The rather romantic image of St. Philip Neri as always laughing, joking, and cheerful is a far cry from reality, as anyone who has immersed himself in the saint’s biographies and hagiographies will know. St. Philip, well-versed in the spirituality of the Desert Fathers, displayed a profound and salutary disillusionment with the charms of the world. Well did he know the verse that reads, “Adulterers, know you not that the friendship of this world is the enemy of God? Whosoever therefore will be a friend of this world, becometh an enemy of God” (James 4:4).
St. Philip expressed this mépris du monde in a little-known song based on famous verses in Ecclesiastes. It is one of the few writings allegedly from his hand to have been preserved. While the attribution remains uncertain, the opinions expressed below conform to the Maxims of the Saint, especially his frequent attempts to provoke thoughts of death. He was known to approach worldly young men and ask what they desired. At each answer, he would like Socrates say, “And then? And then?” leading eventually on to death. At which point, many souls realized the vanity of their desires and subsequently converted. St. Philip also used to say, “The things of this world do not remain constantly with us, for if we do not leave them before we actually die, in death at least we all infallibly depart as empty-handed as we came.” And he exhorts all Christian souls, “We must not be behind time in doing good; for death will not be behind his time.”
The song can be found in an appendix to Fr. Faber’s English translation of The School of Saint Philip Neri by Giuseppe Crispino, whence I have transcribed it. The original Italian text may be seen there as well. I offer it here to my readers who many not have access to this rather obscure book for their edification and private devotions to the Saint.
In this year of pestilence, I am reminded that St. Philip Neri began his good works in Rome by, among things, tending to the sick. The hospitals of sixteenth-century Italy were houses of profound mortification and little hope, not much more than palaces of death. They were chronically understaffed and overwhelmed with the indigent and the ill, who rarely recovered. The conditions were extremely unsanitary: the beds were filthy, the air putrid, the din of agony unremitting. Into these seething crowds of the desperate came St. Philip. He assisted the sick as best he could. His first biographer reports that, once he began to gather a following of disciples,
It was Philip’s custom on weekdays to divide his children in Christ into three or four groups and send them to the city hospitals. To begin with, he would himself go after dinner [lunch – RTY] to visit the sick in hospitals, to enkindle by his example in his followers a great desire to do this work; he would speak to the patients, tend them and do all sorts of things for them, which encouraged in his disciples an ardent desire to do the same. One example will serve to show you how devoted they were to the sick. Giovan Battista Salviati, being very dedicated, was in the hospital called the Consolazione, and headed straight for a patient intending to make his bed, asking him politely to get up so that he could do so. The patient thought he was being mocked. “No, my Lord,” he said, “don’t make fun of me, I’m a poor man.” He knew all about Giovan Battista’s licentious way of life, but was unaware of his marvellous change of character, by which he had wholeheartedly turned away from material concerns to the love of heaven. But what next? Giovan Battista urged him most earnestly, and the sick man was struck not only by his air of authority but even more so by his humility, and got out of bed, lost in admiration. Giovan Battista retained that style of life with an unwavering intent until the day of his death, and having once put his hand to the plough, he never looked behind him.
Antonio Gallonio, The Life of St. Philip Neri Trans. Fr. Jerome Bertram Cong.Orat.
St. Philip inspired others to help the sick in whatever way the could manage. These works of mercy were the fruit of the genuine conversion he wrought in their hearts by that peculiar influence he possessed. The palpable indwelling of the Holy Ghost in his heart turned him into a living fountain of graces whose streams brought miracles to many souls. Some of these miracles healed the sick and even raised the dead. Yet we must never forget that it was not these extraordinary moments but, rather, the graces of repentance, of conversion, and of final perseverance that were truly the greatest fruits of St. Philip’s particular sanctity. St. Philip’s true fame rests in those whom he carried with him to Heaven, not in the strange and marvelous works that he effected while on earth. The story of Giovan Battista Salviati is one example among many of those who tasted of such sweet fruits. He actualized the grace of his conversion through works of charity towards the sick.
Subsequent writers have retained this act as a sine qua non of the Oratorian life, and then only because St. Philip so clearly demonstrates how essential it is to the Christian life per se.
