Across Another River

The Lamb of God at the Anglican Shrine of Our Lady of Walsingham, Walsingham, Norfolk. Photo taken by the author.

Then, at last, when he had crossed the Old Road, and had gone by the Lightning-struck Land and the Fisherman’s Well, he found, between the forest and the mountain, a very ancient and little chapel; and now he heard the bell of the saint ringing clearly and so sweetly that it was as it were the singing of the angels. Within it was very dark and there was silence. He knelt and saw scarcely that the chapel was divided into two parts by a screen that rose up to the round roof. There was a glinting of shapes as if golden figures were painted on this screen, and through the joinings of its beams there streamed out thin needles of white splendour as if within there was a light greater than that of the sun at noonday. And the flesh began to tremble, for all the place was filled with the odours of Paradise, and he heard the ringing of the Holy Bell and the voices of the choir that out-sang the Fairy Birds of Rhiannon, crying and proclaiming:

Glory and praise to the Conqueror of Death: to the Fountain of Life Unending.

Nine times they sang this anthem, and then the whole place was filled with blinding light. For a door in the screen had been opened, and there came forth an old man, all in shining white, on whose head was a gold crown. Before him went one who rang the bell; on each side there were young men with torches; and in his hands he bore the Mystery of Mysteries wrapped about in veils of gold and of all colours, so that it might not be discerned; and so he passed before the screen, and the light of heaven burst forth from that which he held. Then he entered in again by a door that was on the other side, and the Holy Things were hidden.

Arthur Machen, The Secret Glory, Chapter II

Yesterday was a liturgical confluence of some personal importance for me: St. Philip Neri, St. Augustine of Canterbury, and the Ascension. The liturgical Providence of God thus epitomized my full life of faith on one day. St. Philip Neri, whom I love particularly among all the saints, stands as a good figure for my past. The Ascension points to my own future hope of salvation, when I might join the Ascended Christ, my King and High Priest, in Heaven. To quote a favorite hymn:

The great I AM hath sworn; I on His oath depend.
I shall, on eagle wings upborne, to heaven ascend.
I shall behold His face; I shall His power adore,
and sing the wonders of His grace forevermore.

That leaves St. Augustine of Canterbury, father of the English Church. He is the sign of my present.

On that triple feast, I made my confession in the Episcopal Church and was conditionally baptized under the patronage of the Blessed Patriarch Enoch, “who walked with God” (Gen. 5:24). I then took communion for the first time since Leap Day 2020. As Pascal put it, “Joie, joie, joie, pleurs de joie.”

A post-baptismal selfie.

I have long held some doubts about the validity of my Methodist baptism as an infant in 1995—for which I have no records beyond family photos, but which was for some reason acceptable to my parish and Archdiocese when I completed RCIA. I thus felt it was necessary to rectify that situation. I am now, without any doubt, baptized in the name of the Father, the Son, and the Holy Spirit. 

The reason I did this in the Episcopal Church and not a Roman Catholic one is that, for nearly a year, I have been attending my local Anglo-Catholic parish. St. John’s, Bellefonte, has been a tremendously edifying community. Indeed, it is the only parish where I have felt genuinely wanted, and not simply tolerated. I started attending last summer in the midst of a very deep spiritual crisis. This crisis, which had been percolating off and on since August of 2018, was one that, had I stayed a churchgoing Roman, would certainly have caused me to leave Christianity altogether. It was only by the grace of God that I found spiritual sustenance and safe harbor at St. John’s. It felt like escaping into fresh air from a very large building which is slowly filling with smoke, because an unchecked fire is raging in its wings. It felt like jumping into a lifeboat from a rather majestic cruise-ship that is sinking, even as people keep dancing and the band plays on. It felt like escaping to a beloved aunt from a bad mother who beats you mercilessly (even when you do what she says!) and denigrates you at every opportunity, taking every chance to remind you how much better your siblings are—all while claiming to love you. A mother who asks for tremendous sacrifices and gives no help to accomplish them. A mother who requires all until she forbids all, and forbids all until she requires all, and then demands you forget everything that came before. The Church is a bad mother, not just because of her many spiritual abuses, but precisely because she is inconsistent, all while claiming that such inconsistency is impossible! And who do we believe: the Church, or our lying eyes? 

I did not advertise my transition to regular worship in a TEC church because I wanted to see if I might find any reason to stay in Rome, both through my online interactions and when I went to Catholic Masses upon my visits home. But the hook that I was half-hoping would convince me to stay on the far side of the Tiber never appeared. If anything, I became even more convinced that I should leave. And then, as the day drew near and the details were finalized, I did not tell anyone because I did not want to risk losing my nerve in the face of the old psychological traps. But now that the deed is done, I can, like Ozymandias, explain my “master-stroke” a bit.

I have never written the story of my conversion to Roman Catholicism; somehow, describing my loss of faith is even harder. I am not going to do that here. This is not my Apologia Pro Vita Sua. And I am not here to write a Chick Tract; I remain grateful for much of what I received in the Church of Rome in happier days. I know that no matter what I say, it will not be adequate to describe my own sense of disillusionment, of loss, of bitterness. And I know that, even were I to express at great length, with reason and evidence, all of my historical and theological misgivings about the post-Vatican I Papal Church, or my serious doubts engendered by the still-unresolved Silverstream scandal and similar cases, it would still not matter; many of you will attribute everything to my personal life. So be it.

The chapel of St. Stephen’s House, Oxford, on the very first morning I set foot there nearly five years ago. I will, happily, be able to receive communion there upon my next visit.

