianity. His conversion was to be commended, as all conversions are. There are, of course, some moral objections one could make. Lingering questions remain about Chesterton’s attitude towards Jews, though the issue is probably overblown. Some have pointed to his large frame as a sign of intemperance and gluttony. However, I think there is perhaps another matter at stake.
It must be said that Chesterton was, as far as we can tell, a very good man. He could be riotously funny. He was probably just the sort of fellow with whom one would enjoy getting a pint. But that quality of conviviality, even when wedded to right doctrine, does not equate to sanctity. If anything, it speaks to the opposite quality, a lack of the salutary ascesis proper to the Christian life. We hear much today of Chesterton’s alleged quote: “In Catholicism, the pint, the pipe and the Cross can all fit together.” Let us leave aside the question of whether the man actually said it (I have struggled to find the source), and accept that he did. The question we should be asking is whether it’s true. And if it is, is it really the sort of thing worth saying anyway? What are pints and pipes but little human vices and pleasures, the things of this world, the ordinary hobbies we enjoy from time to time? A Catholicism that fits them in is probably what most of us (myself included) can strive for, what most of us achieve. But surely that’s not the heroic, sacrificial faith of the Fathers. Would any of the Desert monastics or the martyrs say such a thing? Would any of them really consider it truly pious, if acceptable? Surely we can do better than a religion of the pub stool. Let us aim higher. Let us not canonize this symbol of comfortable Catholicism.
Perhaps the best reason to refrain from canonizing Chesterton was offered in 2013 by Melanie McDonagh:
The first argument against making him a saint is that he was a journalist (the profession he called the easiest in the world); it’s a contradiction in terms. And canonising the man would make his output unreadable. It would invest all the pieces he wrote in railway waiting rooms and Fleet Street bars with the leaden quality of official sanctity. He wrote some of the best literary criticism of the last century — give The Victorian Age in Literature a go — and it would forever be burdened with the approbation of the Catholic Church, which would put a great fat halo between the reader and the text.
I hate even the secular canonisation of the writers I love best — Flann O’Brien is a recent victim — with all the rites of summer schools, conferences and journals. It puts too much weight on their lightest utterances, ossifies their personalities and turns their perfectly lucid writing into the stuff of PhDs. In the case of Chesterton this phenomenon has an especially deadly quality, because the conferences and journals are bound up with contemporary Christian apologetics, a bit like what happened to C.S. Lewis. You might still just about be able to read the Father Brown stories with pleasure if they were billed as being by St Gilbert Keith Chesterton — but it would be despite the billing, by pushing it to the back of your mind. It would be a downright hurdle for secular readers.
Melanie McDonagh, “Why G.K. Chesterton shouldn’t be made a saint.”
Chesterton should not be canonized because doing so would establish him as an authority. Never mind that Chesterton’s famous aphorisms and paradoxes were so often little more than the trite (or even false) quips of a journalist. I have in mind quite another matter; canonization would effectively insulate Chesterton from serious criticism, literary or otherwise. Is that really an effective tribute to a man who was, by all accounts, a brilliant mind? Are we doing him any great service by placing his work under the light of a nimbus? Wouldn’t we rather be paying him the greatest of all insults to a writer, namely, to place him beyond serious and fair consideration? On the other hand, perhaps McDonagh is right – canonizing Chesterton could instead spark a lugubrious academic cottage industry, just as the (American) Evangelical discovery of C.S. Lewis has turned that first-rate children’s novelist and second-rate Anglican theologian into big business. I can only imagine Chesterton would find it all extremely drab.
We should not be too quick to canonize, especially when it comes to writers. I love the books of Flannery O’Connor and find much that is edifying in her fiction. I believe she probably died a holy death. But I don’t think she should be canonized; if a cause were to open, it should be based entirely on the merit of her sufferings.
Julien Green thought that the very act of writing a novel – a good one anyway, that deals with real human experience and the truths of the human condition – inevitably implicates the author in mortal sin. One has to imagine evil, and in portraying it, one engages with it at some level. I don’t know whether that’s true. I have no novels on my CV. But his statement speaks to a deeper point about the act of writing. We cannot escape from the fallibility and fragility of our own humanity, nor a certain fallenness inscribed into the fractured and slipshod structures of our language. This is why criticism is a good thing. Criticism, even pointed criticism, is a sign that one takes an author’s work seriously. It also keeps an author within the bonds of a community of writers, each of whom shares the same basic limitations even as their individual geniuses differ. These are truths that Chesterton himself understood; he, too, was a literary critic.
