O God, who, after having shown to us in Saint Augustine the very excess into which corrupt nature causes us to fall, hast also caused us to see in him the strength and the empire of Thy Grace over our hearts, grant us, we beseech thee, so perfect a knowledge of our extreme misery and of Thy infinite mercy, that, expecting everything from Thee, and nothing from ourselves, we might hope fully in Thee by defying ourselves completely.
O God, who in embracing Saint Augustine with Thy Love, and in elevating him above all men by the knowledge of Thy Truth, hast placed him in Thy Church as a fiery and shining lamp, so that he might illuminate and defend her by his doctrine, and console and edify her by his sanctity; grant, by the help of his charitable intercession, that we might imitate his virtues; and, at his example, rejoicing only in the truth, and having taste only for the fruits of charity, we might despise this mortal life by the hope and feeling of the all-divine life which Thou hast promised us; so that, loving Thee alone, we might also place all our happiness in Thee alone.
Thus we beseech thee by Jesus Christ our Lord. Amen.
(From Jean Hamon, Entretiens d’une âme avec Dieu, New Edition (Avignons, 1740), pp. 405-06; original translation by The Amish Catholic)
This week’s contribution to the Lenten Spirituality Series comes from Jean de Bernières-Louvigny (1602-1659), a pious lay mystic who lived and died in Caen. From his hermitage in this rainy Norman town, Jean de Bernières gave himself over to profound experiences of contemplative prayer. His spirituality, as expressed in the two volumes of his Le chrestien intérieur (Paris: 1661), was deeply indebted to the apophatic tradition of mystical theology. Although a solitaire, Jean de Bernières was engaged in ecclesiastical and charitable networks that included some of the greatest spiritual figures of his day. He was a member of the Compagnie du Saint-Sacrement in Caen and corresponded with such notable individuals as St. François de Montmorency-Laval, Bishop of Québec, and Mother Mectilde de Bar, Foundress of the Benedictines of Perpetual Adoration of the Most Blessed Sacrament of the Altar. He met the latter at Caen; she became, as it were, a dear friend. Translated into German in the eighteenth century, Jean de Bernières had an important influence on the trajectory of Pietism in that country. He has, as far as I can tell, never been fully translated into English. What I produce below is my own translation, in the hope it may offer some aid to pious souls in this time of temptation. The excerpt comes from the Second Volume, Book V, Chapter II of Le chrestien intérieur, pp. 6-11. I would add, for those who take an interest in such matters, that one of the extra difficulties in translating Jean de Bernières is that he uses Norman French vocabulary that no longer appears in standard French. I hope I have managed to capture his sense here.
To commune worthily, one must place oneself in a state conformed to that of Jesus, in the Blessed Sacrament.
Jesus Christ wishes to give Himself to us in this august mystery, in a state of death with respect to the life of the senses, but as a source of life with respect to the interior life, the divine life, the life of grace, the life of contemplation and continuous application to the grandeurs of God His Father; a life poor and annihilated [aneantie] in exteriors, but entirely brilliant with majesty, and infinitely rich under the veil of the species that hide it from the eyes of the world. It is with these dispositions that that He comes to present Himself to us, wishing as well that we too should present ourselves to Him with dispositions conformed to His.
The Humanity that He gives to you in Communion has been elevated to the divine life by the hypostatic union; we too must be such by grace, that our understanding would be elevated to a high knowledge, and our will to a sublime sentiment of love of God, and that our soul would live the life of grace. O sublimity of the life of grace, you are so admirable, you are so high, you are so ineffable! You raise man from earth to heaven, and you make him live in God, and even of God, because you dispose him to live on the earth from the same substance by which the Blessed live in heaven. O great life of grace, you are poor to the exterior, but very rich in the interior: you seem low, but you are most high: you have ravished me with you beauty, I can no longer live a moment without thee, who make [me] live from a divine life, who places the soul in the heart of God, and who disposes her to see God placed in her heart.
Since the beauty of this life manifests itself to the soul, she leaves everything to embrace it, and everything else seems to her naught but death and corruption; we abandon the world, honors, and riches; we condemn ourselves to penances, to mortifications, to poverty, so as to live this divine life; and we feel a holy hunger for this adorable food that nurtures the soul. O that I might know it, my God, and that I might follow it, this divine life, so little known to the world, practiced by so few in the world, that also does not find itself altered by the waters of Thy eternal fountains! O Jesus, draw me after Thee in the actions of the life of grace, which is in its full exercise in misery and scorn. Draw me, Lord, I run after Thee in the odor of Thy perfumes. What pleasure, my soul, to behold you walking as a giant in the ways of grace, nourished and fortified in your course with the bread of grace: Ambulavit in fortitudine cibi illius usque ad montem Dei.