I don’t feel that I need to justify myself. But I will state my position, briefly.

I have done what I needed to do for the very survival of my faith in the God of Abraham, Isaac, and Jacob. I repudiate nothing of Catholic Tradition that is true, and good and beautiful; I reject everything that causes scandal, disedification, and injury to the Kingdom of God. I embrace the traditional, episcopal, conciliar constitution of the Church which still exists, however imperfectly, in the Anglican Communion (itself in communion with the Old Catholic Church of Utrecht). And, with all my heart, I abjure the Pope.

I emphatically don’t wish to burn any bridges with my many Roman acquaintances by this disagreement with their theology and separation from their communion. Mostly, I am leaving behind friends. That is my only sadness. I have countless fond memories—Easter Vigils in Charlottesville celebrated with friends, stirring moments of devotion and worship next to friends at the various British Oratories of St. Philip Neri, giving the eulogy at my own grandmother’s Catholic funeral in Aiken, and everywhere engaging in edifying conversations with friends who genuinely believe in Christ and will reach Heaven before me. I wish them well. As long as I could focus on orthopraxy beside such wonderful people, I could ignore the tremendous unpleasantness and the doublethink that being a Roman Catholic actually entailed for me personally.

But I can’t do it anymore. I have no regrets about my decision. God will draw us all together in the last day. I have no doubt that I have not left the one eternal Church of Christ. I have simply moved to a different (healthier?) part of it, one where God in His mercy has deigned to meet me in my terrible distress. To quote a man holier than me, “A mark of the Christian Church is that it is catholic, embracing all the angels of heaven, all the elect and the just on earth, and of all times.” And again: “There is nothing more spacious than the Church of God; because all the elect and the just of all ages comprise it.”

I have come to realize that all I can do to persevere in that Church is trust in the grace of God, focus on the local, and work out my salvation in fear and trembling (Philippians 2:12). I am under no illusions that my new home will be perfect, that it is free of divisive error, or that I will always be happy here. But neither is Rome: it was full of rather shocking evil, various divisive errors, and keen, mounting unhappiness for me personally.

Our Lady of Walsingham, St. John’s Episcopal Church, Bellefonte, PA. Photo by author.

Anglicanism is not perfect. Even as someone convinced of the historical validity of Anglican orders, I recognize this. It is wracked with schism. There are rather atrocious liturgical abuses from time to time. People like John Shelby Spong, James Pike, and John A.T. Robinson exist in their episcopate. Most seriously, there are sexual abuse scandals here, too.  

But Anglicans’ focus on Christ and the Scriptures, their minimalist approach to doctrine, their “inclusive orthodoxy,” their localism, their seemly forms of vernacular worship, their quiet and decorous approach to personal holiness, their epistemic humility, their irenic stance towards Christians beyond their communion, their welcome to LGBT people, their poetic and moderate devotions, their customary aversion to dogmatism and legalism and enthusiasm, their respect for conscience, their aestheticism, even their sense of humor—all of it is vastly superior to what I have found to be the modus operandi in the Roman Church, whether in the typical Novus Ordo parish or in one of the Traditionalist ghettos. But above all, I am attracted to Anglicanism because I find the faith, hope, and charity of Christ there.

And so, “I was glad when they said unto me: We will go into the house of the Lord” (Ps. 122:1 BCP). Michael Ramsey, Archbishop of Canterbury, once wrote,

For while the Anglican church is vindicated by its place in history, with a strikingly balanced witness to Gospel and Church and sound learning, its greater vindication lies in its pointing through its own history to something of which it is a fragment. Its credentials are its incompleteness, with the tension and the travail in its souls. It is clumsy and untidy, it baffles neatness and logic. For it is sent not to commend itself as “the best type of Christianity,” but by its very brokenness to point to the universal Church wherein all have died. Hence its story can never differ from the story of the Corinth to which the Apostle wrote. Like Corinth, it has those of Paul, of Peter, or Apollos; like Corinth, it has nothing that it has not received; like Corinth, it learns of unity through its nothingness before the Cross of Christ; and, like Corinth, it sees in the Apostolate its dependence upon the one people of God, and the death by which every member and every Church bears witness to the Body which is one.

Michael Ramsey, The Gospel and the Catholic Church, pg, 188; emphasis my own

This ecclesiological vision rather perfectly captures my own view of the Church, a view I have tried to express elsewhere.

Illustration from All Glory: Brush Drawing Meditations on the Prayer of Consecration, by Allan Rohan Crite (Cambridge, Mass: Society of Saint John the Evangelist, 1947). My priest was kind enough to give me his copy of this absolutely extraordinary work as a baptismal gift, from which this photo is taken.

And to be quite honest, becoming an Anglican feels a bit like coming home. And not just because, during the Evensong which immediately preceded my baptism, we happened to recite Psalm 24, my old school Psalm. During my first conversion, family friends in the Anglican Continuum were very kind to me and nurtured my fledgling faith. My first copy of the Book of Common Prayer was given to me by another dear family friend, who has since departed this mortal life. Her funeral in Virginia was, I think, one of the first proper Episcopalian liturgies I ever attended (and sang at). I spent two years as a graduate student at St. Stephen’s House, Oxford, one of the most Anglo-Catholic seminaries in the Church of England. It is a community of men and women to whom I will be forever grateful. There are many others to thank, among whom I will mention only those who directly and personally encouraged my conversion since last summer: Father B., Mother R., Father J., Father S., CD, KH, RB, JC, and my interlocutors in the EC. You know who you are. I confess, I am grateful as well to those few Roman Catholic friends who, whether out of affection for me or sincere piety, did try to persuade me to stay.

