“Love is His Bond”

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St. Philip, pray for us. (Source)

The Mass of St. Philip Neri is a little lesson in joy. The propers again and again stress a common theme: namely, the great saint’s joy, built upon his constant and fiery communion with the Holy Ghost. Holy Mother Church lifts her voice and sings in the Introit, “The love of God is shed abroad in our hearts by the Holy Ghost which dwelleth in us. Praise the Lord, O my soul; and all that is within me praise His holy name.” At the Collect, we pray to God to “mercifully grant that we, who rejoice in his solemnity, may be profited by the example of his virtues.” When, in the third reading, we hear of the saint’s overpowering love of “the spirit of wisdom,” we learn as well that “All good things together came to me with her…and I rejoiced in them all” (from Wisdom 7). The Offertory likewise proclaims with the Psalmist, “I will run the way of Thy commandments, when Thou hast set my heart at liberty” (Ps. 118). Everywhere we turn, we find the joy and freedom that alone springs from communion with the Holy Ghost.

And then we come to a remarkable moment. In the Secret, the priest prays over the offerings,

We beseech Thee, O Lord, favorably to regard these present sacrifices: and grant that the Holy Spirit may inflame us with that fire, wherewith he wondrously penetrated the heart of blessed Philip.

The Church has here enshrined a stunning and highly instructive truth. Yet it is easy to miss.

The very heart of St. Philip – that organ claimed so powerfully by the Holy Ghost in the catacombs of St. Sebastian, ever converting those sinners with the happy fortune of touching Philip’s breast, inflaming the saint with the deathless ardor of love, bearing such close likeness to those sacred hearts of Christ, Our Lady, and St. Joseph, beloved by generations upon generations – that heart is set up for us here in parallel to the Eucharist. For just as it is the Spirit who will so shortly transform bread into the most holy and eternal heart of Jesus, so it is that same Spirit who made of St. Philip’s heart a “hostia pura, hostia sancta, hostia immaculata.” Christ gives himself entirely to us by the Holy Ghost in the Liturgy, and St. Philip Neri became entirely Christ’s by the arrival of the Holy Ghost in those dark catacombs. To possess the heart is to possess the whole man.

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A plate illustrating the life of St. Philip from a rare 1699 Vita, kindly shown to me and since publicly shared by the Cardiff Oratorians. (Source)

This mutual possession of God and man animates everything for the Christian. The more we are given over to it, the more God allows us to partake of His own life. The more we are His, the more He becomes ours. This spiritual truth was well understood by St. Philip, who enshrined it as the principal of unvowed community life in the Oratory. In the words of Bl. John Henry Newman, “Love is his bond, he knows no other fetter.” This line, written of St. Philip, could apply just as well to Our Savior, Jesus Christ. For it is by His indwelling love that we come to love Him. It is by love that we can join our hearts to His in the Eucharist. It is truly by love that we share “that fire, wherewith [the Holy Spirit] wondrously penetrated the heart of blessed Philip.”

The 83rd Psalm comes to the Church’s lips at the Communion. She sings, “My heart and my flesh rejoice in the living God.” These are not only St. Philip’s words, but those of every soul who gives herself over to the indwelling love of God. And at the Postcommunion, the Church prays,

O Lord, who hast fulfilled us with Thy heavenly delights: we beseech Thee, that by the merits of blessed Philip Thy Confessor, and by following him, we may ever earnestly seek after those things whereby we truly live.

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St Philip lived a preeminently liturgical life. (Source)

What are “those things whereby we truly live?” The Holy Ghost, the Eucharist, and prayer – those things, if it be not too blasphemous to speak of them as “things,” which were ever St. Philip’s “heavenly delights.” Or, more properly, that mystic unity of the three in the Liturgy. In his own words, “A man without prayer is like an animal without the use of reason.” And it is surely the grand and orderly and perfect prayer of Christ the Priest and Victim that St. Philip means when he speaks of our super-sensual reason.

What, then, does it mean to “truly live?” If I may be permitted to tie together a few of St. Philip’s maxims, we can discern his own answer to this question:

In the spiritual life there are three degrees: the first may be called the animal life; this is the life of those who run after sensible devotion, which God generally gives to beginners, to allure them onwards by that sweetness to the spiritual life, just as an animal is drawn on by a sensible object. The second degree may be called the human life; this is the life of those who do not experience any sensible sweetness, but by the help of virtue combat their own passions. The third degree may be called the angelic life; this is the life which they come to, who, having been exercised for a long time in the taming of their own passions, receive from God a quiet, tranquil, and almost angelic life, even in this world, feeling no trouble or repugnance in anything. Of these three degrees it is well to persevere in the second, because the Lord will grant the third in His own good time.

A departure from the passions and a cleaving to virtue; mortification mixed with convivial, holy companionship; and above all, an overriding joy.  These are the manifestations of the indwelling love of God. These constitute a life “truly lived.” These are the fragrant flowers accompanying the fruits of the Holy Ghost. “Thou hast set my heart at liberty;” the saint embodies the song of the Offertory.

St. Philip’s life was marked in every way by such a communion with the Holy Ghost, first in a singular and miraculous way in the catacombs, and then again at every Mass. The love of God made him the most perfect model of the very “angelic life” he described to his sons and companions. Those of us privileged enough to count him among our heavenly friends may, by his merciful intercession, hope to share that one Divine Joy he knew so well. May he so pray for us on this, his feast.

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Aparición de la Virgen a San Felipe Neri, Mexico, detail. (Source)

 

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Another View of the Sacraments in the Eighteenth Century

A while back I produced a short post entitled “A View of the Sacraments in the Age of Enlightenment.” Here I give you another series of similar images, this time from the hand of Giuseppe Maria Crespi, also known as “Lo Spagnuolo.” These paintings from 1712, so reminiscent of Rembrandt, hang in the Gemäldegalerie, Dresden. Originally commissioned by Cardinal Pietro Ottoboni, that towering figure of late Baroque culture, they passed posthumously up to Germany, where they made their way into collection of the Elector of Saxony.

Let me begin by saying that, as with the information in the above paragraph, all of the images can be found at Wikipedia.

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“Baptism.” Crespi’s sparing use of light demonstrates the central conjunction of the scene. Allowing our eyes to wander along the central line of illumination, we follow the arm of the priest pouring water on the head of the outstretched infant to the mother’s rosary-wrapped wrist just beyond. I am convinced that the use of light in all of these images is the key to their meaning. Crespi uses light to illustrate the work of sacramental grace, and darkness to emphasize the mortality, evanescence, and weariness of our ordinary world. “The people in darkness have seen a great light” – thus spake Isaiah.

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“Communion.” The priest’s face is shrouded in darkness, and rightly so. It is not he who offers the bread of life, but Christ in him. Interesting collar, too. Sure looks familiar. Cardinal Ottoboni was patron of the Congregation of the Oratory at Rome for some time, and it’s entirely possible that Crespi would have taken the Oratorians as his model here. Besides that, the setting of the scene is strikingly barren. Crespi’s choice to leave out the probable altar rail lends the scene an intimacy that captures the very heart of the worship here portrayed.

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“Confirmation.” Crespi’s lightest and most colorful piece in the series. The vivid red-orange of the boy’s robes call to mind the tongues of flame that appeared on Pentecost, as does the (relatively) diffuse light bathing the scene. The brightest part of the image is the Bishop’s arm, only just anointing the boy’s head.  The strong predominance of vertical and diagonal lines in this piece only reinforce the sense of descent. Like all the paintings, the scene here is crowded without being cramped. Crespi seems to have penetrated to the deeply ecclesial nature of the sacraments. The sacraments are what give the Christian community its underlying spiritual cohesion and form. To quote De Lubac, “The Eucharist makes the Church.”

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“Confession.” Quite in contrast to “Confirmation,” we come to Crespi’s darkest piece in the series. The overwhelming color is black. Confession is the sacrament that deals most straightforwardly with the reality of sin. The narrow contraction of the light – it comes only from one side, and very weakly. The formal likeness between confessor and penitent reminds us of the condition of sin common to all men. This painting is also the only one in the series where we don’t see a crowd. Only two figures are visible. In the end, we are always “alone with the Alone.”

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“Matrimony.” Perhaps the most human of Crespi’s scenes. But we find unusual notes, things I can’t quite interpret with satisfaction. For a painting of matrimony, we hardly see the couple. Indeed, the bride has almost been swallowed up by the shadows. Nigra sum sed formosa. Perhaps. The priest stands like a pillar of cloud before them, blessing their union. That seems straightforward enough. Yet why is the man on the left holding his hand to his mouth, as if to signal silence? Perhaps because the matter of this sacrament is always properly taken in secret…

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“Ordination.” This composition is a swirling mix of blacks, browns, subtle golds, and occasionally, whites. The point that stands out most is the break in this overall scheme – the youthful, rosy visage of the ordinand, coupled with the slightly ruddy shadows that fall across his hand. What a contrast with the other figures, all of whom are shrouded in darkness and invested with a manifest pallor. Here is an image of youth, a prospect of renewal against a backdrop of dignified decay.

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“Extreme Unction.” At last we come to the end, the place of the skull. It is only fitting that Crespi should choose to depict a collection of Franciscans for this sacrament. Religious life is always a preparation for death. Yet the bright patch of light improbably illuminating the shoulder of the attendant friar contrasts starkly with the shadowy body of the dying father and points to new hope.

Letter to a Catechumen

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“Christ has risen from the dead, trampling down death by death.” (Source)

My Dear Brother Thomas Bede,

Easter brings us from darkness to light, from loss to gain, from death to life. Christ vanquishes the world, the flesh, and the devil. His victory reveals the true meaning of Easter—it is above all the feast of our conversion. The whole of the Christian message is for naught if Christ did not rise from the grave. But He did, and He invites us to share in the superabundance of His sanctity.

We cannot have holiness on our own terms. There is one model—a single life given to us by the Holy Ghost. It is a mercy and a wonder of God that Our Lord impresses His one divine image and likeness into the hearts of so many and so various saints. But light refracted through a prism is still light. We mortals cannot learn the ways of the divine life except by constant recourse to the God-Man.

And where do we receive this sacred pedagogy? Where can we savor the words that bring resurrection? Where do we set our hopes in the long trek through “this valley of tears?”

I think you already know the answer: the sacred liturgy. The Catholic life is drawn from, tied to, and led before the Tabernacle. The final end of our journey is to reach the Tabernacle veil, draw it aside with trembling hands, send forth our last breath in a sigh of consummate joy and relief, and step gracefully into the everlasting House of God. The Catholic life lived well is thus a pilgrimage from font to Tabernacle. Our Lord does not abandon us in this long journey. Like the good father of the parable, He rushes out to welcome His prodigal sons with open arms. He has prepared a great banquet in our honor. Indeed, the Savior who died for you gives you His flesh as feast. Every Mass is a homecoming. Every Holy Communion is a kiss of reconciliation.