And it seems to me that on this, St. Philip’s feast day, we would be well-advised to do the same. We find ourselves in the midst of a new and terrifying pandemic. Death is everywhere. In the United States alone we have lost 100,000 souls with almost no public mourning. Many of these people have died alone, afraid, in pain, and deprived of the comfort of God’s Church. The nature of the disease means that most of us cannot actively assist in the hospitals for fear of transmission. All we can do is show kindness to our neighbors, help each other obtain the necessary supplies to stop the spread of the disease, and give blood if we have survived the sickness ourselves. That’s as far as practical action goes for most of us. So much for the corporal works of mercy.
But a Christian is never without a way to directly help his brethren. The first and last resort of the faithful must be prayer. Here, too, we can take St. Philip as our model. Lest we place too much emphasis on St. Philip’s merely material acts in visiting the sick, let us turn to the testimony of Giuseppe Crispino,
When we enter a sick-chamber, let us imitate the holy Father Philip, who was accustomed, immediately upon his arrival, to pray for the patients in their own room and to make the bystanders do the same, especially in the case of the dying. The Saint was also accustomed to retire into another room, and there to pray for the sufferer.
Giuseppe Crispino, The School of Saint Philip Neri, pg. 174 Trans. Frederick William Faber
As I have written elsewhere, we must offer intercession for our suffering fellows now more than ever. And we must do so in union with the whole communion of saints. Indeed, one small blessing of this crisis is that it can, if we let it, draw us closer to the “great cloud of witnesses” ever ready to help us. One of St. Philip’s spiritual sons, Fr. Agostino Manni, made special prayers to the Blessed Virgin whenever he went to the hospitals; the Blessed Juvenal Ancina likewise sought the prayers of the living when he ministered to the sick (Crispino 174-76). And that most perfectly Philippine of English Oratorians, Fr. Faber, conceives of intercession for the dying as an intrinsically Marian act. He tells us that
We learn [a lesson] from Mary about the deaths of others. It is, that devotion for those in their last agony is a Mary-like devotion, and most acceptable to her Immaculate Heart. There is not a moment of day or night in which that dread pomp of dying is not going on. There are persons like ourselves, or better than ourselves, and whose friends have with reason loved them more than ever ours have loved us, who are now straitened in their agony, and whose eternal sight of God is trembling anxiously in the balance. Can any appeal to our charity be more piteously eloquent than this?…Are not the dying our brothers and our sisters in the sweet motherhood of Mary? The family is concerned. We must not coldly absent ourselves. We must assist in spirit at every death that is died in the whole world over, deaths of heretics and heathens as well as Christians. For they, too, are our brothers and sisters; they have souls; they have eternities at stake; Mary has an interest in them…How much more must they need prayers, who have no sacraments!…How much more earnest must be the prayers, when not ordinary grace, but a miracle of grace, must be impetrated for them!
Fr. Frederick William Faber, The Foot of the Cross
I cannot help but hear a ringing call to intercession for our own times in these words of Fr. Faber. A greater and more fearsome calamity of general death demands a greater and more dedicated oblation of prayer. Especially when even our brethren in the Faith are so often deprived of the Sacraments that should be their final stay and consolation. Yet the power of God to furnish extraordinary grace is far mightier than any earthly sickness. Healing, protection, mercy, conversion, and consolation: let us boldly ask for these gifts on behalf of the ill, the dying, the dead, their caregivers, and their families…while we still can. The hour is late. Tomorrow we may be struck ill with the dread and deadly pestilence. And then, our every thought diverted, our breath failing, our bodies plunged into the depths of a fatigue from which we shall never rise again, we will be grateful for those pious souls who lift us up to the face of the Father in prayer.
So let us pray while we still can. If we do this in a spirit of charity, we will become true Sons and Daughters of St. Philip and more perfectly emulate the Divine Physician who desires to heal us in soul as well as in body.
May St. Philip Neri pray for us all in this troubled time.