Most of all, I have to thank the people of St. John’s, including my priest, Fr. Carlos de la Torre, a truly tremendous pastor, and Deacon Alex Dyakiw, who has shown me nothing but kindness and who stood as godfather for me. If I ever reach heaven, it will be in no small part due to the example, charity, and prayers of these two good and faithful servants.

There was a moment at the last Easter Vigil that furnished a perfect picture of what I have received at St. John’s. I got to the church early and was so absorbed in my pre-Mass readings that I forgot to pick up a candle. Once the Vigil started at the back of the nave, I realized that I was the only one without a light. Yet my priest, seeing my lack, brought me one. He graciously let me light it—while he was processing with the paschal candle up the aisle. He even paused the procession to give me the flame. This little moment, which no one but me would remember, was a powerful image of grace itself, and how it works in our hearts. That grace, which binds us to the very life of Christ, brings us into the New Jerusalem, builds us into the Eternal Temple, and makes us members incorporate of the Kingdom of God—that almighty grace is “the one thing needful” (Luke 10:42). It is because of that grace that I can say, with a confidence born of faith,

One thing have I desired of the Lord, that will I seek after;
that I may dwell in the house of the Lord all the days of my life,
to behold the beauty of the Lord, and to enquire in his temple.

Psalm 27:4 KJV

It by that grace that I have been baptized into the Jordan, by that grace that I have swum the Thames, and by that grace that II hope to drink one day from another, supernal river, flowing from the Throne of God and the Lamb (Rev. 22:1). I beg your prayers that I may always be faithful to the grace that I have received.

A Wholesome Homily at Christmastide

The Return of the Prodigal Son, Rembrandt van Rijn, c. 1661-69 (Source)

I would like to refer my readers to a phenomenal sermon delivered by Mother Brit Frazier of St. Mark’s Episcopal Church, Philadelphia, PA. Some of you may know Mother Brit from Twitter, others from Earth & Altar, a very good Anglican blog. You can find the video here, starting at 24:00 and continuing for about eleven minutes. I found her meditation on the theme of God as a home for all, as a welcome for the spiritually homeless, to be quite moving.

For those who are curious, the poem from Chesterton that she discusses, “The House of Christmas,” runs as follows:

There fared a mother driven forth
Out of an inn to roam;
In the place where she was homeless
All men are at home.
The crazy stable close at hand,
With shaking timber and shifting sand,
Grew a stronger thing to abide and stand
Than the square stones of Rome.

For men are homesick in their homes,
And strangers under the sun,
And they lay their heads in a foreign land
Whenever the day is done.
Here we have battle and blazing eyes,
And chance and honor and high surprise,
But our homes are under miraculous skies
Where the yule tale was begun.

A Child in a foul stable,
Where the beasts feed and foam,
Only where He was homeless
Are you and I at home;
We have hands that fashion and heads that know,
But our hearts we lost – how long ago!
In a place no chart nor ship can show
Under the sky’s dome.

This world is wild as an old wives’ tale,
And strange the plain things are,
The earth is enough and the air is enough
For our wonder and our war;
But our rest is as far as the fire-drake swings
And our peace is put in impossible things
Where clashed and thundered unthinkable wings
Round an incredible star.

To an open house in the evening
Home shall men come,
To an older place than Eden
And a taller town than Rome.
To the end of the way of the wandering star,
To the things that cannot be and that are,
To the place where God was homeless
And all men are at home.

Although I am not much of a Chesterton fan anymore, I, too, was taken with this poem. I am grateful for having been introduced to it, though the strongest parts of the sermon move well beyond Chesterton. “The heart of Jesus is a secure place. There’s no need to defend it, no need to fear for our safety.” These words of Mother Brit’s bear further meditation. How often do we act as though the heart of Jesus were not secure, or as if His grace could move without His sovereign will – even when it appears to fail?

I chose Rembrandt’s famous Return of the Prodigal Son to illustrate this post because it perfectly captures the feelings of welcome, abundance, and divine homecoming that Mother Brit evokes. For our own return home to God always takes the form of repentance and devotion, even if just for a Providential instant before death.

However, I also thought of the work of another artist. Allan Rohan Crite (1910-2007) was a Black painter and illustrator whose work focused primarily on scenes of African American urban life. He was also an Anglo-Catholic. His religious corpus, which bears a favorable comparison to that of other Anglican artists such as Martin Travers, Enid Chadwick, Ninian Comper, and William Butterfield, combines transcendent solemnity with a keen attention to the realities of everyday life.

His 1948 painting of Our Lady of the Neighborhood is a good representation of what Mother Brit is talking about.

Our Lady of the Neighborhood, Allan Rohan Crite, 1948 (Source)

A Black Madonna carries Jesus through a crowd of dark-skinned children in an urban scene. Although she is crowned with twelve stars, she is entirely at home with these people; they in turn are entirely at home with her and her divine son. The children in this image exhibit an easy intimacy with the Mother and Child, the sort of intimacy that comes from long familiarity. This sense of “being at home with each other,” so like the prelapsarian life, is the very sentiment that the Christian aspires to enjoy with God.