I know all of this from experience, having already walked the path you are about to take. And I speak from experience when I say, dear brother, that everything in the Christian life must be brought back to the Tabernacle. If we don’t center our lives on the Blessed Sacrament, we shall be like ships adrift in a stormy sea. What fruitless turbulence enters the soul of one far from the Eucharist! What celestial treasures do we miss! Treasures given to us anew every year in the Sacred Triduum. Soon it will all be yours—yours the Supper, yours the Cross, yours the sojourn in the Tomb, yours the descent into Hell, and yours the Triumph in the Glorious Resurrection of Our Lord. In all of these mysteries, Our Lord wishes to imprint His image onto your soul. He will fashion you to be His servant. Pray that in the latter end, you may also be His saint.

You have no idea how long and how ardently Our Lord has desired your first Communion. From the very fathomless heights of eternity, He saw and loved you. As the whips broke His spotless flesh and the hateful wood of the cross bit into His back, He bore your face in mind. And when He hung there, dying, and said the blessed word—Sitio—“I thirst”—He spoke of your union with His heart. There is no point at which Christ did not desire you. He seeks to possess you in your entirety: body, blood, soul, and spirit. In the Eucharist, He offers Himself to you in precisely the same way. And as His gift of self is perfect, He shall make yours perfect, too.

When Dame Julian of Norwich was given a mystic vision of the world, she did not see sin. I believe this is because she was afforded a fleeting glimpse of the world as it will be in the Eschaton, the world as God sees it. Think of that, my brother. All the sins committed by you and me and every human being we have ever met, all the crimes that have soaked the pages of history in blood, all the atrocities that rightly call out to God for vengeance—all will be washed away. The past will be wiped clean.

Your conversion reproduces this grand act of divine mercy in miniature. You come to the altar of God a mere mortal, and a sin-sick one at that. Your burden would torment and crush you. The world of sin affords no rest. But my brother, you have chosen the path of freedom. You have set down one burden, but you are to take up another. Only this one is light and free and easy, giving strength to whoever bears it. It is the Cross, a deadening foolishness to the world, but the “pearl of great price” to those illumined by Divine Wisdom.

At the Easter Vigil, everything will change. When the water flows over your brow, when the oil touches the same spot, and when the Host alights on your lips, you will no longer be the same person you have been all your life. You will become instead one body with Christ crucified. Your life will no longer be yours; the act of surrender must be total. Your words, your breaths, your steps, your very heartbeats will belong to Christ. And He will use you to bring His peace into this world. By that whitest of magic, the sacraments, you will start to become a “little Christ,” a Christian. What an awful, beautiful fate.

I will not give you advice. There will be many closer to you who have a fuller knowledge of the Catholic life than I do. Go to them. Seek the wisdom grown only in many years of faith. And keep close to Mary. Remember that you are but an infant, and she is your mother. She will guide you.

Now, my very dear brother, it is time for you to take up your cross and know the Life Eternal.

In Christ,

Rick

A Letter on the Face of God

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The Holy Face of Christ. (Source)

Dear Miriam,

Forgive me for my delay in replying to your message. You pose an excellent question, one that deserves an honest and well-considered answer. Indeed, I am not sure that I’m entirely qualified to speak on the matter. Not being a Biblical scholar, I can’t discuss the critical questions of authorship, Hebrew grammar, and culture that could be so useful. Alas. Nonetheless, I shall try to tell you what I understand the verse to mean, and why I saw fit to use it.

You ask me about what the Priestly Blessing meansespecially what we are to understand by those mysterious words, “The Lord make his face shine upon thee, and be gracious unto thee: The Lord lift up his countenance upon thee, and give thee peace” (Numbers 6:25-26 KJV). You are right to note that there is something odd about this passage.

I believe the prayer is best understood through meditation. Let us look first at the beginning and bulk of the passage:

The Lord make his face shine upon thee, and be gracious unto thee: The Lord lift up his countenance upon thee…

What do we learn from these words? What does it mean to say, however poetically, that God has a “face,” a “countenance?”

First, it means that God is personal. The God of Abraham, Isaac, and Jacob is not an abstract, nameless force. He is not the Tao of the Chinese mysticsor not just that. Rather, He is someone, a who, an infinite yet utterly unique spirit. This truth entails another; God is relational. The face is the chief organ and sign by which we communicate with other people. The full range of our emotions find expression in the human face. The face becomes a symbol or synecdoche of our individual souls. It is the way we share our hearts. It is the bridge between our interiority and the other. Through speech, a kiss, an exchange of glances, the face mediates our personhood and thus becomes the location of communion.

The use of the word “countenance” in English sums up all these ideas, with one rather startling implication. God Almighty desires to be in a relationship with us. More than that, He wishes to dwell with us. The words of the blessing are not that of a God who will reign remotely. If the metaphor of the “face” suggests personality and relationship, it also suggests presence. God wants us to be wholly His, that He may be wholly ours. That is why He goes so far as to establish multiple, connected covenants with Adam, Noah, Abraham, Moses, and David.

But covenants, like great love stories, are exclusive. You are right to point out the negative implication in the verse. If we pray for God to turn His face towards us, then surely God’s face could be turned away from us as well? I think the certain answer of the Bible, not to mention ordinary human experience, is yes. The ancient Israelites believed that they were a privileged, priestly people, subject to a totally unique relationship with God. Yet the whole of the Old Testament’s historical and prophetic corpus also shows that the Nation of Israel repeatedly caused God to “turn His face” away from them, not in loving them less, nor in breaching His covenant, but in permitting them to suffer chastisements that they might return to Him. The Holy only communes with the holy; God cannot abide with sin. And the Israelites often sinned. We all do. Speaking from my own life, I can testify that mortal sin is a terrible thing. To fall away from the face of God, to want to hide from His face as Adam did in the Garden, to feel Him turn His holy face away from yousuch is the interior darkness and desolation wrought by sin.

Yet the ground of your questionwhy God’s face would be turned away from anyone reveals that whether you realize it or not, you already have a basically Christian idea of God. To the ancient Jews who composed the Priestly Blessing for the liturgies of Tabernacle and Temple, the Face of God only turned towards the Nation of Israel. The idea that God loves all, and loves them unconditionally, is a notion that did not exist anywhere before the coming of Christ.

Indeed, the prayer receives its perfect answer and fulfillment when God takes on a human face. Jesus Christ is the Face of God, a divine person who wishes to be in an eternal and perfect communion with all men. That is why He is called Emmanuel, “God with us.” He is our eternal high priest (Hebrews 7:23-28; 9:11-14; 10:10-14).

And as our high priest, He has fulfilled the Priestly Blessing in three ways, all of which were unimaginable when it was written.

First, in His coming. In Christ, God has turned His face towards usin the manger at Bethlehem, in His ministry among the poor and sick, in His companionship with sinners, in His Transfiguration, in His ceaseless prayer for us, in His cruel and unjust death upon the cross, and in His glorious Resurrection and Ascension.

Secondly, in the heart of the Godhead. By assuming human nature, God the Son becomes a human. By His Incarnation, Death, Resurrection, and Ascension into Heaven, He has brought a human face into the inner life of the Most Holy Trinity. God the Father gazes upon the human face of His Son, and He desires to see all mankind in and through that face. God the Spirit, eternal love, is born forth out of this mutual gaze. The Father and the Son only behold each other in the absolute love of the Spirit.

But what is the fruit for us today? The rest of the prayer tells us:

…and give thee peace.

Peace is not the absence of suffering, but the absence of disturbance. The peace of Christ, the peace “which passeth all understanding” is not to be taken as earthly ease and comfort (Philippians 4:7 KJV). That would merely be the false and facile peace of the world. The peace of God is a foretaste of Heaven, an inner rock upon which we may stand when suffering assails us, a seed of the Kingdom that may render us more perfect imitators of Christ. With the peace of God in our hearts, we may hope to know the true joy that, paradoxically, only grows from the cross. This peace is not a quiet meekness. It is the liberating freedom and security that comes from the knowledge of His love. Peace does not paralyzeit propels. It makes us undertake great adventures for God. Why? Because true peace is communion with God.

That is why I made use of the prayer at the end of my “Letter on Loneliness.” It occurred to me that the torment of loneliness is in some way redeemed if we remember the presence of the God who is love, and thus attain to His peace.

I don’t believe we can hope for the fullness of that peace without the sacraments, especially the Eucharist. It is simply impossible to be a Christian without the Eucharist. Any grace, any glory, any goodness in the world is only granted and sustained by Christ present with us in the Most Holy Sacrament of the Altar. Indeed, the graces of all the other sacraments flow from the Eucharist, since it is Christ Himself.

And it is in the Eucharist that we find the third way that Christ has fulfilled the Priestly Blessing and extended its meaning to all peoples and all epochs. In the Eucharist, we once again come face to face with the God of Israelquite literally. His Eucharistic Face can be found in any Catholic Church on earth. Go to a service of Benediction. Chant hymns of adoration as the incense flies up like a ghost into the shadowy heights of the sanctuary. Let your soul rise with it, high above the little lights of the candles that line the altar. Then, as the bell rings and the priest lifts the Host, you will see God. Or at least, you will see His veil. He hides Himself under the sight of mere matter. No matter what, He will see you.

Better yet, go to Mass. Go to the Easter Vigil. Go on any Sunday. There, you will not only see God, but hundreds of perfectly ordinary people communing with Him in the most intimate way imaginablebody and soul. That holy act is the true fulfillment of the Priestly Blessing. It is the seal and crown of all the covenants. Not everyone in the world partakes of itbut happy are those who do! They alone know the Peace that was promised, the Peace that is He.

Forgive me if I have rambled. One could, in theory, write whole volumes on the verses you have asked me about. I am sure someone with more learning and a deeper life in Christ could give you an altogether better explanation. But what I have written is drawn ex corde meo. I hope, at the very least, that I’ve answered your question. I’d be happy to continue discussing the matter.

Until then, I pray that the Good Lord blesses you in all your works and ways.

In Christ,

Rick

Fénelon on the Return to God

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François de Salignac de la Mothe-Fénelon, Archbishop of Cambrai in the age of Louis XIV (Source)

Continuing my Lenten series of Wednesday spiritual masters, I present to you here a letter by Archbishop Fénelon to an officer, often identified as the Chevalier Colbert. The translation I am using comes from 1877, but I would also recommend to you the version by fellow Wahoo Chad Helms in the 2006 Paulist Press edition of Fénelon‘s Selected Writings. It struck me by its beauty and force of feeling, as well as its Lenten spirit. 

You have forgotten me, sir, but it is impossible for me to forget you. Something in my heart continually recalls you, and makes me want to hear of you, as I have more especially felt during the campaign and its perils. Your forgetfulness only makes me feel the more. The friendship you showed me once is of a kind never to be forgotten; and when I recall some of our conversations, my eyes are filled with tears. I trust that you remember how pleasant and hearty they were. Have you found anything since then more acceptable than God? Have the truths which then satisfied you failed? Is the pure light of the kingdom of God quenched? Has the world’s nothingness acquired some fresh value? Is that which was but a wretched dream not still the same? Is the God to Whom you poured out your soul, and Who filled you then with a peace beyond all earthly ken, no longer to be loved? Has the eternal beauty, ever so fresh to pure eyes, no longer charms for you? Is that source of heavenly joy, of unmarred happiness, which springs from the Father of Mercies and God of Consolation, dried up? No, for He has filled me with an urgent desire to recall you to Him. I cannot resist it: for long I have hesitated, and said to myself that I should only worry you. Even as I began this letter, I laid down a limit of discretion to myself; but after the first few words, my heart burst its bounds. Even should you not answer, or should think me absurd, I should not cease to speak sorrowfully to God of you, when unable to speak to you yourself any more. Once more, sir, forgive me if I exceed all due limits. I know it as well as you, but I feel irresistibly urged: God has not forgotten you, since He stirs up so eager a desire for your salvation in me.