To live in one’s own death, as Jesus seems to us in the Blessed Sacrament, to lose one’s glory in contempt, to be ravished when one is annihilated [aneanti] and sacrificed; this is proper to the life of grace. Making everything dead to the exterior, it brings life to the interior, and gives principally the spirit of prayer, putting it almost continuously in exercise in the soul, applying itself to this infinite and incomprehensible Being that it adores, unable to comprehend It, and annihilating itself [s’aneantit] before Him, unable even to admire His divine grandeurs, as annihilated [aneanties] in the Eucharist. O my soul, how great is your vileness, how extreme your poverty! What is man, that You should have remembrance of him, Lord, and that You should visit him, and that You should take Thy delight from coming to dwell personally with him? His soul is drawn from nothing, and his body is nothing but a little mud, and Thou deignest to set Thine eyes upon him! How is it that this creature, so dirty, so minuscule, so coarse, could receive the infinite majesty of God? Humble thyself to the bottom of thy nothingness, and confess thy baseness, my soul. Lower thine eyes, and swear that thou art unworthy to turn them only towards that formidable grandeur; but be still more moved with admiration, of recognition and love of such excessive goodness, which deigns well to annihilate itself [s’aneantir] in that incomprehensible mystery, to bring itself to you even unto your nothingness.
We must truly love the state of interior captivity, where the soul, bound and tied up, stays in the obscurity of its prison. This state will honor the captivity of Jesus enclosed under the little host. This divine Lord place himself in a little prison for our love. The King of Glory is restricted under these small species, and thereby a captive and prisoner of man, He renders Himself, it seems, his slave, giving Himself entirely to him; He suffers, so to speak, and dies for him, and communicates to him all the merits of His Precious Blood. O divine Captive, captivate my heart so strongly, that it may never more return to natural liberty; but that all destroyed and annihilated [aneanti], it may not live another life than the superhuman, nor may it enjoy any other liberty than that of Thy children.
Each time that one takes Communion, Jesus Christ giving Himself entirely to all, there are all new obligations that we contract to live entirely for Him, and to render all our actions divine. It is necessary therefore for a good soul not to say: I have not such time to prepare myself for Communion; because she must not aim at another thing by all the actions of her life, but to receive the Bread of Life, in order to live the life of Jesus, and to persevere perpetually in similar dispositions to those that appear to us in the Blessed Sacrament.
As my readers will no doubt be aware, most religious orders have a motto that encapsulates their particular charism. However, many of these are a bit tired and could use with some updating. Here are my proposals:
Benedictines: Prayer, Work, Monk-eying Around
Jesuits: Up to Something
Dominicans: Sed Contra
Franciscans: Need a Bath
Lazarists: Nolite Me Tangere o Pauperes
Carmelites: Better Than You
Oratorians: O Happy Flowers!
Trappists: Beer, Cheese, Keeping Death Daily Before One’s Eyes
Frontispiece of the Sacra Exequialia. Note the skeletons at the base of the candelabra and baldachin columns. (Source)
A forgotten Latin text of 1702, the Sacra Exequialia in Funere Jacobi II, provides some wonderful views of early modern Catholic funerary rites. Or at least, as those rites were employed for dead monarchs. The central text is Cardinal Barberini’s funeral oration for the king at Rome. Fun fact: if you Google “Exequialia,” it’s the first and one of the only results. While it may not be a hapax legomenon, it’s the sort of rare word that makes epeolaters and logophiles drool.
At any rate, I’m not writing this post because of Barberini’s text. The book’s more delicious feature is its several illustrations, including the wild Baroque decoration of the church of San Lorenzo in Lucina as well as several emblems.
The decorations of San Lorenzo in Lucina for the occasion. (Source)
Of course, James II died in Paris and buried in the English Benedictine church there. It is a testament to the respect he was held in by the Papal court that a Cardinal of such standing as Carlo Barberini, Archpriest of the Vatican Basilica, should preach an oration for him in Rome.