Yet how hard it is to attain! And not just because our sins and temptations, which are distraction enough. Our whole religious apparatus is set up to warn us of these traps on the journey. But even our piety and our virtues can get in the way, ossifying into idols that demand more and more of our tribute, sapping more and more of our time and energy. Good things, when used in a disordered way, become snares. The incense we burn before those false gods clouds our love of God. Perhaps that is why a somewhat fanciful image like this one becomes so attractive. It shows us another way – life as an easy, peaceful, almost effortless communion with God. It shows us a tiny, imaginative glimpse of the communion of saints. This communion, surely, is what Mother Brit has in mind when she says that “Our true home is an eternal and abiding safety.” For these children manifestly feel safe next to the God-Man and His all-pure Mother. They are, for lack of a better term, friends.

Mother Brit also touches upon this grand theme of friendship with Christ. She says:

Our home in Christ is always a place of companionship and love. He is our Savior and Redeemer, yes, but He is, indeed, our Friend. This friendship of Jesus is no ordinary fellowship. He lives alongside of us: a confidant, a guide. His hand is in our hands, His heart is opened and always opening to us, soothing our uncertainties and making our pathways into places of peace. His company is always unconditional companionship and love. In our fellowship with Him, we are given a beloved family.

Mother Brit Frazier, Sermon for the First Sunday in Christmastide, 2021

Friendship with Christ – a mystery. But our mystery, our blessed mystery, the magnificent mystery at the heart of Christian life. How strange it is that Being Itself, the Uncreated Light, the Omnipotent and Omniscient One, should call humans, who are essentially nothing, His friends? Yes, it is a tremendous mystery.

Crite conjures something of this mystery in his illustrations for Three Spirituals from Earth to Heaven (1948), which give a distinctly Anglo-Catholic spin to the texts of old Negro spirituals. For instance, in his drawings for “Nobody Knows the Trouble I See,” Crite depicts a Black man being taken up by Jesus into the heavenly choirs.

Illustration for “Nobody Knows the Trouble I See,” in Allan Rohan Crite, Three Spirituals from Earth to Heaven, 1948 (Source)

Perhaps it would be more apt to say that Jesus is carrying him. He’s not walking at all, but peacefully letting the Savior draw him into the realms of glory. A procession of coped figures streams by in the background, unnoticed by the poor and troubled man; yet this is no earthly liturgy, as the following illustrations make clear.

Illustration for “Nobody Knows the Trouble I See,” in Allan Rohan Crite, Three Spirituals from Earth to Heaven, 1948 (Source)

Christ Himself dons a cope of glory as well as a shining crown; He gently takes the troubled soul by the hand and shows him the scene he has hitherto missed. We sense his stunned joy. We can almost hear the otherworldly harmony of the singers. And look at the expression on Jesus’s face – not a stern look, but rather the concerned and kindly gaze of a friend who is attentive to the reaction of a dear companion whom He has just surprised.

And what is the greatest surprise of all? That even a poor and outcast and troubled soul has a place in this glorious choir. Crite finishes by depicting the poor man’s reception into glory, with Christ vesting him in a beautiful robe. God does not look at us like the World does, for He sees the heart. As Mother Brit says in her homily, “even those whom the World have rejected are given places of beauty and intimacy and peace and security at the throne of grace.” Allan Rohan Crite knew that Truth, and it shone through so much of his art.

Christmas is about all these things – Christ as our true home, Christ as our true friend. Especially in this holy time of year, let us pray for the grace always to trust that His friendship will lead us home to His heart.

An Interview on Anglican Occultism

Hermes Trismegistus (Source)

Recently I had the great honor of being interviewed on the podcast Poststructuralist Tent Revival (PTR) about my research into Anglo-Catholic hermeticism and occultism in the late 19th and early 20th centuries. Thanks especially to Jacob Given for a great conversation. Please consider subscribing to PTR‘s Patreon! They do some really great stuff.

And for those who want to learn a little more about the broader phenomena I discuss here, you might want to check my brief article in The Church Times, Dec. 2018, on the same subject. While it doesn’t go as deeply as my actual academic work did, it gives an overview of the landscape.

Reflections on Leaving Oxford

Sweet dreams are made of this… (Source)

I have, by the merciful grace of God, passed my M.Phil in Theology at Oxford. I could not have done so without the abundant help of my supervisors and tutors, principally Dr. Sarah Apetrei, as well as the many friends and family who supported me throughout the course of my studies there. Latterly this endeavor has caused me to neglect my blogging, for which I must beg pardon of my readers. Editing, submissions, an examination, travelling, and the arduous business of moving back across the Atlantic has distracted me. So has the bittersweet task of saying goodbye to so many friends, men and women I will miss in the years to come.

Oxford is most beautiful in the Spring. Photo taken by author.

I can understand why our soon-to-be-Saint Newman had so much trouble getting Oxford out of his blood. The place is a mirage in silver and stone. To have dwelt in such a dream-city for so long a time, to have been part of its inner life, to have shaped it according to one’s own character and to be shaped by it in turn, to watch the sun and the rain succeed in their seasons over streets imbued everywhere with a boundless sense of eternity…yes, I can see why Newman was always looking for a path back to this northern Eden. A Papal angel kept him from the gate. More prosaic barriers have turned me aside, namely, the prospects of an academic career in America.

But, in some way, the greater grief is leaving the United Kingdom. Shakespeare called Albion a swan’s nest in a stream. Having traveled from London to Birmingham, from Cardiff to York, from Tenby to Bournemouth, from Cambridge to Edinburgh, from Bath to Stratford, from Walsingham to Wakefield, in short, across the whole face of this country, I can start to see what he means. Britain possesses a peculiar beauty in grey-green and gold, something delicate and immortal that only reveals itself to an attentive foreigner. I shall miss it.