What does He ask of you, save to be happy? Have you not realised that one is happy in loving Him? Have you not felt that there is no other real happiness, whatever excitement may be found in sensual pleasures, apart from Him? Since, then, you know where to find the Fountain of Life, and have of old drunk thereof, why would you seek foul, earthly cisterns? Bright, happy days, lighted up by the soft rays of loving mercy, when will ye return? When will it be given me to see this child of God reclaimed by His powerful Hand, filled with His favour, and the blessings of His holy Feast; causing joy in Heaven, despising earth, and acquiring an inexhaustible fund of humility and fervour from his experience of human frailty?

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The Return of the Prodigal Son, Rembrandt van Rijn, c. 1661-69. (Source)

I am not dictating what you should do. God will Himself make that plain to you according to your needs, so long as you hearken inwardly to Him, and despise boldly that which is despicable. Do whatever you will, only love God, and let His Love, revived in your heart, be your guide. I have often thanked Him for having shielded you amid the perils of this campaign, in which your soul was even more exposed to risk than your body. Many a time I have trembled for you: put an end to my fears, and fill my heart with gladness. None can possibly be greater than to find myself once more with you in the house of God, united in heart and soul, looking together to one glorious hope, and the Coming of our Great God, Who will fill us with the flood of His pure delights. Your ears are not yet closed to the sublime language of truth, your heart is made to feel its charms. “Taste and see” the pleasant bread daily spread for us at our Father’s table. Why have you forsaken it? With such support, who can fear that anything else will be lacking? Even if you do not feel strong enough to regain the happy position where you were, at least answer me, at least do not shun me. I know what it is to be weak; I am a thousand times weaker than you. It is very profitable to have realised what one is; but do not add to that weakness, which is inseparable from human nature, an estrangement from the means of strength. You shall regulate our intercourse; I will only speak to you of such things as you are willing to hear. I will keep God’s secret in my heart, and shall be always, with unchanging affection and regard, etc.

 

A Letter on Loneliness

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Christ in the Garden of Gethsemane, Veronese. Pinacoteca di Brera (Source)

My Dear Brother Josiah,

I received your last correspondence with a mixture of joy and sorrow. Joy, for all the good news you shared of our friends and familiars; sorrow, for those matters closer to your own heart that weigh so heavily upon your soul. Normally, I would not venture to offer unsolicited advice. However, as you have come to me seeking counsel, I will try to speak from what little light I have been granted. I will offer you, I hope, nothing but the constant teaching of the saints, nor anything I would not myself seek to follow. So much of what I must share is rooted in my own experience, the fruit of suffering not in all respects unlike your own.

You tell me that you worry about God’s blessing. You write that, in view of your griefs, you no longer trust that the Lord will bless you. This is a failure of Christian hope, but an understandable one. Faced with one reversal after another, it is easy to despair. I will point you first to the book of Job, a well from whose water I know you have already imbibed in more bitter times. What else could I tell you? The key practical thing is to recollect often those graces you have received. Savor them. Go over each, holding them close to your heart in memory. Make space in your week – better yet, your day – to ponder the grand and little mercies of God. I commend to you one of the very greatest pieces of wisdom I have received, that “a grace remembered is a grace renewed.” Continual recollection means that we are never really bereft of those graces once delivered unto us.

Look over your current state of life. The world, at least, sees your success. Many would desire your place. Thank God for what He has seen fit to give you so far.

But I know how incomparably small all of those worldly triumphs seem next to the losses you’ve suffered. I see what you mean when you say that you don’t trust God to bless you anymore. You aren’t speaking of those tangible blessings the world prizes in its vanity. You speak instead of the love of those taken from you. That golden blessing is worth all the others combined.

And so, we come to what seems to me to be the basic problem; not despair, but loneliness. The chill that stains even the brightest happiness and reveals the joys of this world to be fool’s gold. Have you considered loneliness in itself? Perhaps you have. It is a dark and loathsome thing. Perhaps you have found it buried down in your soul. A void. A hole that, like a carious tooth, aches and aches until it cries out for your full attention. A little black space at the bottom of things. You carry it around with you and never set it down. Grief carved it out, shaped it to its own image, and colors it even today.

I don’t know if you will always bear that burden. Some of us must. But I would encourage you to embrace it. That emptiness is, in the words of R.S. Thomas, “a vacuum he may not abhor.” Come close to the void. Peer at it. Ecce lignum crucis! It is the cross you have been given. Fasten your heart to its center with the very nails of Our Lord’s passion. Accept His invitation, and you will be able to endure those long and painful hours when hope fails. One day, when you are least expecting it, something may very well happen. You may be at prayer in your room. You may be savoring the Eucharist at Mass. You may be finishing the sorrowful mysteries of the rosary. But suddenly, unbidden, the Holy Ghost will visit you. The darkness will turn to dazzling light. By some strange alchemy known only in heaven, the emptiness will all at once turn into a full fountain of molten gold. The cavern will become a cup that runneth over. The silence will become song beyond sound or human voice. And your heart will be seized by the beautiful and terrifying realization that the Living God sees you. If only for a moment, you will know what it is to be “alone with the Alone.” Then will your heart become one with His. Then will you know a communion that obliterates all loneliness and a joy that erases all grief.

This moment cannot be rushed. God will not come but in His own way and in His own time. All the same, one can prepare.

First and foremost, take your loneliness and grief to the sacraments. When you are at the offertory or some other convenient point at the Mass, give your heart to the Eucharistic Christ. Ask to be alone with Him in the Tabernacle. Cleave to it as to the one rock of safety in a stormy sea. Consider, too, how Our Lord suffers loneliness in the Tabernacle. Think how He is neglected in His tabernacles through all the world. Think how He desires your consolation – yours! Truly, He wishes to make that emptiness in your soul His true and everlasting Tabernacle. Will you deny your Lord? For in the Tabernacle, He is at once most suffering and most glorious. So, too, where you are most suffering, He will render you most glorious.

Second, make a point of consciously drawing near to Christ crucified in your daily prayer. One thing I’ve done in the past – though, I confess, I have lately been lax about it – is to pray the Divine Mercy chaplet and dedicate each decade to one of the Holy Wounds. Start by contemplating Our Lord’s feet, His physical presence on Earth during His lifetime and evermore in the Eucharist. Consider His comings and goings, and how He willingly ceases all of that to offer Himself to the Father on the cross. Then consider His left hand, the Kingly hand that holds the orb of the world. Ponder the ways of His Providence. Take heart in His mercy towards the penitent and His just judgment of the wicked. Praise Him for His true and final victory over the forces of evil, for scattering the proud in their conceit. Then, move to His right hand, the Priestly hand of blessing. Think of how He has transformed all things by the peace wrought with His right hand, under the sign of His blessing. Look forward to the world as it shall be on the day of His Wisdom’s Triumph. It is a world we can already enter at the Mass. Bring your gaze up to the Holy Face, wounded by the crown of thorns. Offer him your anxieties, your fears for the future, and all those worries that come from not knowing what you must do or why some calamity has transpired. Consider the crown of thorns as the mortification of your very reason. As Our Lord unquestioningly accepted the will of His Father, may you do the same. But remember to gaze into the Holy Face as into the very countenance of the Living God. Ponder Jesus Christ in His humanity. God is a person; nor is he just any person, but a person who suffered all that we suffer, and more. Finally, move to the wound in the Holy Side and the Sacred Heart. Give yourself up to as pure an expression of love for your Savior as you can muster. Consider the flood of water and blood that fell from those triumphant gates, so rudely torn open. Think, if you can, of the power so much as one drop of either precious liquid would have to redeem not just one soul, but millions and millions of universes teeming with the souls of the very worst sinners. Ponder what it means that you may receive the Precious Blood at even a low Mass. Fix your gaze beyond the Holy Side, passing into the darkness of Our Lord’s chest. Dwell upon the Sacred Hear in its quiet and eternal radiance. Know that Our Lord’s chest cavity is so very much like the void to which I have already alluded, and so like the Tabernacle. For in both, we find the Heart of God! Imagine yourself receiving the Sacred Heart in the Eucharist. Meditate upon the immense fire of Love pulsing there until the last shudder of death – and, as you come to the Trisagion, recall how that love blazed forth again on Easter Morn, never to be extinguished.

Third, keep in mind the words of St. Philip Neri. Amare Nesciri – “Love to be unknown.” One thinks of St. Benedict. In his rule, St. Benedict enjoins his children to overcome the temptations of lust with a similarly simple phrase, “Love chastity” (RB IV). St. Philip’s words carry many meanings. They are a wonderful program of humility, of perfection, of freedom, but also of loneliness and grief. Love to be unknown. Find God in the moment when no one else notices you. Don’t do what you do to be recognized, as the Scribes and Pharisees (Matt. 6:3, 16, Luke 18:9-14). Be content that God sees and knows you. It will take time to grow into this practice, but you will come to recognize its benefit. You may someday find someone to share or alleviate the yoke of your sorrows – maybe even someone to love. But until then, embrace Solitude as St. Benedict would have us embrace Chastity; that is, as a beloved spouse. Focus on that task, the one you have been given for now, and the rest will come to you as God sees fit in His own time. I would wager that it will make you happier and help you love others more perfectly.

Fourth, do not depart from under Mary’s mantle. If you wish to see the very picture of loss, I will show you the woman who, though the only one free of sin among the whole human race, suffered the loss of her parents, her husband, and her son. Turn your eyes to Mary. The sorrows of her Immaculate Heart demand your attention. We have no greater advocate and comfort in our own suffering than Mary, in union with her eternal spouse, the Paraclete.

Finally – hardest of all – you must forgive. Jesus’s death was not just a perfect sacrifice because He was an innocent and willing victim. He forgave His murderers. If we are to have a share in that death, we must learn the extremely difficult discipline of forgiveness. It is the only way we can be truly free.

I would be remiss in giving you these counsels if I did not add with all due caution that, insofar as any of it applies to me, I often fail. But I feel no shame in saying so, since Our Lord is magnified in weakness. Don’t rely only on my words, narrow and feeble as they are. If anything I have said is contradicted by the example of the saints and the teaching of God’s holy Church, refer to their superior model. After all, I’m not a priest. I’m not even all that well versed in theology. Seek out a spiritual father who can help your soul more intimately than a friend can.

For all that, be assured of my prayers and affection. I hope you find the hope that can only come from the Lord, my dear brother. May He bless you and keep you, and make His face shine upon you, and be gracious to you; may He turn His countenance upon you, and give you peace.