But the work of canonized writers retains an implicit authority. Sure, philosophers and theologians might dispute over a point in St. Thomas, but rarely do they state outright that the Angelic Doctor is wrong (and he was on several occasions). One could point to other examples. There is a degree to which such deference is acceptable. One of the Church’s great strengths is her long memory and the deposit of theology that acts as a shield around the deposit of faith. Yet this quality of authority is entirely inappropriate with a figure like Chesterton, whose voluminous works largely consist of trivial journalism. True, he made a few good points in Orthodoxy and The Everlasting Man. There are strange parts of Orthodoxy, too, that make little sense and must be taken for what they are – Chesterton’s deeply personal attempt to understand his faith. And some of his writings are simply bad, wrong, or unreadable. If we take Chesterton seriously as a thinker and a writer, we should say so.
I realize that many of my readers, especially British ones, will think I am belaboring the point. If there is no popular cult, then are we really in danger of such an uncritical turn? I would direct such readers to the G.K. Chesterton Society’s website. I would direct them to the inclusion of Chesterton in Bishop Barron’s Catholicism: The Pivotal Players alongside objectively more important figures like St. Augustine, St. Benedict, and Cardinal Newman. I would direct them to that inexcusably hagiographic study of Chesterton’s milieu, Joseph Pearce’s Literary Converts. There may be no local cult per se, but there is a Chestertonian cult of personality spread across the Anglophone church. Especially in America.
The hallowed place Chesterton holds in the hearts of American Catholics is a reflection of a deeper American fetishization of English Christianity. This tendency tends to erect little idols of men such as J.R.R. Tolkien, C.S. Lewis, Mons. Robert Hugh Benson (a deeply bizarre man of unsavory connections), and others.
I believe this tendency reflects a deep cultural anxiety proper to both Americans in general and American Catholics in particular. Unlike Europeans and South Americans, we live in an unhallowed, “historically empty” landscape. We US Catholics carry on an agon with European culture, especially British culture, because we feel deep down that we have never developed an authentically rooted version of American Catholicism. There are few saints native to our shores; the recent popular cult of St. Kateri Tekakwitha is a positive development, as we move beyond the lineup of immigrant clergy who used to make up most of the canon of American saints. If Fr. Augustus Tolton is canonized, all the better. But there remains an unspoken if everywhere manifest anxiety about the authenticity of American Catholicism. Its identity is new, still forming, and thus up for grabs. One effect is a relentless, internecine preoccupation with the culture wars. Liberals and conservatives in the Church largely map on to our broader political axis. But there’s another method of identity-formation, deployed primarily by those on the right end of that spectrum. We borrow the British writers as if they’re our heritage. But this borrowing blinds us to the faults of the men (and it is largely men) whom we take as representatives of a common spiritual ancestry with the Brits. Lewis and Tolkien are emblematic of this trend, and he’s not even Catholic. Yet they are invoked breathlessly by conservative Catholics and Christians in the same way that Harry Potter has become a shibboleth of secular liberals. Chesterton’s memory is in danger of becoming just another tribal marker.
I don’t claim any special insight beyond my compatriots. However, I do think that living in England for the better part of two years has disillusioned me of my former support for this tendency. Chesterton is bigger (in many ways) than the narrow role he has been asked to play by American conservatives. Let him rest in peace, let us read him on his own terms, and let us preserve the altars of the Church from a dubious canonization.
My short story “A Walk to the Pier” – a surreal tale of memory, guilt, and telephones – is now up on my Patreon. An excerpt:
With almost a week gone by, Seymour Groves was regretting his retirement. Everyone had said that moving to Etcham-on-Sea would be just the thing to do, a kind of neverending holiday. What they hadn’t mentioned is whether a neverending holiday was really desirable. After frequenting the music halls, the buffets, the toffee shops, and the boardwalk, Groves had decided in the negative. Part of it was boredom. The amusements of his youth looked more tired than ever. He couldn’t, in all dignity, ride the bumper cars again, nor frequent the clubs and bars that had so enticed him in the summers of his early adulthood. Everything was sagging, rust-lined, smelling of piss. The beach huts stood in a silent line, all quite beyond repair. His own small flat was hardly more than a bedsit with a couple faded posters that shouted “Etcham! Poseidon’s Paradise in the North!” Perhaps it had been so, once. But as he was alone, he would have to find something to do. Groves had never married – had, in fact, lost the one woman whom he ever loved, Mona Deane, on the rocky shore of Etcham. He had not come back since that night so many decades ago.
“A Walk to the Pier,” by Rick Yoder (your humble blogger)
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I have just uploaded the third and final Chapter II of my short story, “The Baptism of the Archduke,” over at my Patreon. This rococo satire involves a formidable if exasperated Duchess and her plot to marry off one of her daughters at the occasion of a family baptism – in spite of some very strange obstacles.