The St. Sepulchre Chapel, Winchester Cathedral. Photo taken by author.

More than that, I’ll miss the many friends I made in my two years abroad. Not just English either, though there were plenty of those – but also Canadians, Russians, Australians, Irish (both orange and green), French, Armenians, Italians, Romanians, Scots, Sri Lankans, Welsh, Poles, Chinese, and even some of my fellow countrymen. The story of my time in Oxford would not be complete without them. I will feel the absence of each, some more keenly than others.

St. Stephen’s House in the snow, January 2019. Photo taken by author.

I suppose this is as good a time as ever to take stock of some of my travels through life at large. I am 24 years old. I have visited 12 countries beyond the borders of the United States:

The United Kingdom
France
Ireland
Belgium
The Netherlands
Italy
Austria
The Czech Republic
Hungary
Romania
Bermuda
Vatican City

And 14 if one includes layovers and train connections in Germany and Switzerland. I have stood at the banks of the following rivers:

The Thames in London
The Thames in Oxford (Isis)
The Thame in Dorchester (before it becomes the Thames)
The Cherwell
The Liffey
The Seine
The Amstel
The Arno
The Rhône
The Saône
The Tiber
The Danube
The Lys
The Usk
The Avon in Bath
The Loire
The Cam

I have spent quite a lot of time in churches. A few favorites in England include the Oxford Oratory, the York Oratory, the Birmingham Oratory, Magdalen College Chapel, Worcester College Chapel, Oriel College Chapel, Merton College Chapel, St. Stephen’s House Chapel, St. Etheldreda’s, Holborn, and the Anglican Shrine of Our Lady of Walsingham. My single favorite church in England remains the Brompton Oratory, as it has been since that first June day I stepped into its vast and holy darkness, four years ago.

A favorite country church – St. Swithun’s, Compton Beauchamp. Full of delightfully ironic Georgian monuments and a complete refurbishment by Martin Travers in the 1930s. The setting is beautiful, too. (Source)

I have so far managed to get to the following Cathedrals (and Abbeys) in England, of which the first two are my favourites:

Winchester Cathedral
Gloucester Cathedral
Norwich Cathedral
Oxford Cathedral
St. Paul’s Cathedral
York Minster
Wakefield Cathedral
Salisbury Cathedral
St. Giles’s, Edinburgh
Westminster Cathedral
Westminster Abbey
Bath Abbey
Malmesbury Abbey

Plus some lovely country churches – East Coker, Burford, Stow-on-the-Wold, Binsey, and my very favorite, St. Swithun’s, Compton Beauchamp.

In Ireland, Silverstream Priory remains the most spiritually nourishing place I have ever been; its beauty and its holiness are always palpable.

The Ghent Altarpiece. Seeing this for the first time last February in Saint Bavo’s Cathedral was one of the best moments of my two years abroad. (Source)

My travels on the Continent have been full of their own various ecclesiastical delights, so I’ll only mention a few highlights. My favorite cathedral in the world is St. Bavo’s, Ghent, which represents the perfect fusion of Gothic, Baroque, Rococo, and 19th Century styles. In France, the Chapel of the Miraculous Medal in the Rue du Bac, Saint-Étienne-du-Mont, Lyon Cathedral, Notre-Dame de Fourvière, and Saint-Just in Lyon are a few holy places I will not easily forget. Recently, I visited De Krijtberg in Amsterdam, which is the best example of painted Neo-Gothic I have seen beyond the Sainte-Chapelle. Italy is too full of wonderful churches to count, as are the old Hapsburg lands. If I were to choose a favorite in each, I suppose I would have to list the Chiesa Nuova (St. Philip Neri’s home and final resting place) in Italy, as well as Stift Heiligenkreuz in Austria, the Matthias Church in Hungary, and St. Vitus Cathedral in the Czech Republic. Though, to be fair, I visited several of these a few years ago rather than on this late sojourn in Europe.

The cloisters, Gloucester Cathedral. America’s greatest fault probably lies in having no Medieval structures in situ. Photo taken by author.

I list these travels not out of any boasting, and, perhaps, not even for my readers. If anything, I do it for myself. I am more interested in remembering these places; writing about them has given me occasion to reminisce, to try and recapture something of the pleasure they gave me once.

I have been very blessed in life. I praise the Good Lord for allowing me the chance to see a bit of the world, to have done useful work, to have read interesting books, to have seen beautiful things, to have drank some good wine, and to have known such wonderful people. What more can one ask for in this brief life?

Anglo-Catholics and the Occult: My Church Times Debut

The Abbey in the Oakwood, by Caspar David Friedrich.


The Church Times have just published an article in which I summarize some of my research on the connection of Anglo-Catholics and the occult world. I’d like to thank my supervisor, Dr. Sarah Apetrei, and co-supervisor, the Rev. Canon Robin Ward, for their support throughout all of this. I’d also like to thank Fr. James Lawson for the early help he provided as well as Dr. Michael Yelton and those various other figures who have discussed the matter with me over the past year, often in words of encouragement. Hopefully the full paper will be published someday. For now, read here

“A Wandering Bishop I, a Thing of Shreds and Patches”

Loons1

“…of miters, rings, and snatches / of episcopacy!” (Source)

Those of my readers who take an interest in such things will no doubt find a series of articles over at the Anglicanorum Coetibus Society about the (inevitably) strange case of a modern episcopus vagans. It’s got everything: multi-syllabic titles of nonexistent sees, complicated episcopal genealogies, a brush with the Old Catholics, incongruous vestments, a sex scandal, batty old women, Freemasons, just a whiff of diabolism, alleged “Patriarchal Cathedrals” in mortuary chapels, Gnosticism, a false knighthood, Dracula’s seaside town of Whitby, suspicious jaunts off to Malta, obscure saints, a drunken celebrant, and false triple-barrelled names.