In Christ,

RTY

The Five Idols of Christmas

ChristmasScene

A beautiful Christmas scene. (Source)

Five Golden Rings

Christmas is a time of great joy. At the heart of it all is the birth of our savior, Jesus Christ, true God and true man. Yet often, we let lesser things get in the way of the worship we owe to Him in this privileged season of grace. I don’t believe it would be too much to call these distractions “idols.” As the Catholic Encyclopedia puts it, “Idolatry etymologically denotes Divine worship given to an image, but its signification has been extended to all Divine worship given to anyone or anything but the true God.” Many of us unknowingly allow a number of idols into our lives during the holiday season. All of them are good things in themselves, but taken out of proportion, they distort our sense of the feast’s true message as well as our connection with the Living God. I’d like to examine five of these idols, “five golden rings” that often form the chain of our seasonal bondage.

Material Goods

Of all the idols, this one is perhaps the most readily apparent. It seems like each year, we hear new complaints of the commercialization of Christmasonly to watch the process get worse with every passing holiday. Advent washes upon us as a season of cluttered ads rather than prayerful penance. Sacred carols have been reduced to shopping mall muzak. Charlie Brown’s 1965 complaint rings just as true today as it did in the years of the Johnson Administration. For many, Christmas seems to be a time to show off their wealth to the neighbors, to cook and consume lavish amounts of food, or to receive a whole panoply of toys and giftsand little else.

After all, isn’t this what most children look forward to each Christmas? Santa isn’t popular because he’s a jolly old man who likes milk, cookies, and Coca-Cola. He brings gifts! Of course kids love Christmas. The unfortunate thing is that this mentality is extremely hard to break, even for those well advanced in age. Nor does the culture help. After all, Christmas is a nearly half-trillion dollar industry. There’s no reason to think that commercialism in all its forms will go away any time soon.

Happiness

Beneath the idol of material goodswhether that means gifts, food, or all the decorations that beautify our houseshides another idol. Perhaps you’ve seen it elsewhere, at other times and places.

I was blessed enough to go to Disney World a few times as a child. When I later went back as a teenager, though, I noticed something. A kind of frantic, urgent energy pervaded the place. Everyone smiles a bit too widely. Everyone rushes from one amusement to another. And here and there, a tantrum erupts like a tiny pool of scalding water. Why? Because everyone who comes to Disney comes to have a good timeor else. If you don’t enjoy yourself, then something is wrong with you. You must have fun.

The regime of forced fun becomes universal at Christmas time. How many of us come away from the holidays in a state of utter exhaustion? How often have we stopped to think that maybe, just maybe, we’re trying too hard? The Christmas narrative is blissful. But we have substituted the quietly abiding “comfort and joy” of Christ for the plastic and fleeting pleasures of our own culture.

Our fruitless pursuit of happiness is one of the reasons that holiday depression is so rampant. The endless pageants and parades and parties, not to mention all of the work that goes into them, can be such a drain that it leaves us with little energy left for the spiritual life of the holiday. And that’s just when our plans succeed! We’re even more distraught and distracted when things don’t work out as we hoped. How greatly we differ from Mary and Joseph, who dealt with the disappointment of being turned away at the inn with a calm trust in Providence.

Traditions

One thing that bolsters the idol of forced happiness is the idol of tradition. Perhaps more than any other American holiday, Christmas is about the way traditions bring us together. But too often, those traditions can become unbalanced and rigid. Surely we all have one or two thoughts like this upon occasion. If the tree is not up and decorated by a certain day, all is lost! If we don’t make Christmas cookies on Christmas Eve, all is lost! If we don’t do the Elf on the Shelf this year, all is lost! And so on. Instead of a time of refreshment, Christmas becomes a daunting list of tasks and chores. Our freedom and ease vanish.

As Catholics, we need to remember that the only really necessary thing is Mass. That is the still point at the base of our lives and holiday. Taking a step back and detaching from our seasonal traditions can be a salutary reminder that we are not in control. God is. And if our traditions don’t serve His glory, then we should rework them and reclaim our freedom. Chances are, we’ll be saner (and happier) if we do so.

Family

Perhaps the easiest idol to miss is the one that often generates all the others: family. Surely, we may think, there can be nothing wrong with putting our families at the center of the holiday? Isn’t being with family one of the greatest and purest joys known to man? And isn’t the meaning of Christmas bound up with God entering into a human family?

These are all natural notions. But the truth is, we often have a disordered affection for our families. This disorder is frequently expressed in counter-intuitive manifestations. The holiday is poisoned by all the evident ways our own families don’t live up to our (possibly quite unrealistic) standards. So many of us use Christmas to penalize those in our families who are different from us, and who thus shatter our little ideal of what family should be. We make Christmas the occasion of settling scores or sniping about our petty differences. Or, on the other hand, we altogether ignore issues that might be very important. A kind of artificial peace may prevail, even though deep cracks open below the surface. But this is not the “peace on earth” that Christmas promises.

Families are always sites of intense friction and drama, as even the most cursory review of Western literature shows (not to mention our satires). Making family the center of Christmas merely injects that propensity for drama into a holy day where it doesn’t belong. Moreover, our ideological insistence on making Christmas all about family has been particularly hard on single people. Those with no family are left out in the proverbial, and sometimes literal, cold. One poisonous fruit of humanizing the divine holiday in this way is the terrible loneliness we have needlessly exacerbated for thousands.

Family is a high good, but not the highest good. When we forget that, we do an injustice to God. And we cannot love our families (or our lonely neighbors) properly if we don’t love God first.

Spiritual Consolations

I suspect that most of us idolize family at some level. It’s become such a dominant cultural value that even non-Christians who celebrate Christmas are susceptible to its malignant influence. But one idol may only occur to those who see Christmas as a time of potential spiritual gain.

Every Christian runs the risk of valuing God only insofar as he grants us His gifts. Sometimes, this takes fairly low forms. The Prosperity Gospel, for instance, is essentially a quasi-Christian materialism that equates the love of God with his financial blessings. They turn God into a sugar daddy. More subtly, some of us act like God’s fair-weather friends. We’re perfectly happy offering Him our heart as long as we feel we’re receiving some kind of spiritual consolation. It’s almost as if we think that God owes us something if we keep praying through the season, and we’re unnerved when nothing comes. No one likes aridity in prayer. That feeling can be even harder, and an even greater temptation, when it comes to us at Christmas time.

As Catholics, we shouldn’t worry if Christmas isn’t a time of tremendous spiritual growth. Just because at Christmas you’re not experiencing profound graces or consolations, doesn’t necessarily mean that you are doing anything wrong. Even a well-kept Advent may not produce discernible feelings of anticipation or contrition. Too much of a focus on the interior life can distract us from the objective glory of the feast.

God has come down to earth in the Incarnation. He has seen fit to take up human nature for our salvation, transfiguring all by the light of His face. And we who were born so many centuries after Him can nevertheless meet that same Incarnate God at the altar. But none of this depends on us. It doesn’t matter what we feel; the marvelous truth of it all is that God has done this work in an entirely gratuitous way.

That is why Christmas Mass is so important. It grounds our devotions in Christ. And as He did at His first coming, He still sweeps away all of our idols from His new home on the altar.

The Eucharistic Alternative

Christmas doesn’t have to be like this. All of the “idols” I have listed above are good in themselves. It is only our inordinate attachment to them that has twisted them into ugly perversions and distractions from the Incarnate God.

True, our culture has pressed many of these idols onto us, or at least exacerbated them. But we are complicit. We go along with the whole rigmarole. We have made these five golden rings into five golden calves. It follows that in our own small ways as Catholics, we can and should resist.

Instead of focusing on material gain, let us contemplate the poverty of the babe at Bethlehem; instead of mindlessly pursuing happiness at all costs, let us seek a healthy and realistic equilibrium; instead of rigidly clinging to our traditions, let us run in the freedom and flexibility of the Gospel; instead of taking a disordered view of our families, let us love them as creatures of the Most High; and instead of pining for a flood of sensible graces, let us be content to dwell adoringly at the side of the Infant God asleep.

It may all be more easily said than done. But the spiritual life is always a challenge for those who truly seek God. And what aid does Our Lord offer us in the Sacraments! If we avail ourselves of confession and the Eucharist, we will have made a very powerful start. Only then, to paraphrase Dickens, may we honor Christmas in our hearts, and keep it all the year.

Baronius on Religious Writing

BaroniusColor

Portrait of Cesar Cardinal Baronius. (Source)

In a recent post, I quoted a letter sent by de Marquais, Abbot of St. Martin’s, to Cesar Baronius about humility and trust in the Providence of God whenever our work seems discouraging. The source I used, the Mediatrix Press edition of Lady Amabel Kerr’s biography of Baronius, has been a great read thus far. In the same chapter, I also found this excellent passage from the Annals, presumably also translated by Lady Kerr herself. She takes it from the dedication of the sixth volume of the Annals.

“No man, however distinguished in intellect or excellent in virtue, is sufficient of himself to handle sacred things. This is clearly demonstrated in Scripture by the example of that artificer who, though employed on only the mechanical structure of the place wherein God was to be worshipped, was declared by Moses to be thereby specially united to divine things. ‘The Lord has filled Bezaleel with the Spirit of God,’ said he, ‘with wisdom and understanding and knowledge and learning, and to work in gold, silver and brass, and in engraving stones and in carpenter’s work. Whatever can be devised artificially He hath given his hand.’ Yet Moses adds that even this work, so well done by aid of the Holy Spirit, was not to be used for God until it had been blessed. If then he who handled only the materials intended for the future service of God had to be himself given to God, how much more is expected of him on whom falls the burden of expounding those things which belong to the truth of the Church. Without doubt he should be ever filled with the Spirit of truth, so that he may complete his work standing firm in the truth.” (qtd. in Kerr 156-57)

As someone who hopes to someday write actual theology, I find these words both challenging and profound. I love the idea that a book can be a kind of little Tabernacle. I hope to carry out my own workacademic, creative, and whatever I can throw up on this blogin just such a spirit.

Too often, it seems that contemporary theologians treat their field as part of the Humanities rather than Divinity. They are overly concerned with political questions, or theories of signification and interpretation, or some such narrow province. On the other hand, some would go too far and forget the other side of the truth that Baronius expounds through his metaphor. The theologian, like Bezaleel, prepares a human work fit for a divine dwelling, but it is indeed a human work. It should speak a human language.

The proper posture, I think, is somewhere between the two. In other words—theologians must remember that their vocation, like all vocations, is theandric. The Sophiological Renaissance led by Michael Martin and the other folks over at Jesus: The Imagination seems to be a good example of that balance applied to actual religious writing. So is the deeply Eucharistic monastic theology of Dom Mark Daniel Kirby. In both of these (very different) cases, the writers achieve the divinity-humanity balance in their theology by hewing close to the sacraments and the sacramental worldview. As Sergius Bulgakov said, “one should imbibe theology from the bottom of the Eucharistic Chalice.”

I like to think that Cardinal Baronius might agree.

The Oratorian Option

StPhilipNeriandEnglishSeminarians

St. Philip Neri blessing the departing seminarians of the English College. Fr. V.J. Matthews tells us that St. Philip would hail the seminarians, whose college is directly across from San Girolamo, with the words Salvete Flores Martyrum, “Hail, flowers of the Martyrs” (Matthews 85). Edited photo by Fr. Lawrence Lew, OP.  (Source).