One of the marvellous emblems in the text. Note the Ouroboros. (Source)
An image of London. There are similar views of Paris and Rome. All were at hung at the high altar behind the catafalque and its baldachin. (Source)
Another moral emblem. I’m particularly fond of this one as the harp recalls not only the exile in Babylon (and thus the Jacobite exile) but also the valiant Irish defense of James’s claim to the throne in 1689. These also would have adorned the walls of the church alongside the King’s arms. (Source)
A closer view of the skeletal flambeaux. One can never have too many at a funeral. (Source)
Jacobite emblem accompanying the text of the Oration. (Source)
A closer view of the frontispiece. Note the Pope flying over the catafalque. (Source)
Here you can see the spooky scary skeletons all around the room. (Source)
Earlier this week, I went to the Birmingham Oratory for the Feast of Bl. John Henry Newman. Fr. Ignatius Harrison, the Provost, was kind enough to open up the Oratory house to me. I must offer him my tremendous thanks for his hospitable willingness to let me see such an incredible (and, it must be said, holy) place. Likewise, I thank Br. Ambrose Jackson of the Cardiff Oratory for taking time out of his busy schedule to give me what was an extraordinarily memorable tour. I went away from the experience with a rekindled devotion to Cardinal Newman.
Your humble servant in Cardinal Newman’s own library. Photo taken by Br. Ambrose Jackson of the Cardiff Oratory. You can see Cardinal Newman’s violin case on the lower shelf of his standing desk at right.
There were many striking and beautiful sights at the Oratory – not the least of which was the Pontifical High Mass in the Usus Antiquior, celebrated by His Excellency, Bishop Robert Byrne. Even from so short an experience, I can tell that the Birmingham Oratory is one of the places where Catholicism is done well, where the Beauty of Holiness is made manifest for the edification of all the faithful. I walked away from that Mass feeling drawn upwards into something supernal, something far beyond my ken. This place that so palpably breathes the essence of Cardinal Newman is, as it were, an island of grace and recollection amidst a world—and, sadly, a Church—so often inimical to things of the spirit.
The Birmingham Oratory with the relics of the Blessed Cardinal displayed for veneration by the faithful. This photo was taken by the author shortly before Mass.
Yet amidst all this splendor, I found myself peculiarly drawn to one very quiet, very easy-to-miss relic. It lies in the little chapel to St. Philip Neri to the left of the altar; in this placement, one can see the influence of the Chiesa Nuova on Newman and his sons, who modeled their house’s customs on Roman models. And so it is only appropriate to find relics of St. Philip there in that small and holy place, so evocative of the great father’s final resting place.
The altar of St. Philip Neri, Birmingham Oratory. Photo taken by the author.
The collection of relics in the chapel are mostly second-class. These are not pieces of the body, but materials that touched St. Philip either in his life or after his death. One of these small items spoke to me in an especially strong way.
The little grey pouch you see to the left is St. Philip’s spectacle case. There is nothing terribly remarkable about it. It may not even be entirely intact, for all I know. A visible layer of dust covers the case, and a hard-to-read, handwritten label is all that identifies its use and provenance. No one comes to the Birmingham Oratory to see what once held St. Philip’s glasses. But of all the glorious relics I saw that day —some encrusted in gold, some taken from rare and holy men, some evoking the perilous lives of saints who lived in a more heroic age—it was this humble artifact that most fired my imagination.
A spectacle case is no great thing. It does not shift the balance of empires or change the course of history. But humility and nobility are close cousins all the same. Here we come upon St. Philip in his quotidian life. A saint so marvelously strange, so crammed with the supernatural, so flame-like in darting from one miracle to another, nevertheless bent his fingers to the perfectly ordinary task of opening this case and taking out his spectacles so that he might see just a little better. It is a true maxim that grace builds upon nature. We have been told of St. Philip’s many graces. Here we find him in his nature; frail and imperfect and in need of just a little aid, so like our own.
The supernatural never erases the natural, and God is never more glorified than in our weakness. The hands that took up this case and opened it and drew forth its contents, perhaps a little fumblingly from time to time, are the very same thaumaturgic hands that lifted a prince out of death and Hell so that he might make his final confession. We know the story of the miracle. How rarely do we ponder the everyday conditions of its operation! How rarely do we consider those hands in their ordinary life.