Whither Anson and Brandreth?

If these are the sorts of things that might divert you as we enter into All Hallowtide, do give the good folks at ACS a few views. We are in debt to Simon Dennerly for his painstaking reporting on this troubling narrative. Connecting all the dots in that field of very bizarre orders and bishops and patriarchs and abbots and princes can be dizzying work. One must have a great deal of patience – not to mention the stomach for it.

Here are the articles:

James Atkinson-Wake: “who wears the Mitre of Satan”

(Incidentally, “Who Wears the Mitre of Satan” sounds like one of those wonderful old Hammer Horror films starring Christopher Lee).

Philip James French: the Fake Catholic Bishop of Whitby

 

The Reckoning of the Fake Catholic Bishop of Whitby?

One rather wonders how the story will end. Then again, we know how all stories end: death, judgment, Heaven, and Hell.

Elsewhere: Benedictine Mementos from England

caldey-5

A procession on Caldey Island. (Source)

I’m not sure how I missed this astounding collection of photos of old Caldey, Prinknash, Pershore, Nashdom, and Farnborough when it came out last year, but I’m very glad to have discovered the trove yesterday. Some highlights include:

1. The barge fitted with heraldic devices that Peter Anson describes in Abbot Extraordinary, which was used specifically for the translation of St. Samson’s relics.

2. The silver sanctuary lamp in the shape of a galleon at full sail – once in Aelred Carlyle’s abbatial house (read: palace), now in the main oratory at Prinknash.

3. The various stones of dissolved abbeys brought to Caldey and placed into a single altar. If I’m not mistaken, Fr. Hope Patten must have gotten the idea for the Shrine at Walsingham from Caldey, as he knew Aelred Carlyle quite well.

4. Some lovely images of St. Samson and the Holy Face of Jesus used on printed material from the monasteries.

5. One or two excellent frontals, especially the one embroidered with seraphim at Prinknash.

6. An abbess of Kylemore Abbey in Ireland.

7. Peter Anson’s several drawings of Prinknash.

8. A procession for the 1964 Nashdom jubilee.

9. F.C. Eden’s terrifically English reredos at Caldey.

10. Scenes of the community’s collective reception into Rome in 1914 – including a shot of the Bl. Columba Marmion, who was an enthusiastic supporter of old Caldey.

Those who like Anglo-Catholic or monastic history will no doubt be as excited about this collection as I am.

UPDATE: A reader has kindly reminded me that, of course, Caldey Island is off the coast of Wales. So my title is perhaps a little misleading.

The Voice of Arthur Machen

GreatGodPanBeardsley.jp

The title illustration of Machen’s The Great God Pan and the Inmost Light (1896), famously rendered by Aubrey Beardsley (Source)

Arthur Machen (1863-1947) was one of the greatest horror writers in the English language. His particular brand of esoteric paganism, the dangers of the occult, the sinister truth lurking behind folktales, and a highly-developed knack for evoking eldritch terror – all of these elements exerted a profound influence on the development of weird literature. Those who enjoy Lovecraft will recognize much in Machen that later made its way into Lovecraft’s own corpus. The dark bard of Providence held Machen in high esteem.

Machen was also a deeply spiritual Christian, best but imperfectly classed as an Anglo-Catholic. His strong sense of the mystical life found its fullest expression not in his horror stories, which do indeed bear some mark of his sacramental worldview, but in his later writings. A Welshman, he was fascinated by the Grail legend and connected it with his idea of an ancient, vividly supernatural “Celtic” Christianity.

AMachen.jpg

Portrait of Arthur Machen (Source)

Machen is a favourite of mine. I cannot recommend his stories highly enough – especially The Great God Pan, “The Novel of the White Powder,” “The Shining Pyramid,” “The Ceremony,” and “The Lost Club.” He is far scarier than some of his better-known contemporaries such as M.R. James or Sir Arthur Conan Doyle.

He also figures prominently in some of my research. I recently came upon a recording of his voice from 1937, in which he speaks of Chesterton, Dickens, Thackeray, and the art of fiction more broadly. Some of my readers may find this as enjoyable as I do, and so I provide a link here.

A Poem by Montague Summers

madonna-delle-grazie-santa-chiara-giuseppe-marullo

Madonna delle Grazie, Naples (Source)

Some of my readers will no doubt remember that very strange fellow I once wrote about, the Rev. Montague Summers. I have had to look at quite a lot of his orchidaceous writings recently for my research, including his poetry. Here is one such poem he wrote in Antinous and Other Poems (1907). It was written while he was still an Anglican, though it anticipates the lusciously Baroque spirituality that would mark his later writings.

Madonna Delle Grazie

Montague Summers

In the fane of grey-robed Clare
Let me bow my knee in prayer,
Gazing at thy holy face
Gentle Mary, Queen of Grace.
Thou who knowest what I seek,
Ere I unlock my lips to speak,
For I am thine in every part
And thou knowest what my heart,
Yearning in my fervid breast,
Ere it be aloud confessed,
Longeth for exceedingly,
Mamma cara, pity me!