In a recent post, I suggested that Rod Dreher’s The Benedict Option is a flawed, if well-intentioned, strategy for the Church in our times. I stand by that opinion. I also would like to offer my own “option,” as so many others have done. I will refrain from detailing specific suggestions and strategies, as I have neither the time nor the knowledge nor the experience to profitably contribute to any discussion of specifics. Nonetheless, I think I can say a few things about the general spirit and principles of what we might choose instead of The Benedict Option.

For starters, it would be called something different. Although St. Benedict is an eminent and powerful patriarch, I submit to you that, for our purposes, we must look at another man in an era far more like our own, a man whose spiritual sons also offer powerful examples. That man, of course, is St. Philip Neri.

Early Modernity as Proto-Postmodernity

Like Dreher, I choose my patron saint in part because I think the unique conditions of our own moment deeply resonate with those which St. Philip faced. Any comparison between different periods of time are naturally going to fall flat in certain specifics. But consider, if you will, the following phenomena.

The rise of the Internet, like the advent of printing, has opened up new models of knowledge and new conceptions of the self. Our lives are ever more global, even as new forms of nationalism emerge. We are increasingly aware of various forms of religious difference. Some are extremist, and even violent (see, inter alia, the Münster Rebellion and the sects of the Interregnum). Within the Church, we face public in-fighting among the Cardinals, dangerous sacramental, moral, and doctrinal laxism, a German Church that is falling apart, and a Pope whom the Roman People themselves dislike. We face serious problems with the climate. Our educational aspirations and models are increasingly oriented towards social climbing, even as our specialties are becoming narrower. Literary and textual criticism set the terms of debate in the academy. More broadly, sexual mores have changed considerably, and culture war is the order of the day. Homosexuality and gender nonconformity have emerged as increasingly widely-recognized social phenomena. Our civilizational relationship with Islam is complicated, to say the least. Class divisions and structural inequality have led to political instability. Indeed, unthinkable political events, stemming in large part from those class frictions, have jettisoned any sense of certainty we might hope to sustain.

St. Philip arrived in Rome shortly after just such an unthinkable event. In 1527, the armies of the Emperor descended upon the Papal States and launched a horrifyingly brutal sack of the Eternal City. Both Lutheran andmore scandalouslyCatholic soldiers raped, pillaged, and desecrated their way through Rome. It was the second and last sack of Rome committed by civilized Christians, and it put an effective end to the Renaissance in that great city.

Alfonso Cardinal Capecelatro, one of St. Philip’s nineteenth century biographers, describes the event as:

…the terrible sack of Rome in 1527, which had no parallel in the history of the Church, whether regarded as a warning or a chastisement. We must go back to Attila and Genseric to find any event which even distantly approaches it in horror; and even those barbarians were civilized and even reverent in comparison with the soldiers of the most Catholic king and emperor, Charles V. A drunken, furious horde of Lutherans and Catholics together was let loose upon Rome…there were…unutterable outrages not to be thought of without a shudder. (Capecelatro 23).

Pertinent to our purposes, however, is the effect that this calamity left on the culture of Rome. Here, too, Capecelatro is a helpful resource.

To enter into the city of the Holy Apostles Peter and Paul at a time when their authority was spurned, vilified, and trampled into the mire by a terrible heresy; to visit the spots hallowed by the blood of martyrs when all around were the hideous traces of their recent profanation; to live in the holy city when the lives of the clergy themselves were dissolute or unbecoming, when paganism in science and letters and art was alone in honours must have been, to the heart of a saint such as Philip’s, an anguish inconceivably bitter. (Capecelatro 24).

SackofRome1527

A blasphemous mock-Papal procession during the 1527 Sack of Rome. (Source).

If, like Dreher, we wish to compare our own times to the sack of Rome, we ought to look a thousand years later than he does. As with Rome circa 1535, we live in a culture riddled with “a terrible heresy,” Dreher’s “Moralistic Therapeutic Deism” (among others). We Christians in America have witnessed the martyrdoms of our Coptic and Middle Eastern brethren over mass media. The Church is still reeling from a time when “the lives of the clergy themselves were dissolute [and] unbecoming.” The sins of clerical sex abuse continue. And insofar as there is a pagan tendency in our culture today (Camille Paglia certainly thinks there is), it resides in our “science and letters and art.”

While I don’t wish to belabor the point too much, I’ll add that not all is cause for alarm. Many of the good things about early modernity are also true today.

In 1850, Fr. Faber gave a series of lectures to his spiritual sons at the London Oratory. His subject was “The Spirit and Genius of St. Philip Neri.” The second lecture includes a long consideration of St. Philip as the “representative saint of modern times” (Faber 38). Faber argues,

The very essence of heresy and schism is constantly found in the disobedient and antiquarian worship of some pet past ages of the Church, in contradistinction to the present age, in which a man’s duties lie, and wherein the spirit and vigour of the living Church are in active and majestic energy. The Church of a heretic or schismatic is in books and on paper…A Catholic, on the contrary, belongs to the divine, living, acting, speaking, controlling Church, and recognizes nothing in past ages beyond and edifying and instructive record of a dispensation, very beautiful and fit for its day, but under which God has not cast his lot, and which, therefore, he has no business to meddle with or to endeavour to recall. One age may evoke his sympathies, or harmonize with his taste, more than another. Yet he sees beauty in all and fitness in all, because his faith discerns Providence in all. (Faber 40-41).

Dreher would do well to note Fr. Faber’s point. The uncharitable pessimism that animates so much of The Benedict Option is not entirely misbegotten, but certainly falls short of the truth. And why? In part, because Dreher never mentions Church history. His historical narrative of Christianity in Western culture overlooks the actual ways that Christians have responded to modernity since the 16th century. Fr. Faber does not. Instead, he writes,

…it is plain that we are in possession of a great many more doctrinal definitions than we were; the limits of theological certainty are immensely extended. Just as verified observations have extended the domain of the physical sciences, so the number of truths which a believer cannot, without impiety, or in some cases formal heresy, reject, has added to the domain of theology…Now this greater body of certain dogmatic teaching must necessarily influence the whole multitude of believers. It it tells upon literature; it tells upon popular devotion; it tells upon practice…and lastly, it tells upon ecclesiastical art…Neither, in speaking of Modern Times, must we omit to notice the natural connection there is between an increased knowledge of dogma, and the spirit of reverent familiarity in devotion, which has been so prominent a feature in the later Saints.  The more extended the vision of faith becomes, th more familiar a man necessarily grows with the sacred objects of which that faith so infallibly assures him…We must not omit then to name the increase and greater universality of mental prayer, the more generally adopted systematic methods of self-examination, the more common practice of spiritual reading, the ways of hearing mass, the obligation of meditation made the condition in most cases of gaining the indulgences of the Rosary, and other things which are all so many marks of what is called nowadays the increased “subjectivity” of the Modern Mind.(Faber 44-46, 49-50).

FatherFaber2

Fr. Frederick William Faber, founder of the Brompton Oratory in London. (Source)

Faber adds that anyone who would ignore this latter tendency towards “subjectivity” when seeking to evangelize would inevitably “find himself miserably out in his reckoning…The experiment would correct itself” (Faber 50). While Fr. Faber’s optimism is perhaps just as simplistic as Dreher’s pessimism, his perspective helps us attain the proper, prudential, balanced orientation towards modernity that The Benedict Option flatly misses.

Faber offers his historical assessment as a prelude to the consideration of St. Philip Neri’s life and spirituality. For Fr. Faber, St. Philip combines in his person and example the very best of what modernity has to offer. After all, Faber notes, Pippo Buono was ordained while the Council of Trent met. His movement began in an urban setting, “the very capital of Christendom itself,” and he managed to meet and influence “people of all nations” (Faber 51).

Even St. Philip’s personality was that of

…a modern gentleman, of scrupulous courtesy, sportive gaiety, acquainted with what was going on in the world, taking a real interest in it, giving and getting information, very neatly dressed, with a shrewd common sense always alive about him, in a modern room with modern furniture, plain, it is true, but with no marks of poverty about it; in a word, with all the ease, the gracefulness, the polish, of a modern gentleman of good birth, considerable accomplishments, and very various information. (Faber 52).

Fair enough. But why bother applying the example of this modern saint to our peculiar cultural and religious circumstances? It is one thing to say that a saint might have something to teach us. It is another thing altogether to say that a saint’s teaching might prepare us for the peculiarly harsh cultural conditions which seem to loom on the horizon (Dreher wasn’t wrong about all of it).

Faber answers this question, too. He writes of St. Philip:

He came to Rome at one of the most solemn crises of the Church; the capital was full of Saints, and full of corruption too. He was the quietest man at his hard work that ever was seen; yet he magnetized the whole city; and when he died he left it quite a different city from what it was, nay, with the impress of his spirit and genius so deep upon it, that it was called his city, and he the apostle of it, second only to St. Peter. It was no man clothed in camel’s hair, with the attractive paraphernalia of supernatural austerities upon him, no St. Francis, with his Chapter of Mats all round the Porziuncula, that the city and its foreign visitants went so anxiously to see; it was simply an agreeable gentleman, in a comfortable little room, apparently doing and saying just what any one else might do or say as well. He had come at his right time; he suited his age; men were attracted; he fulfilled his mission. (Faber 53).

St. Philip’s example is pertinent to our present debate insofar as he reformed late Renaissance Rome, a society much like ours, by means far more achievable and far more charitable than the contorted stratagems of The Benedict Option.

“Roots Are Very Important”

Admittedly, those words weren’t spoken by St. Philip. They’re actually the climactic revelation from Paolo Sorrentino’s La Grande Bellezza (2013), one of my favorite filmsa story that takes place in Rome. And as with all things Roman, St. Philip is never far away.

Two very singular facts stand out about St. Philip. One is that he was deeply attached to the Eternal City. And, relatedly, he never wished to start a religious order. He always claimed that the Congregation was entirely the work of Mary and the Holy Spirit. St. Philip was even reluctant to permit some of his sons to begin a house in Naples, a decision which would ultimately yield the harvest of many saints. Long before that, St. Philip required those priests he sent to San Giovanni dei Fiorentini to return to San Girolamo every day for the exercises of the Oratoryeven in sweltering heat and downpours of rain.

Borromini Facade of Oratorio dei Filippini (as drawn by Barriere, 1720 engraving)

Borromini’s facade of the Roman Oratory, sketched 1720’s. (Source).

In my recent post on St. Philip’s Benedictine tendencies, I noted that St. Philip understood that spiritual fatherhood can only be built upon a certain degree of stability. Along with that comes a strong sense of place, an immersion in the particular life of any given community. This decentralized localism is why every house of the Oratory throughout the world has its own unique spirit and apostolate. The Congregation only unites under the general aegis of St. Philip’s inspiration, not the ordinary vows of a religious order. To use a somewhat hackneyed analogy—if the Jesuits are the global corporations of the ecclesiastical world, then Oratorians are the folks who run mom & pop shops. However, there is a deeper meaning to this organizational quirk that we will have occasion to examine soon.

That domestic spirit can be summed up by the Oratorian conception of nido, or “nest.” As one source has it,

St Philip’s disciples and penitents sometimes sought him out in his room, where the Exercises of the Oratory were held in the early days. The Oratorian does not emulate a monastic detachment which would periodically surrender one’s very bedroom in manifestation of the premise that material goods are merely ad usum. The Oratorian identifies his room as a nido, a “nest.”