There is a tendency with St. Philip—as with many saints, and with Our Lord Himself—to reduce his life to one or two features. Some would make him an avuncular chap, always happy to laugh and thoroughly pleasant to be around, a jokester, a picture of joy and friend to all. On the other hand, we can get lost in the extraordinarily colorful miracles that mark St. Philip’s life, losing him in a fog of pious pictures and pablum. Neither captures his essence. The true middle way is to maintain a healthy sense of the bizarre—an approach that recognizes the extraordinary in-breaking of the supernatural precisely because it appreciates the ordinary material of St. Philip’s day-to-day existence. It was this view that Fr. Ignatius himself recommended, though perhaps with a greater emphasis on the “weird,” in his homily delivered last St. Philip’s day.
I was reminded of this double reality when I saw St. Philip’s spectacle case. Prosaic relics carry this two-fold life within them more vividly than those upon which our ancestors’ piety has elaborated in glass and gold. Even Cardinal Newman’s violin case is not so markedly dual in this way; after all, every instrument belongs to that human portion of the supernatural we call “art.” Music, paintings, and other aesthetic forms all lift the human soul out of itself and into another world. In some ways, they are cousins both to Our Lady and to the Sacraments, God’s masterpieces of the sensible creation. Yet a spectacle case—how utilitarian. How plain. How merely functional. There is no poetry in a spectacle case. One can imagine writing a poem about a violin—the sinuous form of the wood almost suggests it, and more so when it carries a connection with so great a man as Newman—but a spectacle case? Drab as this one is, its beauty comes only from the story it tells, from the life it once served, from the little help it gave its owner in his acquisition of beatitude.
Too often we wish to be God’s violins. In our quest for holiness, we wish to be admired, to cast our voice abroad, to give and seek beauty. These are not necessarily unworthy goals. But they are not the most important thing. Too infrequently do we turn our mind to the spectacle case. All too rarely do we seek our holiness in the gentle, quiet, everyday task of being useful, unnoticed, and present to God precisely when He needs us.
St. Philip knew how to be both, when he needed to be. May we learn to be like him in this as in so many respects.
The effigy of Holy Father Philip, Chapel of St. Philip Neri, Birmingham Oratory. Photo taken by author.
Over on Twitter, I refer my readers to an incredible thread from Joshua Jennings, who has posted images from an antique book on the fifteen mysteries of the Rosary. The illustrations are delightful, the devotion is manifest, and the typology is sound. Do give it a look.
At Vultus Christi, there is an excellent meditation on the spiritual power of the Rosary. Here’s an excerpt:
The Rosary confounds complexity and decapitates spiritual pride. There is no problem or difficulty that cannot be solved or resolved by faithful persevering recourse to Mary’s Psalter. The Rosary is the gift of the Mother of God to the poor and the powerless, who alone are capable of hearing the Gospel in all its purity, and of responding to it with a generous heart. It is to such as these — the childlike and the weak, the poor and the trusting — that the Rosary is given. It is to such as these that the Rosary belongs.
Today is the Feast of St. Bruno, founder of the Carthusians. While many know of the Carthusians for their famous silence, their holy way of life preserved from corruption down the centuries, and that wonderful green liqueur they make, few are aware of another gift they have given the world: a breed of Andalusian horse known as the Cartujano.
The breed emerged as early as the 1400’s, and had become an important strain of the Spanish equine population by the early modern period. They originated at the Charterhouse of Jerez. The story of their arrival at the monastery is a little uncertain, but one plausible theory holds that:
“Don Pedro Picado, was unable to pay his ground rent to the monks…decided to pay them…in kind by offering them his mares and colts. These animals had been bought…from the brothers Andrés and Diego Zamora…who formed this small stud farm from a stallion bought from a soldier, and one of its sons, a colt of extraordinary beauty and grace, called ‘Esclavo.'”
At any rate, the monks commenced a breeding program that lasted for hundreds of years – they only lost their monopoly on the line at the French invasion. The end result was what one source has called “the purest of Spanish horses.” Take a look at the numbers:
The Carthusian horse, or Cartujano is not a distinct breed of horse but rather an offshoot of the pure Spanish horse and is considered the purest strain remaining with one of the oldest stud books in the world. Roughly 82% of the Pura Raza Espanola (PRE) population in Spain contains Cartujano blood. But there are less than 3% pure Cartujano horses within the PRE population and only 500 pure Cartujanos in existence in Spain today.
We need not justify the monastic life on terms other than its own final good – that is, union with God. Or even its secondary good – prayer for the world. But if one is seeking “useful” or “worldly” benefits of monasticism, look no further than the Cartujano horse. The continuity provided by the monastic state over centuries allowed proper record keeping and a meticulous attention to the intricacies of a sustained lineage. These beautiful creatures are one testament to the salutary work of monks in history.