Ascensiontide is perhaps my favorite season of the Church Kalendar for personal as well as theological reasons. And so I am delighted to share with my readers an extremely good post over at Canticum Salomonis, featuring a translated sermon by Honorius Augustodunensis (c. 1080-1154), a lesser-known contemporary of St. Bernard. Here is an excerpt from the beginning of this richly-illustrated translation:
The sun was raised aloft, and the moon stood still in her course. Christ is the eternal sun who sheds his radiance upon all the choirs of angels; he is the true light who enlightens every soul, who long lay concealed behind the cloud of his flesh, wreathed in the shadows of our frailty. Emerging at last from the shadows of Hell, today he rises gloriously above the stars and, raised above all the decorated ranks of angels, he sits, Lord of majesty, at the right hand of the Father. The moon, that is the Church, stands still in her course, gleaming in his light, when in the person of the apostles she saw him ascend into heaven. For the apostles showed themselves to be the Church’s course when they taught her the course of good living, and taught her how to order her course after the Sun of justice. O! what brilliant horns the new-born moon has beamed forth today, when the Sun reaching the heights of heaven has infused her with a ray of eternal light! O! how serene her face as she stood in her course, when she saw her flesh penetrate the heavens in her Head, her Redeemer, her Spouse, her God! She saw them, I say, through the eyes of the apostolic chorus, who were her course, and of the Virgin Mother of God, her type! O what joy burst forth today among the angels in heaven when the Son of God, who had gone from his palace into the Prison for the sake of his servant, yea from his fatherland into banishment, an exile for an exile, now returns in triumph to his Father’s kingdom! And so today is clept the day of God’s triumph, when the victor over death triumphant was welcomed by the senate of the celestial court with hymnic praises, glorifying the author of life!
Honoratus Augustodunensis, On Our Lord’s Ascension
Read the whole thing, and have a blessed Ascension Day.
Recently I got in a small argument on Twitter about the exact nature of Jansenist rigorism. It was pointed out by a friend, citing the estimable work of John J. Conley SJ, that Mère Angélique strictly forbade instruction in singing and dancing at the Port-Royal schools. Her comments on this point, taken from a letter to Madame de Bellisi, are as follows:
Singing, however innocent people like to find it, is very corrupt in its charming words, which are full of poison beneath their decent appearance. The same problem exists in simple airs where a false joy and foolishness are found. As for dancing, beyond its evil there is madness. Finally, my dear sister, according to the laws of the gospel, the morals of Christians must be as pure as they were at the beginning of the church.
Mère Angélique Arnauld, Abbess of Port-Royal Quoted in John Conley, Adoration and Annihilation (University of Notre Dame Press, 2009) pg. 87
Conley goes on to point out that this attitude represents the rigorist discipline of the Jansenists, especially in contrast to the Jesuit schools where theatre, song, and dance were important elements of the curriculum.
He’s not wrong. Certainly, the Abbess’s words on singing are a bit severe, to put it mildly. Yet while Conley does a good job setting this opinion in the context of the seventeenth-century French church, he fails to consider the broader and deeper context of Catholic moral teaching. This point matters insofar as it helps us assess the extent to which we can actually classify Jansenists – and the Port-Royal community in particular – as “rigorists.” What was the traditional teaching of the Fathers, Doctors, Saints, and Councils on dancing? Can we discern a general stream of teaching here? If so, what does it say, and how does it compare with the teaching of Mère Angélique?
To make a tentative answer to this question, I have compiled a brief florilegium of quotes on dancing. Where I have specific textual citations, I have included them. I will also preface this florilegium by saying that I don’t necessarily agree with these authorities in all cases. I am not a Puritan at heart – though I did once play Reverend Shaw More in a High School production of Footloose. Quite apart from that, there is a problematic gender dynamic here; the authorities quoted below are much more attentive to women dancing than men (though once again, this is perhaps one reason that Mère Angélique, a learned nun responsible for the moral instruction of an early modern Catholic girls’ school, took the position she did). The point here is to ascertain whether or not the position of Mère Angélique was a reasonable interpretration of longstanding Catholic teachings, or whether it was a truly “rigorist” aberration and an innovation with heretical tendencies.
With those caveats, let us begin.
The Fathers of the Church
“For there are excessive banquetings, and subtle flutes which provoke to lustful movements, and useless and luxurious anointings, and crowning with garlands. With such a mass of evils do you banish shame; and ye fill your minds with them, and are carried away by intemperance, and indulge as a common practice in wicked and insane fornication.” – St. Justin Martyr, Discourse to the Greeks, Ch. IV
“Since, then, all passionate excitement is forbidden us, we are debarred from every kind of spectacle.” – Tertullian, The Shows, Ch. XVI
“Are we not, in like manner, enjoined to put away from us all immodesty? On this ground, again, we are excluded from the theatre, which is immodesty’s own peculiar abode, where nothing is in repute but what elsewhere is disreputable.” – Tertullian, The Shows, Ch. XVII. While this florilegium will not go deeply into the (extensive) Patristic condemnation of the theater, I will note that the nuns and solitaires of Port-Royal also adhered to this neglected teaching. Their position caused some tensions with one of their most famous students, the celebrated playwright Jean Racine.