Strong Christian community requires roots. Dreher, as well as the good folks over at places like Front Porch Republic and Solidarity Hall, has frequently made this point over the last several years. It is not a new idea. The Benedict Option is peppered with quotes from Wendell Berry, the godfather of all American localist movements today. If Dreher’s Christian communitarianism is to succeed, then it must be predicated on something very much like the Oratorian sense of place. We would be wise to draw upon the domestic spirit of St. Philip’s nido.

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The effigy of St. Philip Neri, created from life once he could no longer lead the pilgrimage to the Seven Churches. Currently in possession of the Roman Oratory. (Source).

And that very sense of local domesticity often leads to precisely the kind of worldly engagement that Dreher’s book tends to overlook and minimize. Although St. Philip was by no means a polemicist, he took an active interest in the affairs of the worldas they transpired within the walls of Rome. He intervened in affairs of state only once, when he required Baronius to withhold absolution from the Pope until the latter had reversed the excommunication of Henri IV. This successful bit of string-pulling on St. Philip’s part probably kept the French crown Catholic for the duration of the Bourbon dynasty.

Of course, there is more to Oratorian domesticity than that. St. Philip’s genius lies not only in his stability, but in the way he invested so much of his spiritual ministry with romanità (in every sense of the word). He drew his principle practices from the sun-baked stones and the boiling air of the Eternal City, as if by some secret alchemy. He was famous for leading ever-more popular pilgrimages along the path of the Seven Churches. And all this, to compete with and vitiate the heathen delights of the Carnival. Where else but in Rome could a saint freely lead and care for such masses of pilgrims along such a venerable route? Where else in the history of modern Europe do we see such a providential alignment of personality, place, and practice against the pagans? The established traditions of spirituality which had already formed Rome were in turn re-formed by St. Philip. It is for this reason that he has been given the honorific title of “Apostle of Rome,” alongside Saints Peter and Paul.

As long as Christianity remains tied to the parish structure, it will always be a local religion. Consequently, St. Philip Neri’s unique resourcefulness will always be relevant. Especially today. As one writer puts it, “The mission of an Oratorian is to work at ‘home’; the Oratory is thus an apt instrument of the New Evangelization, re-proposing the gospel in formerly Christian societies.” God furnishes us with opportunities all around, if only we wish to see with “the eyes of the dove” (Cant. 1:15 paraphrased).

Illumine the Intellect

Such sight will be clearer and more invigorating if sharpened by the intellect. St. Philip’s exercises in the Oratory constituted a kind of holy pedagogy for the men of Rome. In his biography of the saint, the French Oratorian Louis Bouyer describes it well:

The programme of their meetings took some ten years to crystallize into the following form: reading with commentary, the commentary taking the form of a conversation, followed by an exhortation by some other speaker. This would be followed in turn by a talk on Church History, with finally, another reading with a commentary, this time from the life of a saint. All this was interspersed with short prayers, hymns and music, and the service always finished with the singing of a new motet or anthem. It was taken for granted that everyone could come and go as they chose, as Philip himself did. He and the other speakers used to sit quite informally on a slightly raised bench facing the gathering. (Bouyer 54).

Another author gives us a more detailed understanding of the kinds of materials that St. Philip and his sons were reading, hearing, and discussing in the exercises:

In St Philip’s time, the most important of his Exercises, which came to be known as the Secular Oratory, or in some places the Little Oratory, was a daily practice spread out over two to three hours during the leisurely Roman siesta and consisting of (1) a period of mental prayer; (2) a reading from the Scriptures or some spiritual book (e.g., Denys the Carthusian, John Climacus, Cassian, Richard of St Victor, Gerson, Catherine of Siena, Innocent III’s De Contemptu Mundi, Serafino da Fermo’s Pharetra Divini Amoris—St Philip’s favourite readings were the Laudi of Jacopone da Todi and The Life of Blessed Colombini by Feo Belcari), followed by a “discourse on the book,” a commentary and dialogue on the subject of the reading; (3) a discourse on the life of a saint; (4) a moral exhortation—a discourse on the virtues and vices; (5) a discourse on the history of the Church; and finally (6) an oratorio or spiritual canticle. (Source).

Herein we find the germ of Oratorian life, “the daily use of the Word of God” (Talpa, quoted here). St. Philip’s model is eminently conversational. The Oratory converts and sanctifies, not only through its stated arms of the sacraments, prayer, and preaching, but through discussionand, as well shall see, aesthetics.

St. Philip was not, however, given to ostentatious and idle chatter. He well understood the words of St. James, that “the tongue is a fire, a world of iniquity” (James 3:6 KJV). Consequently, he always urged his sons to mortify their speech as well as their reason and intellect. The Oratorians were to be wise, intelligent, even scholarly. But they were not to speak freely of the arts and sciences, nor were they to flaunt their learning. One Oratorian father went so far as to feign ignorance of Latin; another would always try to change the subject when any scholarly or humanistic matter came up in conversation. Amare nesciri“to love to be unknown”these words were ever on St. Philip’s lips.

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The Venerable Cardinal Caesar Baronius, author of the Annales Ecclesiastici, father of Church history. (Source).

None of this is to suggest that St. Philip was actively anti-intellectual. Far from it! After all, St. Philip was a devoted student of theology and philosophy in his younger days, and Father Faber calls even the mature St. Philip a “great student of history” (Faber 53).  Those words could perhaps be more truly applied to St. Philip’s spiritual son, the Venerable Cardinal Caesar Baronius. It was St. Philip who commanded Baronius to write the Annales Ecclesiastici, the first great work of church history in modern times. The project served a few functions. First, it got Baronius off of preaching, as he had the unpleasant but slightly amusing habit of turning every sermon into a lengthy and vivid discourse on the everlasting torments of hell (I hope that, when he is eventually canonized, the good Cardinal becomes the patron saint of horror writers). The project also productively occupied Baronius’s prodigious intellect, which St. Philip mortified in many other ways. For instance, Baronius was given kitchen duty so frequently that St. Philip playfully wrote above the stove, “Baronius, Coquus Perpetuus.” Finally, St. Philip and Baronius conceived of the book, which unexpectedly became a decades-long enterprise, as a way of challenging the then-dominant historiography of Protestant authors, as exemplified by the Magdeburg Centuries.  A cynic might call this bias. In context, it’s perhaps more fair to interpret Baronius’s motive as one very much akin to those that animate the scholarly disputes of our own day. And because of Baronius’s thoroughgoing method, academic rigor, and meticulous attention to detail, the Annales were received with respect even by those who disputed its claims. It was so impressive a work that several centuries later, Lord Acton could honestly call it “the greatest history of the Church ever written” (Source).

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St. Philip urging Baronius to write the Annales. (Source).

Nor was Baronius the only model of learning in the Oratory. His fellow cardinal, the aristocratic Francesco Maria Tarugi, was the fox to his hedgehog. Louis Bouyer writes that Tarugi “captivated everyone with his natural eloquence and was never at a loss, no matter what the topic of the moment might be” (Bouyer 64). Here again we see the mark of what we may call the specifically Oratorian geniuserudition crowned with beautiful style and fluency in speech.

If St. Philip stands for an appropriate humility of the intellect, Baronius for a rigorous love of truth, and Tarugi for eloquence in discourse, then we must turn to a fourth figure, the greatest scholar ever to enter the Oratorian life. I speak, of course, of John Henry Cardinal Newman.

In Newman’s long, productive, and complicated life, a few key themes emerge. Three are worth examining in connection with the intellectual tradition of the Oratory. First, we may duly note that Newman always exhibited a great love of knowledge for its own sake, and thus of Truth as such. As he writes in The Idea of a University,

Useful Knowledge then, I grant, has done its work; and Liberal Knowledge as certainly has not done its work,—that is, supposing, as the objectors assume, its direct end, like Religious Knowledge, is to make men better; but this I will not for an instant allow, and, unless I allow it, those objectors have said nothing to the purpose. I admit, rather I maintain, what they have been urging, for I consider Knowledge to have its end in itself. For all its friends, or its enemies, may say, I insist upon it, that it is as real a mistake to burden it with virtue or religion as with the mechanical arts. Its direct business is not to steel the soul against temptation or to console it in affliction, any more than to set the loom in motion, or to direct the steam carriage; be it ever so much the means or the condition of both material and moral advancement, still, taken by and in itself, it as little mends our hearts as it improves our temporal circumstances. And if its eulogists claim for it such a power, they commit the very same kind of encroachment on a province not their own as the political economist who should maintain that his science educated him for casuistry or diplomacy. Knowledge is one thing, virtue is another; good sense is not conscience, refinement is not humility, nor is largeness and justness of view faith. Philosophy, however enlightened, however profound, gives no command over the passions, no influential motives, no vivifying principles. Liberal Education makes not the Christian, not the Catholic, but the gentleman. (The Idea of a University 120-21).

CARDINAL JOHN HENRY NEWMAN PICTURED IN 1865 PHOTO

Newman never abandoned the life of the mind. (Source).

Along with this purity of vision, we naturally find in Newman a perennial appreciation of academic engagement, and when necessary, controversy. Indeed, Newman rose to fame and eventually converted because of his involvement in the ecclesiastical turmoil of the 1830’s and 40’s. He produced his first two great works, Tracts for the Times (1833-1841, in collaboration with others) and The Arians of the Fourth Century (1833) in light of those disputes. Likewise, Newman articulated his great theories of doctrinal development (Essay on the Development of Doctrine, 1845) and the important role of the laity (“On Consulting the Faithful,” 1859) in texts occasioned by ongoing controversies within the Anglican and Roman Catholic churches respectively. And although he could be terribly sensitive to even the slightest criticism, Newman took pains to respond with courtesy, as he did to Charles Kingsley in his famous Apologia Pro Vita Sua (1865). While Newman never sought out polemics and controversies, he was willing to engage in them when the Truth and Honor of God was at stake.

Finally, we ought to remember that Newman was always animated by a sincere love of that singular matrix of the intellectual lifeacademic community. His experience at Oxford profoundly shaped his worldview. He is, of course, still widely regarded as one of the great theorists of higher learning. The Idea of a University (1852, 1858) remains one of the most influential texts on Catholic education in modern times. But the impression that Oxford left on Newman is deeper and more subtle. Newman was drawn to the Oratory in part because he recognized in it the same collegiality that defined the best of the houses at Oxford. Newman writes,

Now I will say in a word what is the nearest approximation in fact to an Oratorian Congregation that I know, and that is, one of the Colleges in the Anglican Universities. Take such a College…change the religion from Protestant to Catholic, and give the Head and Fellows missionary and pastoral work, and you have a Congregation of St Philip before your eyes. (Newman, quoted here).

Newman first considered the Oratory in part because he hoped to offer a ministry to the intellectuals of Britain:

The local bishop, Nicholas Wiseman, invited them to the former seminary at Old Oscott while they decided what to do. Newman named it “Maryvale” and planned some sort of Catholic educational institute there. But then Wiseman sent them off to Rome for ordination. While there, they examined various religious congregations, and realised that St Philip’s Oratory was the most suitable. The Birmingham Oratory was accordingly set up in Maryvale (2 February 1847), before settling on its present site, with another Oratory in London. (Oxford Oratory).