I’m sure there’s a spiritual metaphor here. (Source)
Today is the feast of the Bl. Abbot Columba Marmion OSB, Abbot of Maredsous. The Irishman who served most of his priestly life (and all of his monastic profession) in Belgium is not yet canonized, but I and many others pray he will one day become a Doctor of the Church. Here are some of his words for my readers’ consideration, along with my own occasional commentary. No doubt, my readers will observe what has often been noted about the Blessed Abbot – that he combines a firm dogmatic foundation with penetrating mystical insight and the soundest of practical advice.
“We must be careful to supernaturalize our work. Never begin your studies without having prayed. Try to watch over your intention: see that it is for God and for truth…Never become the dupes of your own learning: in this life our knowledge will always be imperfect.” (Christ – The Ideal of the Priest, 79). Admirable advice for any students, though perhaps especially for those who have made the divine mysteries their object of study.
“For everything in the life of Jesus, the Incarnate Word, is full of signification. Christ, if I may thus express myself, is the great sacrament of the New Law…each of Our Lord’s mysteries ought to be for us an object of contemplation; His mysteries ought also to be, as it were, sacraments producing within us, according to the measure of our faith and love, their own special grace. And this is true of each of the states of Jesus, of each of his actions. For if Christ is always the Son of God, if in all that He says and does He first of all glorifies His Father, neither does He ever separate us from the thought of Him. To each of His mysteries, He attaches a grace which is to help us to reproduce within ourselves His divine features in order to make us like unto Him.” (Christ in His Mysteries, 232-33). Here we see Dom Marmion presenting two important points, one explicit and one implicit. The explicit note is that every act of Christ, the God-Man, is a substantive work of our salvation even as it lifts up all glory unto the Father. This two-fold movement embedded within all of Christ’s actions thus constitutes the continuing and hidden mediation of Christ as Priest and Victim. Dom Marmion’s implicit point concerns how we come to know of this mediation. As a monk whose soul was well-calibrated to the rhythms of liturgy and lectio divina, Dom Marmion stood in a far more totalizing relationship to the Sacraments and the Scriptures than most of us will ever know. But it is precisely in these, Christ’s “mysteries,” that we encounter His mediation. And the posture of the soul required of the believer is not based primarily on her intellectual capacities, but on that deeper, more personal, super-linguistic sensitivity we call “contemplation.” One could write much more about “contemplation” as an epistemology of the Transcendent, but I digress.
“Whence came this human love of Jesus, this created love? From the uncreated and divine love, from the love of the Eternal Word to which the human nature is indissolubly united. In Christ, although there are two perfect and distinct natures, keeping their specific energies and their proper operations, there is only one Divine Person. As I have said, the created love of Jesus is only a revelation of His uncreated love. Everything that the created love accomplishes is only in union with the uncreated love, and on account of it; Christ’s Heart draws its human kindness from the divine one…The Heart of Jesus pierced upon the Cross reveals to us Christ’s human love; but beneath the veil of the humanity of Jesus is shown the ineffable and incomprehensible love of the Word.” (Christ in His Mysteries, 370-71). Reading these words, I am reminded of the phrase of St. Augustine that Scripture is a tree with its roots in heaven and its fruits on earth. The same could be said of Christ Himself.
“Faith is a seed, and every seed contains in germ the future harvest. Provided that we put away from faith all that can diminish and tarnish it; that we develop it by prayer and practice, that we constantly give it the occasion of manifesting itself in love, faith places in our hands the substance of the joys to come and gives birth to unshaken confidence.” (Christ, the Life of the Soul, 141). The point, here, is that faith is not simply a propositional assent. Its effect is not automatic, as in some of the simpler Protestant ideas of it. It must be lived – it must be cultivated if it is to bear fruit.
“Soon, however, in the same measure as the soul draws near to the Supreme Good, it shares the more in the Divine simplicity.” (Christ, the Life of the Soul, 317). In context, the Blessed Abbot is discussing the practice of prayer. The closer we grow to God, the closer we move to that knowledge of Him in which words fail. For in God, all words are utterly extinguished – all words, that is, except His own divine Name.