By the dearth of childlorn years,
By thy mother Anna’s tears,
By the cry of Joachim,
When the radiant seraphim,
Girdled with eternal light,
Blazed upon the patriarch’s sight
With the joyous heraldry
Of thy sinless infancy.

By the bridal of the Dove,
By thy God’s ecstatic love,
By the home of Nazareth,
When the supernatural breath
Of God enfolded thee, and cried:
“Open to me, love, my bride,
Come to where the south winds blow,
Whence the mystic spices flow,
Calamus and cinnamon,
Living streams from Lebanon.
Fresh flowers upon the earth appear
The time of singing birds is near,
The turtle-dove calls on his mate,
The fruit is fragrant at our gate.
Thy lips are as sweet-smelling myrrh,
When the odorous breezes stir
Amid the garden of the kings;
As incense burns at thanksgivings.
Thy lips are as a scarlet thread,
Like Carmèl is they comely head,
Thou art all mine, until the day
Break, and the shadows flee away!”

Mother, by thy agony
‘Neath the rood of Calvary,
When the over-piteous dole
Pierced through thy very soul
With a sevenfold bitter sword
According to the prophet’s word.
By the sweat and spiny caul,
By the acrid drink of gall,
By the aloes and the tomb,
By thy more than martyrdom,
Dolorosa, give to me
The thing I lowly crave of thee.

By thy glory far above,
Mother, Queen of heavenly love,
By thy crown and royal state,
By thy Heart Immaculate,
Consort of the Deity,
Withouten whose sweet assent He
May nothing deign to do or move
Bound by ever hungered love,
God obedient to thee!

Mother, greatly condescending,
To thy humblest suitor bending,
From thy star-y-pathen throne,
Since it never hath been known
Whoso to this picture hied,
Whoso prayed thee was denied,
Mamma bella, give to me,
The boon I supplicate of thee!

In Santa Chiara, Napoli.

Screen Shot 2018-06-04 at 11.43.14 PM.png

“Madonna and Child,” Carlo Crivelli, c. 1480 (Source)

Anglicans, Sex Abuse, and the Seal of the Confessional: The Controversy and Why it Matters for Catholics

Cathédrale_Saint-Étienne_de_Toulouse_-_chapelle_des_reliques_-_Confessionnal_PM31000752.jpg

An exemplary confessional from Toulouse, France. As with most things in life, the more Solomonic columns, the merrier. (Source)

Controversy is hardly a rarity in the Church of England. Yet not every controversy among Anglicans has possible implications for Roman Catholics. The most recent kerfuffle does.

On Tuesday, May 29th, the Rev. Canon Robin Ward SSC, Principal of St. Stephen’s House, Oxford, posted the following status on Facebook.

Screen Shot 2018-06-02 at 1.51.33 AM

Source: Facebook.

Anglo-Catholics have an amusing tendency to apply the Roman Code of Canon Law to their own ecclesial life, if only to frustrate the machinations of Evangelical bishops. It’s one of the oldest AC tricks in the book. A venerable tradition of principled disobedience, if you will.

But that is not what Fr. Ward is doing here. He is referring to the Anglican Code of Canon Law, which does indeed affirm the seal of the confessional as a sacramental norm (See Canon 113). Since Fr. Ward’s post, there has been an enormous to-do in the press. It seems that, although these guidelines came out in 2015, no one has noticed until last week. Forward in Faith, the pressure group advocating for traditionalist Anglo-Catholicism in the Church of England, released a concise yet substantive denunciation of the Canterbury guidelines. Indeed, this is not the first time they have addressed the issue. The predictably tedious Church Times report on the matter has come out. Religious sites like Christian Today have written about the controversy. This attention was, perhaps, to be expected. But even secular newspapers are starting to notice. Both The Times and The Telegraph have picked up the story.

Some context may be useful for those who don’t hold their ear to the ground of internal Anglican politics. The Bishop of Dover, who actually governs the See of Canterbury in place of the Archbishop, issued these guidelines. He is not generally known for accepting Catholic doctrine on this or any sacramental point.

No doubt some of my Catholic readers will interject at this point, “Of course he wouldn’t. He’s a Protestant!” Fair enough. But Anglo-Catholics in the United Kingdom do tend to accept lots of Roman doctrine. There are even pockets where Anglo-Papalism – that heady brew of Baroque ceremonial, English sacral vernacular, devotional maximalism, attachment to a male-only priesthood, and slavish Ultramontane sympathies – still exists. And most of those Anglo-Catholics accept the Roman teaching that the wilful withholding of sins by a penitent in confession is itself a mortal sin, thus invalidating any absolution. I will leave aside the dubious question of sacramental validity for now. The point is that Anglo-Catholics really do believe all this, and they treat confession in much the same way that devout Roman Catholics do. Anglo-Catholics with the cure of souls live by that rule. It is only logical that the head of an Anglo-Catholic seminary would thus take serious umbrage with a move in the Primate’s own diocese that was manifestly a) uncanonical, and b) mortally sinful.

But here is another reason for concern, even for us Romans. The diocese responded to Fr. Ward with the risible if disturbing claim that “[The mandated disclaimer] is intended to advise the penitent not to divulge in confession something which would legally compromise the position of the priest.” This is an extremely telling phrase; it constitutes the tacit admission that a diocese in the Church of England is surrendering the legal viability of the seal of the confessional, period. Mandatory reporting is the order of the day, and the sacrament must be deformed to fit it. I hope Catholics prick up their ears.