“Now the pomp of the devil is the madness of theaters and horse-races, and hunting, and all such vanity: from which that holy man praying to be delivered says unto God, Turn away mine eyes from beholding vanity. Be not interested in the madness of the theatre, where thou wilt behold the wanton gestures of the players, carried on with mockeries and all unseemliness, and the frantic dancing of effeminate men.” – St. Cyril of Jerusalem, Catechetical Lectures, 19.6
“Whence comes the dance? Who has taught it to Christians? Truly, neither Peter, nor Paul, nor John, nor any man filled with the Spirit of God; but the hellish dragon!” – St. Ephrem the Syrian
“With unkempt hair, clothed in bodices and hopping about, they dance with lustful eyes and loud laughter; as if seized by a kind of frenzy they excite the lust of the youths…With harlots’ songs they pollute the air and sully the degraded earth with their feet in shameful postures.” – St. Basil of Caesarea
“There ought then to be the joy of the mind, conscious of right, not excited by unrestrained feasts, or nuptial concerts, for in such modesty is not safe, and temptation may be suspected where excessive dancing accompanies festivities. I desire that the virgins of God should be far from this. For as a certain teacher of this world has said: “No one dances when sober unless he is mad.” Now if, according to the wisdom of this world, either drunkenness or madness is the cause of dancing, what a warning is given to us amongst the instances mentioned in the Divine Scriptures, where John, the forerunner of Christ, being beheaded at the wish of a dancer, is an instance that the allurements of dancing did more harm than the madness of sacrilegious anger.” – St. Ambrose, Concerning Virgins, Book III, Ch. 5.25
“What say you, holy women? Do you see what you ought to teach, and what also to unteach your daughters? She dances, but she is the daughter of an adulteress. But she who is modest, she who is chaste, let her teach her daughter religion, not dancing. And do you, grave and prudent men, learn to avoid the banquets of hateful men. If such are the banquets, what will be the judgment of the impious?” – St. Ambrose, Concerning Virgins, Book III, Ch. 6.31.
“Our rest is from evil works, theirs from good; for it is better to plough than to dance.” – St. Augustine, Exposition on Psalm 92, Paragraph 2.
“Avoid also indecent spectacles: I mean the theatres and the pomps of the heathens; their enchantments, observations of omens, soothsayings, purgations, divinations, observations of birds; their necromancies and invocations….. You are also to avoid their public meetings, and those sports which are celebrated in them….. Abstain, therefore, from all idolatrous pomp and state, all their public meetings, banquets, duels, and all shows belonging to demons.” – Apostolic Constitutions, Book II, Paragraph 62.
“For where dancing is, there is the evil one. For neither did God give us feet for this end, but that we may walk orderly: not that we may behave ourselves unseemly, not that we may jump like camels.” – St. John Chyrsostom, Homily 48 on St. Matthew’s Gospel, Ch. IV.
“Christians, when they attend weddings, must not join in wanton dances, but modestly dine or breakfast, as is becoming to Christians.” – Council of Laodicea, Canon LIII
“Since therefore the more these things contribute to usefulness and honor in the Church of God, so the more zealously must they be observed, the holy council ordains that those things which have in the past been frequently and wholesomely enacted by the supreme pontiffs and holy councils concerning adherence to the life, conduct, dress, and learning of clerics, as also the avoidance of luxury, feastings, dances, gambling, sports, and all sorts of crime and secular pursuits, shall in the future be observed under the same or greater penalties to be imposed at the discretion of the ordinary.” – Council of Trent, Session XXII, Decree Concerning Reform, Ch. I
While I have not been able to find the specific quotes from medieval councils, I appeal to historian Ralph G. Giordano, who has helpfully summarized high medieval ecclesiastical discipline on this matter. He writes, “Actually, during the thirteenth century, all social dancing as part of religious ritual was eliminated from the Catholic Church. In 1215, the Lateran Council declared ‘lascivious’ dancing a sin requiring confession to a parish priest. In 1227, the Council of Trier specifically excluded ‘three-step and ring dances.’ Similar edicts were issued by the Synod of Cahors (1206), the bishop of Paris (1209), a Hungarian church council (1279), and the Council of Wurzburg (1298). All the edicts upheld the common decision to prohibit dancing in any churchyards, the churches, or as part of religious processions” (See Giordano, pp. 49-50).