Patron Saints of the blog can read all three parts of this humorous story. You, too, can become a Patron Saint today by pledging $10 a month, which will grant you exclusive creative content not available on my blog. Please consider joining today!
I have just uploaded Chapter II of my short story, “The Baptism of the Archduke,” over at my Patreon. This rococo satire involves a determined Duchess and her plot to marry off one of her daughters at the occasion of a family baptism – in spite of some very unusual obstacles. The third and final chapter will be coming out in May for Patron Saints of the blog, who can already see the first two parts. You, too, can become a Patron Saint today by pledging $10 a month, which will grant you exclusive creative content not available on my blog. Please consider joining today!
Richard Crashaw, one of the great Catholic poets of the seventeenth century, is a perennial source of inspiration. His verse preserves a mystical sensibility that is as refreshing today as it was when it was first composed in the Baroque era. This selection, “A Song,” is one of my favorites. I first had to memorize it many years ago in an English class on prayers (at Mr. Jefferson’s famously secular University, no less). I keep returning to it only to find new riches and new consolations. It seems eminently suited to our mid-Lenten moment, when the faithful yearn to see the face of the Resurrected and Glorified Christ.
LORD, when the sense of thy sweet grace Sends up my soul to seek thy face. Thy blessed eyes breed such desire, I dy in love’s delicious Fire.
O love, I am thy Sacrifice. Be still triumphant, blessed eyes. Still shine on me, fair suns! that I Still may behold, though still I dy.
Though still I dy, I live again; Still longing so to be still slain, So gainfull is such losse of breath. I dy even in desire of death.
Still live in me this loving strife Of living Death and dying Life. For while thou sweetly slayest me Dead to my selfe, I live in Thee.
Today is the Anglican commemoration of George Herbert, the great English cleric and metaphysical poet of the 17th century. He died on March 1st, 1633. In honor of this bard of the spirit, I offer to my readers one of my favorite Herbert poems. Every time I return to it, I find new edification.
Prayer the church’s banquet, angel’s age, God’s breath in man returning to his birth, The soul in paraphrase, heart in pilgrimage, The Christian plummet sounding heav’n and earth Engine against th’ Almighty, sinner’s tow’r, Reversed thunder, Christ-side-piercing spear, The six-days world transposing in an hour, A kind of tune, which all things hear and fear; Softness, and peace, and joy, and love, and bliss, Exalted manna, gladness of the best, Heaven in ordinary, man well drest, The milky way, the bird of Paradise, Church-bells beyond the stars heard, the soul’s blood, The land of spices; something understood.
Perhaps the most ubiquitous tradition of Christmas in America is decorating a Christmas tree. Whether live or artificial, green or white, festooned in tinsel or bedecked with bells, the Christmas tree is the image that adorns all our houses and heralds the coming of the Yuletide. And not just the houses of Christians. Many who celebrate Christmas as a merely secular holiday will still put up a tree. It just wouldn’t really feel like Christmas without it.
Yet the Christian discerns in this symbol something more than just a festive sign of the season.
First, a short excursus about symbols in general. Metaphor opens the speaker to the experience of “augmented reality,” though not at all in the way that phrase has come to be understood in the world of cheap tricks and tacky technology. Pokemon Go is not a metaphor. It’s just an add-on. It discerns nothing essential and establishes no real connections between unlike objects. Metaphor can. The truer the metaphor, the firmer the connection. It’s a dialectical process. Or, if you like a Trinitarian one: two unlike things are drawn together by the speaker, thus forming an entirely new third.
The Sophianic potential of language lies in metaphor. Name and metaphor permit us to imprint, image, and discern a level of reality beyond the merely immediate and sensible. That is why metaphor is impossible in the face of the Beatific Vision. All words die away, since the soul experiences the most heightened level of reality – Being itself.
Sophianic vision relies upon this kind of metaphorical thinking. Without dissolving the dogmas of the faith, Sophiology reads them sideways so as to gain an insight into the mystical realities more properly understood via poetry than, say, the logical language of the manuals. American Sophiologist Dr. Michael Martin has called for a “poetic metaphysics” by which we more potently discern the presence of God in His Wisdom, seen throughout Creation.
What would this “poetic metaphysics” look like beyond textual confines? That is, what would it look like if people actually lived out this search for the Wisdom of God?
For one thing, the soul that sees all in Wisdom will be always immersed in metaphor. The eyes of their heart would discern the connection of lower things to the higher. This is not mere cataphasis, the use of images in prayer. I mean that the daily impressions of life are experienced as taking place on more than one level of reality. The events of the day are read as symbols and metaphors. We encounter this in the life of the Ven. Seraphina di Dio:
“…Anything I looked at I was able to turn into a meditation… When I saw it raining, I thought of the refreshment which the rain brought to the earth and that without it the earth would be arid. I would say: ‘If the water of divine grace did not fall on the soul, it would dry up without providing the fruits of good works.’ … The sight of fish swimming in the sea made me remember how the saints are immersed in God… And in such wise everything, even the slightest things, served me for my spiritual nourishment.”