“Let us often beseech God to give us that light of faith and strength of love which will render our obedience perfect. Thus supernaturally sustained, this obedience will become easy, generous, simple, prompt, and joyous.” (Christ, the Ideal of the Monk, 279). Although the Blessed Abbot wrote these words for the special edification of monastics, there can be little doubt that they find a wider application in the lives of every devout Christian. For all of us must render obedience to the law of God. As Dom Marmion notes, the “luminous arms” of obedience are made up of faith and charity as a sword is made of hilt and blade. And neither faith nor charity are the exclusive purview of vowed religious.
“The devil tries to trouble you by his [subtleties], so that you may cease to act well for fear of acting from vanity. We must never cease doing well for that reason, but quietly purify our intention. The best way is to unite it with Jesus Christ, and with His intentions, and if there is anything imperfect in your intentions this union with Jesus Christ will heal it.” (Letter quoted in Union with God According to the Letters of Direction of Dom Marmion, 70). Here we see the theological basis behind a point made independently by Julian of Norwich and, later, T.S. Eliot. In the words of the latter: “And all shall be well and / All manner of thing shall be well / By the purification of the motive / In the ground of our beseeching.” That ground, of course, is Christ dwelling in us.
A view of the Bodleian Library from Radcliffe Square. Photo taken by author.
Fr. Frederick William Faber, that great son of St. Philip, was one of the many Oxford converts. He was a Balliol man who later became a fellow of University College, where he embarked on an ecclesiastical career as an Anglican. Later, of course, he came to the Church of Rome and founded the London Oratory. But as I am now settling back into Oxford, I thought it might my readers might enjoy a few of his poems about life at the University. I’ll probably break the collection up into a few different posts. Although Faber was later famous as a hymn-writer, in his youth he was a Romantic poet who won the admiration of none other than Wordsworth, whom he met in the Lake District. Faber’s style may be rather too Victorian for our tastes today. They also represent his spirituality at a very immature stage, when he was still an Anglican. The contrast between “College Chapel’s” rather pathetic final line and Faber’s “Muscular” pose in “College Hall” amuses, to say the least. But occasionally, as in “College Garden,” his sensuality and yearning anticipate the best of the Decadents who came at the end of the century. Finally, I’ll add that Faber’s romantic attachment to the legends and traditions of the English medieval monastics once again confirms my point that there remains an abiding affinity between the Oratorian and Benedictine charisms.
A shady seat by some cool mossy spring,
Where solemn trees close round, and make a gloom,
And faint and earthy smells, as from a tomb,
Unworldly thoughts and quiet wishes bring:
Such hast thou been to me each morn and eve;
Best loved when most thy call did interfere
With schemes of toil or pleasure, that deceive
And cheat young hearts; for then thou mad’st me feel
The holy Church more night, a thing to fear.
Sometimes, all day with books, thoughts proud and wild
Have risen, till I saw the sunbeams steal
Through painted glass at evensong, and weave
Their threefold tints upon the marble near,
Faith, prayer, and love, the spirit of a child!
Still may the spirit of the ancient days
Rest on our feasts, nor self-indulgence strive
Nor languid softness to invade the rule,
Manly, severe, and chaste—the hardy school
Wherein our might fathers learnt to raise
Their souls to Heaven, and virtue best could thrive.
They, who have felt how oft the hour is past
In idle, worldly talk, would fain recall
The brazen Eagle that in times of yore
Was wont to stand in each monastic hall;
From whence the Word, or some old Father’s lore,
Or Latin hymns that spoke of sin and death
Were gravely read; and lowly-listening faith
In silence grew, at feast as well as fast.
Sacred to early morn and evening hours,
Another chapel reared for other prayers,
And full of gifts,—smells after noon-day showers,
When bright-eyed birds look out from leafy bowers,
And natural perfumes shed on midnight airs,
And bells and old church-clocks and holy towers,
All heavenly images that cluster round.
The rose, and pink acacia, and green vine
Over the fretted wall together twine,
With creepers fair and many, woven up
Into religious allegories, made
All out of strange Church meanings, and inlaid
With golden thoughts, drunk from the dewy cup
Of morns and evenings spent in that dear ground!
A churchyard with a cloister running round
And quaint old effigies in act of prayer,
And painted banners mouldering strangely there
Where mitered prelates and grave doctors sleep,
Memorials of a consecrated ground!
Such is this antique room, a haunted place
Where dead men’s spirits come, and angels keep
Long hours of watch with wings in silence furled.
Early and late have I kept vigil here:
And I have seen the moonlight shadows trace
Dim glories on the missal’s blue and gold,
The work of my monastic sires that told
Of quiet ages men call dark and drear,
For Faith’s soft light is darkness to the world.