Early Modern Saints
“Dancing, so dangerous to Christian morals, should be banished entirely by the faithful, as it originates many sins against purity, and causes extravagances, evil deeds, and assassinations.” – St. Charles Borromeo
Another saint who will appear later in this list also notes that St. Charles Borromeo once gave someone (probably a cleric) a penance for dancing that lasted three years, and said he would excommunicate the sinner if he ever danced again.
“Believe me, my daughter, these frivolous amusements [balls and dances] are for the most part dangerous; they dissipate the spirit of devotion, enervate the mind, check true charity, and arouse a multitude of evil inclinations in the soul, and therefore I would have you very reticent in their use.” – St. Francis de Sales, Introduction to the Devout Life, Ch. XXXIII. I have discussed St. Francis’s notable aversion towards dancing before.
I could certainly end my florilegium here and prove the point. However, for good measure, let’s continue to see if Port-Royal represents a particularly rigorous vision of dancing even in light of subsequent Catholic development.
St. Louis de Montfort, who clashed with the Jansenists in his own day, managed to agree with the Abbess of Port-Royal on this point. He writes, “Soldiers join together in an army to overcome their enemies; wicked people often get together for parties of debauchery and dancing, and evil spirits join forces in order to make us lose our souls.” – St. Louis de Montfort, The Secret of the Rosary, Forty-Sixth Rose.
In the very same chapter, the Saint continues, “Before the Holy Rosary took root in these small towns and villages, dances and parties of debauchery went on all the time; dissoluteness, wantonness, blasphemy, quarrels, and feuds flourished.” He takes it as self-evident that dancing is an occasion of sin.
But lest we fall into the trap of attributing this attitude merely to Gallic severity, let us turn our eyes south to Naples. When we consider that famously anti-Jansenist (even allegedly laxist!) moral theologian and Doctor of the Church, St. Alphonsus Liguori, what do we find?
“Parents should prohibit their children from all games, which bring destruction on their families and on their own souls, and also dances, suggestive entertainment, and certain dangerous conversations and parties of pleasures. A father should remove from his house books of romances, which pervert young persons, and all bad books which contain pernicious maxims, tales of obscenity, or of profane love.” – St. Alphonsus Liguori, “Letter to Parents”
St. Anthony Mary Claret, by no means a Jansenist, claimed that “The Devil invented balls for girls to be lost, and extended them throughout the world like an immense net in order to catch the young people and submit them to his tyrannical domination.”
And returning to France, we come to the Curé d’Ars. What has this patron of parish priests, this great and ever-to-be-esteemed shepherd of souls, this jewel of the ultramontane church to say on our chosen subject?
St. Jean-Marie Vianney was absolutely resolute in his opposition to dancing of any kind. He even set up a statue of St. John the Baptist under an arch in his church, whereat he painted the words, “My head was the price of a dance.” He preached against it vehemently on more than one occasion. I shall here select only one of many, many warnings he gave against dancing (which he seems to have taken as almost intrinsically sinful, given the number of sins to which it gave occasion) in his sermons.