-Ven. Seraphina di Dio
Such is one example of sapiential living. We might turn to another. Over at Sancrucensis, Pater Edmund Waldstein has furnished a charming passage from St. John of Karpathos:
Nothing is more weak and powerless than a spider. It has no possessions, makes no journeys overseas, does not engage in litigation, does not grow angry, and amasses no savings. Its life is marked by complete gentleness, self-restraint and extreme stillness. It does not meddle in the affairs of others, but minds its own business; calmly and quietly it gets on with its own work. To those who love idleness it says, in effect : ‘If anyone refuses to work, he should have nothing to eat’ (2 Thess. 3 : 1o). The spider is far more silent than Pythagoras, whom the ancient Greeks admired more than any other philosopher because of the control that he exercised over his tongue. Although Pythagoras did not talk with everyone, yet he did speak occasionally in secret with his closest friends; and often he lavished nonsensical remarks on oxen and eagles. He abstained altogether from wine and drank only water. The spider, however, achieves more than Pythagoras: it never utters a single word, and abstains from water as well as from wine. Living in this quiet fashion, humble and weak, never going outside or wandering about according to its fancy, always hard at work – nothing could be more lowly than the spider. Nevertheless the Lord, ‘who dwells on high but sees what is lowly’ (Ps . 1 1 3 : 5-6 . LXX), extends His providence even to the spider, sending it food every day, and causing tiny insects to fall into its web.
-St. John of Karpathos
One could name many other saints who exhibit this Sophianic tendency of vision through metaphor. For St. Paul of the Cross, as Fr. Faber notes,
“…everything served to remind him of God, and he used to imagine that all creatures cried out to entreat the love of man for Him who made them. He was often observed, when walking in the fields, to gaze earnestly at the flowers as he went along and to touch them with his stick, saying, ‘Hold your tongues; hold your tongues!’ And he used to tell his religious that the flowers were always calling upon them to lift up their hearts in love and adoration toward their heavenly Creator.”
-Fr. Faber, All For Jesus, Ch. 6, pg. 153
When carefully fostered in the soul – usually by ascetic rigors and conscious efforts of love – it ceases to be merely Sophianic and takes on an iconographic character, such that everything in our field of sensible experience becomes a symbol of union with the higher realm it represents. Namely, God. Thus can we preserve the presence of God in our waking hours out of prayer.
So what does this have to do with Christmas trees?
The decoration of a Christmas tree is, in a certain sense, a concrete realization of this process. Bringing a part of the natural world into our home imprints something of the human and thus of the spiritual. We can see this with animals who have been domesticated. Cats and dogs become part of the family. We discern their personalities. They are not just “dog” but “Buster” or “Gabby.” Thus, name and metaphor go hand in hand in elevating the merely natural to something approximating the human.
We don’t personalize Christmas trees. But in placing them in our homes and filling them with glittering lights and baubles, we heighten the tree into something more than what it was. As we were commanded to do in Eden, we improve the creation and make it radiant. We lend it a new beauty, the fruit of our Godlike creativity. We place a star or an angel at its peak, and a reminder of Our Lord’s Nativity at its base. Thus we turn it into a little Tree of Life, reaching between Heaven and Earth, the natural world manifested in the splendor of its potential divinization.*
In other words, the power of metaphor allows us to experience the tree as something more than what it is at the purely material level. It becomes for us an icon of Holy Wisdom, of Christ abiding in His redeemed Creation.
I am reminded of today’s O Antiphon.
O Sapientia, quae ex ore Altissimi prodiisti,attingens a fine usque ad finem, fortiter suaviterque disponens omnia: veni ad docendum nos viam prudentiae.
O Wisdom, coming forth from the mouth of the Most High, reaching from one end to the other, mightily and sweetly ordering all things: Come and teach us the way of prudence.
-O Antiphon for 17 Dec.
These words are manifested in so many ways throughout time and space. They don’t just belong to Advent. Yet the Christmas Tree can (if we come to it with a Sophianic imagination) serve as one meditative example of Wisdom “sweetly ordering all things” in this holy season.
It’s no surprise that Archpriest Sergius Bulgakov wrote favorably of the Christmas Tree.
*I realize of course that not all families use real trees, and that they don’t all place a Nativity under it. But even here, the power of metaphor enters in. In calling an assemblage of wire or aluminum or plastic a “tree,” we are already entering into the world of metaphor and artifice. In that case, we are only one degree removed from what I have described above.