Sadly, Newman was unable to achieve his dream of an Oratory in Oxford during his lifetime. Fr. Jerome Bertram CO has a monograph on the subject, worth looking into. Suffice it to say, Newman looked upon the university as a major and potentially ripe field for an intellectual, aesthetically sensitive Catholic missionary presence. There is a reason why Catholic ministries to university students are very often called Newman Centers.

RobinsonBook

The Oratorian tradition of scholarship continues today, as with, inter alia, the work of Fr. Jonathan Robinson of the Toronto Oratory. Here is the cover of his 2015 book, In No Strange Land: The Embodied Mysticism of Saint Philip Neri. (Source).

Insofar as we are trying to draw out principles that might be of use to the Church in the face of the various cultural challenges which prompted Dreher to write The Benedict Option, I think the Oratorian example, particularly as reflected in Newman’s life and work, may be of use. What lesson we should take? That we ought not abandon the universities and all that they stand for. Yes, there are failures of free speech, episodes of intimidation, and other serious problems at many institutions of higher learning. Dreher, to his credit, has done a good job reporting on the recent madness at Middlebury and Evergreen State.

But the universities overwhelmingly remain the central locations of serious intellectual exchange in this country and the world. While there are some impressive institutions of higher learning outside of or parallel to the formal university system, these are few and far between (see, inter alia, the Maryvale Institute and the Institute for Advanced Studies in Culture). For what it’s worth, Alasdair MacIntyre has explicitly argued for a retrenchment of our position within the academy, both in Three Rival Versions of Moral Enquiry (1990) and elsewhere. As Rowan Williams notes in his review of the book, Dreher seems to write off public discourse entirely. Dreher’s decision to do so is very foolish, more likely to hurt than help the position of Christians in our culture. Moreover, it is alien to the quintessentially Oratorian spirit of a man like Newman.

Contemplate Beauty

One of the marks of the Oratorian charism is a devoted attention to aesthetics. Perhaps it is only appropriate that a vocation emerging from and responding to the Neo-Platonist Renaissance should share its love of beauty. The Florentine St. Philip seems to have known instinctively that beauty evangelizes well and widely.

Rome - fresco of Assumption of Virgin Mary in Chiesa Nuova

Baroque apse of Santa Maria in Vallicella, by Pietro da Cortona (Source).

The exercises of the Oratory were never complete without a great deal of music. Louis Bouyer tells us that St. Philip “liked the conversations to be interspersed with music and the meetings to be brought to a close by some singing, so that the evening was filled with harmony” (Bouyer 54). St. Philip engaged the talents of some of the greatest Roman composers of his day. Giovanni Pierluigi da Palestrina took St. Philip as his confessor, and Giovanni Animuccia was so frequently involved that Bouyer tells us, “In all truth nothing but one of Animuccia’s lovely motets could distill the essence of the Oratory and pass it on undiluted” (Bouyer 55). That same essence continued in the Congregation even after St. Philip’s death. Emilio de’ Cavalieri’s Rappresentatione di Anima et di Corpo premiered at the house of the Roman Oratorians in 1600, and as a result, is generally considered the first oratorio.

St. Philip did not limit his careful deployment of beautiful and holy music to the formal exercises of the Oratory. He also knew that the long walks and pilgrimages he conducted around Rome would more easily win souls if they were elevated by sweet harmony. As Bouyer reports,

On such occasions music played a more important role than ever. Animuccia would bring along Rome’s best musicians, and the ‘Adoremus te Christe’ by Orlando de Lassus, or the ‘O vos omnes’ by Vittoria, would mingle with the sound of the fountains’ silvery cascades, of the leaves rustling in the sea breeze…On their way in the freshness of those early summer mornings on the Roman Campagna, Serafino Razzi’s Laudi would alternate with Gregorian Litanies.

At San Sebastiano…would follow a fine Polyphonic Mass, perhaps Palestrina’s wonderful ‘Mass of Pope Marcellus’ or his ‘Ecce Sacerdos magnus’…On their return to the centre of the city they would visit Santa Maria Maggiore on the heights of the Esquiline. Beneath the ceiling which Alexander VI had just decorated with the first American gold to be brought by Christopher Columbus from Peru, and among the Ionic columns of pure white marble, the day would draw to a close in an outburst of Palestrina music, and a ‘Salve Regina’ would fill the falling night with its loveliness gathered from the rivers and the stars. (Bouyer 57-60).

Nor was St. Philip insensible to the appeal of visual beauty. He was fond of Federico Barocci. We can detect in Barocci’s work a certain light sfumato, an airy other-worldliness that hovers over the strikingly intimate scenes the artist depicts. In the works of Barocci, there is something of the spirit of St. Philip, in whom the presence of God was so manifest and so exemplary in one so strangely human.

Federico_Barocci_-_Virgin_and_Child_with_Sts_Simon_and_Jude_(Madonna_di_San_Simone)

Madonna di San Simone, by Federico Barocci, c. 1567. (Source).

Some years after St. Philip’s death, the Oratorian fathers commissioned Caravaggio to create a sizeable painting for a side-altar. The result was the famous “Entombment of Christ (1603-04), now hanging in the Vatican Museums.

CaravaggioDeposition

The Entombment of Christ, Caravaggio, c. 1603-04. (Source).

These artistic traditions have not fallen away in later houses of the Congregation. The Brompton Oratory in London is renowned for its architecture as well as its world-class Schola Cantorum. Its founder, Fr. Faber, gained wide respect as a hymnodist and poet. Newman also wrote some excellent verse, though he is more commonly regarded as a master prose stylist; Joyce considered him the greatest prose writer in the English language. St. Philip wrote some poetry too, though he destroyed most of his verses before he died. All that survive are a few religious sonnets. As one Italian author puts it,

Philip was perhaps the first who, after the reform in our poetry effected by Bembo and other distinguished men, treated religion with that fine poetic taste with which Petrarch treated the philosophy of Plato. Philip flourished as a poet about 1540; and then he forsook literature and gave himself wholly to God, and flourished far more in holiness, until his death. But though he no longer wrote poetry, he did not set it altogether aside. He well knew its great uses when guided by a christian spirit, and therefore he made a great point of it in his Congregation. He read poetry himself, and ordered that it should be always read and used by his followers in the way described in our previous notes. (Crescimbeni, quoted by Capecelatro, here).

St. Philip frequently found ways of incorporating the Laudi of Jacopone da Todi into the spiritual reading that formed such an important part of the exercises of the Oratory. It was one of only two books we know he brought with him from Florence. The Laudi was a text to which St. Philip returned frequently throughout his life, and one that always bore new graces (Bouyer 53).

AngelStPhilip

“L’Angelo mostra a San Filippo Neri un dipinto della Vergine con Bambino e San Giovannino,” Circle of Carlo Maratti (Source).

All of this goes to say that St. Philip and his sons were no philistines. They appreciated and, in some cases, produced fine art across a variety of disciplines. While their vocation was never primarily or deliberately aesthetic, Oratorians throughout history have understood the spiritual importance of beauty.

Dreher hits this point pretty well in The Benedict Option. In that sense, my dissent from his recommendation may be more a matter of emphasis than of substance. Insofar as we differ at all, I think my issue is summed up well by Rebecca Bratten Wise:

Perhaps the critics who are timid about these powerful Catholic writers working right now in our midst are waiting for someone else to “baptize” them? Perhaps they are waiting for someone else to say “I heard God there” – because they, themselves, have not learned to open the inner chambers of the ear? Because we do not have a robust Catholic arts culture that teaches us to open all the portals for reception, but instead have embraced a misnamed “Benedict Option” which is all about putting up walls and barriers, drawing those lines in the sand.

Nevertheless, I do strongly criticize Dreher for lacking a sufficiently sacramental vision. The Oratorian aesthetic makes up for this failure, in that it is primarily liturgical.

Live and Love Eucharistically

And thus, we finally turn to the most important feature of St. Philip’s life and charism, the feature which made him a saint and a father of saintshis burning, Eucharistic charity. We can find evidence of St. Philip’s Eucharistic life in the peculiar and highly somatic form of mysticism that we encounter in his vitae. St. Philip never trusted ecstasies and visions, though he was granted such graces himselfusually in connection with the celebration of the Holy Sacrifice.

Capecelatro depicts the scene for us:

But now, in his 76th year, he could no longer restrain the impetuosity of Divine love which glowed within his heart, and he resolved to say Mass in private that he might give free course to his devotion.

MassofSanFilippo

“Madonna con Bambino in trono e san Filippo Neri,” Giacomo Zoboli (Source)

From that time his usual method of saying Mass was this: up to the Domine, non sum dignus, everything went on as before; but at the solemn moment which precedes the priest’s communion, those who were in the chapel withdrew, the server lighted a lamp, put out the altar candles, closed the shutters of the windows, locked both doors, and left the Saint alone with God. Philip would have none to witness the raptures of his love, or to check the freedom of his sighs, words, and tears. A notice was then hung on the door, with these words: “Silence—the Father is saying Mass.” He would remain alone with Jesus in the Adorable Sacrament for two hours, hours of contemplation and of prayer with many tears, and urgent intercession for the Holy Church, the Bride of Jesus Christ, that He would render it as holy in the life of its children as it is in its faith and teaching. After two hours the server came back and knocked gently at the door; if the Saint answered, he opened the door, relighted the candles on the altar, opened the window-shutters, and Philip finished his Mass in the usual way. If the server received no answer, he went away for some time longer, nor did he enter the chapel until the Saint gave some sign that he might do so. What passed in those hours is known to God alone; those who saw Philip when his Mass was over were struck with amazement and awe, until his countenance was pale and wasted, as of one about to die. (Capecelatro 131-32).

And this in the immediate age of Trent! What are we to make of these irregularities?

St. Philip’s Mass is not a model of liturgical praxis, but of liturgical spirituality. In his own highly idiosyncratic prayer, St. Philip becomes a universal model of the soul in adoration of the Eucharistic God. St. Philip was, indeed, one of the great apostles of adoration in his time, as he popularized the Forty Hours’ devotion in Rome. Today, the Quarant’Ore remains a tradition of the Church and the Oratory throughout the world.

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The Forty Hours’ Devotion at the London Oratory. (Source).

St. Philip’s sons are known for their tender devotion to the liturgical rubrics. In fact, I draw my title from a line in Fr. Jonathan Robinson’s foreword to Resurgent in the Midst of Crisis: Sacred Liturgy, the Traditional Latin Mass, and Renewal in the Church (2014), by Dr. Peter Kwasniewski. Fr. Robinson speaks of an “Oratorian option” not in relation to the early stages of the Benedict Option controversy, but as “a Reform-of-the-Reform ars celebrandi” (Robinson, in Kwasniewski 3). Indeed, the Oratories of the Anglophone world have a particularly strong reputation for their reverent and careful celebration of the Holy Sacrifice of the Mass. As with the best monasteries, the best Oratories exhibit “dignity and magnificence of the liturgical ars celebrandi” (source). In London, Birmingham, Oxford, Toronto, Vienna, Cincinnati, Pittsburgh, Washington, Brisbane, York, Manchesterin short, wherever the spirit of St. Philip prevails over all rivals and distractionswe find a true Domus Orationis, a “House of Prayer” (Matt. 21:13).