This guideline was promulgated against the backdrop of the Clerical Sex Abuse scandal. The C of E has been grappling with the same deep evils that have plagued the Roman Catholic Church in recent history. While the bishops have taken some good and appropriate steps in safeguarding, nevertheless, mistakes have also been made. Take the case of Bishop George Bell, accused of abuse posthumously and subsequently subjected to a multi-year botched inquiry and, arguably, public character assassination. Yet the Archbishop of Canterbury has dug in his heels on the guilt of George Bell in spite of the evidence that the Church’s investigatory body was irresponsible and hasty in its conclusions.

bishop-george-bell

Bishop George Bell…abuser or victim? Hard to say after the C of E’s deeply flawed investigation. (Source)

Do I know whether the confession guidelines for the Archbishop’s own diocese have been crafted with an eye to that particular scandal? No. It’s impossible to say. But we can safely say that the Bishop of Dover’s dissolution of the seal of the confessional is a similar misstep in the Church’s ongoing attempt to come to terms with the legacy of child abuse.

Of course, the same problem has existed, in a much more flagrant and public way, in the Roman Catholic Church. And it is this connection that should make the Bishop of Dover’s move so troubling to Catholics. His guidelines didn’t materialize out of the air. Similar suggestions have been made to National Inquiries about clerical sex abuse in Britain. Even more serious developments in Australia have seen wider discussions about legally abolishing the seal of confession.

But to return to the United Kingdom – let’s not forget that the Church of England is a motley crew of clerics who think their coreligionists are, at best, mistaken, and at worst, heretics. Evangelicals, Liberals, and Anglo-Catholics of every stripe take deeply divergent views of the sacraments. If the Bishop of Dover’s guidelines are allowed to stand under the current Code of Canon Law, what’s to stop other bishops from adopting them in their own sees? Evangelicals generally don’t have the same hang-ups about confession as Catholics, and liberals may see the change as a progressive step. If enough bishops do adopt the guidelines, they can start to change the culture of the church. Once ordinary Anglicans become used to this exception in the confessional seal (among those who practice confession at all, which is probably a fairly low number anyway), what kind of pressure will the clergy start to exert on the Roman Catholics of England? What if Parliament takes up the cause, following the precedent of the Australians? What if mandatory reporting is extended by law to all clergy without exception? What then?

A slippery slope, you say? Maybe. But there are liberal Anglicans who have already attacked traditionalist Anglo-Catholics – the most Roman people in the Church – on precisely these terms. The Rev. Martyn Percy, Dean of Christ Church, Oxford, argued (in Holy Week!) that sex abuse is tied to traditionalism among Anglo-Catholics and Evangelicals. Without a hint of irony, he writes,

There are common denominators between these two ecclesial cultures. They deny women equality. They are squeamish about sexuality. They sacralise ambiguity. They put their leaders on unimpeachable pedestals. The worst abuses flourish in the cultures that are self-righteous.
(emphasis mine – RY)

Other liberal Anglicans have suggested that “angry, conservative religion…in the Church of Rome” will have to undergo various changes to accommodate modernity. One could reach for examples. I will merely say that there is no shortage of criticism directed towards the Church of Rome by Anglicans who don’t identify as either traditionalist or Anglo-Catholic. And let us not forget the long and terrible history of English anti-Catholicism, a staple of British culture from the Reformation on. It has cropped up even in our own times.

The_tongue_of_St._John_Nepomuk_surrounded_by_five_episodes_o_Wellcome_M0005656.jpg

“The tongue of St. John Nepomuk surrounded by five episodes of his life.” Behold, the saintly tongue that would not break the seal. (Source)

What happens in the Church of England matters in no small part because it is the Established Church. It is thus something of a thermostat (or at least a thermometer) of public religious opinion in Great Britain. The prospect of the Anglicans ceding the seal of confession to the investigatory apparatus of the state, and thus normalizing the violation of the seal, is a dangerous prelude for the Catholics of this country.

And of course, there’s the very practical point that mandatory reporting even for confessions will not produce more results. Abusers will simply stop confessing those sins, even as the abused will no longer be able to confide in their priests. Who does it hurt? The most vulnerable. Who does it help? No one.

Catholics believe that the seal of the confessional is absolute. It is the guarantee that when a penitent sincerely asks forgiveness for his sins, he can be sure that he is receiving absolution from someone who will never reveal his past. It is Christ who hears and forgives, not the priest in himself. And Christ is the “Lamb of God, who takes away all sins.” The seal of the confessional expresses this mystical reality. The saints have always known that “neither death nor life, nor angels nor principalities nor powers, neither what is present nor what is to come, no force whatever, neither the height above us nor the depth beneath us, nor any other created thing” could justify, force, or provoke the violation of the seal of the confessional (Rom 8:38-39). Some were martyred for keeping holy silence.

I hope and pray that we will never see martyrs of the confessional in our time. But if worst comes to worst, will our priests be willing to shed their blood for the trust they have been given?

St. John Nepomucene

St. John Nepomuk, martyred for refusing to break the seal of the confessional. May he intercede for us wherever the seal is challenged. (Source)

Perhaps this controversy, like so many, will turn out to be nothing more than a tempest in the teapot. I would happily look back on this piece in many years’ time and say that my fears were all ill-founded and misbegotten. Let me be accused of hysteria! I would rather be worried over nothing than prove a Cassandra. But as things develop, it may not be a bad idea to pray for the intercession of St. John Nepomuk.