The chief fruit of this discipline is supernatural charity. St. Philip sought to found his congregation on this virtue, not the vows which have historically defined the religious state. There is a Trinitarian logic to this plan. For, just as the superabundant love in the heart of the Trinity impels the Three Divine Persons freely to create, redeem, and sanctify, so too should the love of the Oratory overflow into the streets and lead its members to good works. The love of God descends to a love of brethren, which descends in turn to a love of neighbor. Each of these lesser loves ought to confirm, extend, and refine the higher loves. This chain of charity, then, is a veritable Jacob’s ladder, for those in the angelic state are called ever to climb up and down until their passage into beatitude.

Of course, the basic pattern here is not unique to the Oratory. What sets the Oratory apart is its love of the world. A kind of holy worldliness distinguishes the Oratorian spirit, even as St. Philip’s own outlandish behavior earned him a reputation for other-worldliness. I don’t mean to suggest that St. Philip and his sons were given over to the permissive and pagan times in which they lived. Rather, I mean that St. Philip and the Oratorians are characterized by two separate but related qualities that proceed from their Eucharistic life.

First, St. Philip was renowned for prudence. After all, he was a much sought-after confessor. The irony at the heart of so many of his jokes is that, by mocking his own and others’ pretensions, he demonstrated how utterly divorced so many of our lives are from good Christian common sense. In this respect, he was a true fool for Christ very much after the Eastern model. St. Philip’s prudence did indeed appear foolish to those whose vision could not penetrate to the mysteries of God.

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From Guido Reni. It seems only appropriate that St. Philip should be so frequently depicted fully vested for Mass. (Source).

While in other ages, prudence led some saints to undertake and advise great hardships for the kingdom, that same virtue taught St. Philip a different path. He drew his own strength from fastidious and hidden rigors, but he always counseled his penitents to avoid excessive asceticism. Once, when the future Cardinal Tarugi, still young and wealthy and vain, came to him for confession, he asked St. Philip if he might wear a hairshirt. St. Philip saw through the man’s pride. He assentedbut only allowed Tarugi to wear the hairshirt on top of all his other garments! For such an admirer of Savonarola, St. Philip could hardly have been farther from his practice when it came to matters of mortification. What little he did urge he usually salted with his own brand of humor. He famously took the Dominican novices of the Minerva out on long picnics and urged them to eat and grow fat. So, too, his pleasant indulgence of children was legendary. And what of those long walks with the crowds under the Roman sky?

St. Philip loved the world. He hated its lies and vices, but he was ever able to peer beyond that sordid stratum and into God’s glory. As one source puts it, “St. Philip was the Apostle of Rome, who by means of the ‘counter-fascination of purity and truth’ reconverted both clerics and laymen in the city at the centre of the Church.” Or, as Louis Bouyer tells us,

Does not Philip, in fact, merely yield to Renaissance optimism? Does he not ignore original sin when he bases his apostolate on freedom and confidence? His ‘religion without tears’ surely expects from undisciplined nature what the discipline of grace alone can produce?

…There is no doubt that it was dangerous to go out against the new paganism with no other arms save love, and just as dangerous to expose his apparently vulnerable simplicity to its disturbing influence, yet his outrageous method made him the victorious apostle of neo-pagan Rome. (Bouyer 28-29).

The love that conquered Rome was the fruit of St. Philip’s sacramental interior life. The unique grace of his special relationship with the Holy Spirit was a cardinal element of that life, but so was his ardent devotion to the Eucharist.

It was this element that I found so disturbingly absent in Dreher’s book. There is no properly Christ-like love of the lost in The Benedict Option, only one angry jeremiad after another. And why? Perhaps because Dreher hardly ever mentions the Eucharist. Dreher writes as if Christ’s presence on earth is an afterthought, one tool among many to be deployed in the quest for community. The result is a spiritually crabbed book, insufficiently sacramental and brimming with self-righteous anxiety.

St. Philip shows us another way.

Conclusion

At the end of the day, there is no silver bullet to halt the various troubles that the Church faces in what seems like an increasingly hostile, secular West. Christ never abandons us to the narrow limits of our own imagination and resources. Instead, He furnishes the Church with untold gifts, charisms, and holy exemplars among the saints. In this sense, the recent proliferation of “Options”to which this essay contributesis probably a blessing.

But we musn’t forget one ineradicable fact. Christ never raises these lesser creations over His own Body, Blood, Soul, and Divinity. There is no blessing, no vocation, and no grace that can go beyond the work of the Adorable Sacrament. If we forsake the one rock of the Altar and instead build upon the sand of the innumerable personal graces and unique charisms spread throughout the Church Universal, then all of our works will shatter beneath the hammer of the storm.

St. Philip Neri understood this truth and lived it out across the long span of his ministry. Those qualities which distinguish the Oratorian charismdomesticity, localism, intellectual rigor, humility, collegiality, aesthetics, urbanity, prudence, and love of the worldcan only be integrated and understood in the light of the sanctuary lamp. St. Philip’s entire life was a ceaseless testament to the power of the Eucharist “for the life of the world” (John 6:52 KJV). In keeping close to the Sacrament and to the example of St. Philip, we may just make it after all.

A Corpus Christi Meditation

GasparroTransustanziazio

Transustanziazione,” by Giovanni Gasparro. He’s one of the best Catholic artists working today.

In my parish, as in most, the Solemnity of Corpus Christi has been moved from its traditional spot on the Thursday after Trinity to the following Sunday. There are many unfortunate implications of this liturgical change, but today I’d rather focus on what grace I received from the readings and prayers of today’s Ferial Mass.

I’d like to start, however, with a painting, “Transustanziazione,” by Giovanni Gasparro. Only in the work of Salvador Dali do we find a modern artist who captures the mystical dimension of the Eucharist in such an original way. And Gasparro’s piece is far simpler, and therefore more visually striking, than any of Dali’s several Eucharistic paintings.

Three pairs of hands, like the three pairs of wings on the seraphim and cherubim, bear aloft a bleeding host in undifferentiated space. The three sets of hands appear the samethey are, perhaps, the hands of the same priest captured over the lapse of time. This distortion of time and space lends the image a sense of eternity. We are viewing something transcendent. The Eucharist is not just an earthly event. It is also a rite which happens forever in the cosmic liturgy of heaven. And who is the Great High Priest offering that liturgy for us mortals? Who but Christ? In Gasparro’s image, Christ is present as priest and victim.

The three pairs of hands also remind us of the Trinity. When we approach the Eucharist, we truly approach the Triune God. At every Mass, the act of Transubstantiation only happens because of the work of the whole Trinity. Christ offers Himself to the Father in the Holy Spirit, through the hands of His priests and the prayer of His bride, the Church. It is meet and right that we should consider the painting at this point between the Ordinary Form celebrations of Trinity Sunday and Corpus Christi.

The painting has a certain sacramentality, in that, like the liturgy, it captures something of the invisible and manifests it to our earthbound senses. Looking at Gasparro’s painting, we have the sense that we are glimpsing something profound, unsettling, and sacredsomething ordinarily hidden from us. Do we not hear the words of St. Thomas’s Corpus Christi hymn, Lauda Sion?

Here beneath these signs are hidden,
Priceless things, to sense forbidden,
Signs, not things, are all we see.

Today’s liturgy powerfully brings this quality to mind. As we turn to the First Reading from today’s Mass, we encounter the words of St. Paul:

Brothers and sisters: To this day, whenever Moses is read, a veil lies over the hearts of the children of Israel, but whenever a person turns to the Lord the veil is removed. Now the Lord is the Spirit and where the Spirit of the Lord is, there is freedom. All of us, gazing with unveiled face on the glory of the Lord, are being transformed into the same image from glory to glory, as from the Lord who is the Spirit.

Therefore, since we have this ministry through the mercy shown us, we are not discouraged. And even though our Gospel is veiled, it is veiled for those who are perishing, in whose case the god of this age has blinded the minds of the unbelievers, so that they may not see the light of the Gospel of the glory of Christ, who is the image of God. For we do not preach ourselves but Jesus Christ as Lord, and ourselves as your slaves for the sake of Jesus. For God who said, Let light shine out of darkness, has shone in our hearts to bring to light the knowledge of the glory of God on the face of Jesus Christ.

This, from the Second Epistle to the Corinthians.

The Liturgical Providence of God permits us to hear these words of the Apostle on a day which, in the Old Calendar, was the preeminent feast of the Eucharist as such. All Thursdays are to be read in light of the Eucharist, mystically tied as they are to this holy feast and to Maundy Thursday.

RussianHolyFace

Russian icon of The Holy Face of Jesus “Not-Made-by-Hands”(Source).

St. Paul is doing many things in this passage. It is an extremely rich vein of mystical insight, and it could yield untold spiritual fruit. But one very clear move that St. Paul makes here is the parallel he draws between our faces and the face of Christ. As the Spirit has removed the veil of sin from our faces in Baptism, so too, He removes the veil from Christ’s priestly face in the Eucharist. In the Eucharist, the Baptized stand face-to-face with God Almighty. We must grow in the likeness of Christ’s Holy Face—”from glory to glory”—but only by approaching the glory of that face in the Eucharist.

What does this transformation practically look like? The readings give us hints.

The Gospel Acclamation, drawn from St. John, summarizes the commands of the Lord in the proper Gospel. We sing, “I give you a new commandment: love one another as I have loved you.” Then, Christ tells us,

Therefore, if you bring your gift to the altar, and there recall that your brother has anything against you, leave your gift there at the altar, go first and be reconciled with your brother, and then come and offer your gift.

Eucharistic community is characterized by peace. Its members govern their actions by deliberate and conscientious love. We are obliged to strive for this peace.

The proper Psalm depicts the spiritual condition of that moral environment, when

Kindness and truth shall meet;
justice and peace shall kiss.
Truth shall spring out of the earth,
and justice shall look down from heaven.

What, precisely, is the nature of this union of heaven and earth? Here, too, the Psalm furnishes a deeper insight. We sing in the refrain, “The glory of the Lord will dwell in our land.” There are many meanings bound up in this line of Holy Scripture. Three are immediately relevant to our purposes. The passage’s Sophiological meaning is that God’s glory will ultimately interpenetrate, indwell, and crown the redeemed cosmos. The passage’s Mariological meaning is that Christ will give His own divine-human self to the Church, the New Israel, through the Church’s perfect microcosm and icon, Mary, the true Daughter of Zion.

But the passage also has a Eucharistic meaning. There is a reason we are meant to chant this particular line of the Psalter on the Thursday that was (and at some level, still is) Corpus Christi. The Glory of God will dwell in the land by its fruits—bread and wine. Indeed, the Glory of God will so fill the bread and wine that they will cease to be bread and wine. God will pour out his glory upon our offerings until our “cup runneth over.” They may appear all the same to us, but in truth, they will become the Body and Blood of Christ. No part of their original essence will remain. This single act of outpouring and indwelling is God’s privileged path of union with souls and with all creation.

As the great theologian Jean Daniélou writes, “We have already seen the Eucharist as communion, covenant. Now we see it as presence, shekinah.” It is the same presence that animates the entire liturgy of the Ferial Thursday after Trinity and that hides quietly in the simple and sacramental art of Giovanni Gasparro.