“St. Augustine tells us that those who go to dances truly renounce Jesus Christ in order to give themselves to the Devil. What a horrible thing that is! To drive out Jesus Christ after having received Him in your hearts! “Today,” says St. Ephraim, “they unite themselves to Jesus Christ and tomorrow to the Devil.” Alas! What a Judas is that person who, after receiving our Lord, goes then to sell Him to Satan in these gatherings, where he will be reuniting himself with everything that is most vicious! And when it comes to the Sacrament of Penance, what a contradiction in such a life! A Christian, who after one single sin should spend the rest of his life in repentance, thinks only of giving himself up to all these worldly pleasures! A great many profane the Sacrament of Extreme Unction by making indecent movements with the feet, the hands and the whole body, which one day must be sanctified by the holy oils. Is not the Sacrament of Holy Order insulted by the contempt with which the instructions of the pastor are considered? But when we come to the Sacrament of Matrimony, alas! What infidelities are not contemplated in these assemblies? It seems then that everything is admissible. How blind must anyone be who thinks there is no harm in it…The Council of Aix-la-Chapelle forbids dancing, even at weddings. And St. Charles Borromeo, the Archbishop of Milan, says that three years of penance were given to someone who had danced and that if he went back to it, he was threatened with excommunication. If there were no harm in it, then were the Holy Fathers and the Church mistaken? But who tells you that there is no harm in it? It can only be a libertine, or a flighty and worldly girl, who are trying to smother their remorse of conscience as best they can. Well, there are priests, you say, who do not speak about it in confession or who, without permitting it, do not refuse absolution for it. Ah! I do not know whether there are priests who are so blind, but I am sure that those who go looking for easygoing priests are going looking for a passport which will lead them to Hell. For my own part, if I went dancing, I should not want to receive absolution not having a real determination not to go back to dancing…Alas! How many young people are there who since they have been going to dances do not frequent the Sacraments, or do so only to profane them! How many poor souls there are who have lost therein their religion and their faith! How many will never open their eyes to their unhappy state except when they are falling into Hell!” – St. Jean-Marie Vianney, a sermon against dancing.
Lest I be accused of failing to adequately account for the context of these disparate condemnations, I would note that the Catholic solution is almost always to say “both-and,” not “either-or.” We have seen the saints attack a wide variety of dances, including but not limited to a) pagan rituals, b) secular spectacles, c) dances in Church precincts, d) dancing in general, e) dancing at weddings, and f) dancing between young men and women. These are not mutually exclusive.
Once again, I don’t pretend to agree with all of these warnings. I have often enjoyed myself at dances. Morris Dancing was one of the most charming English customs I discovered when I moved to Oxford. I have very fond memories of going to the ballet, both as a child and as an adult. And I have written very highly of the artistic use of dance in, for example, The New Pope.
But the point at stake is not my opinion, but rather how we evaluate the Jansenists. Are Mère Angélique’s words in any way divergent from the spirit of these diverse condemnations? I should think that the only reasonable answer is no. The reforming Abbess of Port-Royal, ever the daughter of austere St. Bernard, may have seemed a rigorist in a century when this teaching was largely unfashionable. Keep in mind, too, that the abbey she reformed – Port-Royal des Champs – had for several decades before been known for its laxity, including an annual carnival ball. That past state of affairs shaped Angélique’s pastoral concern here, and if she over-reacted a bit (especially in her comments on singing), it was with the memory of her personal experience of those abuses.
But even keeping all that in mind, I can find nothing in her words about dancing that sets her apart from the Fathers and Doctors of the Church. If we condemn her, how much more must we condemn the Curé d’Ars, so much closer to our own more tolerant age!
Conley’s book is very good. I don’t mean to dispute his broader argument. I am not even making a point principally addressed to academic historians of Jansenism, who will not be surprised by what they have read here. What I mean to suggest, however, is that in general we (Catholics at large) are too hasty to judge the Jansenists by anachronistic standards that do not actually conform to our own moral tradition, a tradition with elements that are genuinely more rigorous than the practice of Catholicism we know today. And a reconsideration of those elements – whether we end up adopting them or, in prudence, choose not to – is a helpful exercise in becoming more self-reflective and more historically-grounded as Catholics.
I would like to draw my readers’ attention to a new book that will, I am sure, prove to be one of the more important and provocative publications this year. Dr. James Mumford’s Vexed: Ethics Beyond Political Tribes has just been released today in this country after having been out in the UK for a few months. So far it’s been getting compelling reviews. To quote one reviewer,
Vexed is that kind of book: less interested in hard-and-fast answers than undermining supposedly concrete certainties. That may suggest that Mumford indulges in ethics as a kind of academic sport, but at the heart of what he writes is something much more serious than that. The key argument of his book is that failures of what Mumford calls “moral imagination” do not just sully our political discourse.
You can hear Dr. Mumford discuss the book himself here.
For me, this publication means something more. I worked as Dr. Mumford’s research assistant in the early stages of the project, as did my old friend Tatiana Lozano (who has written her own blurb about the book on her website). It was, in fact, my first research job. Coming at the end of my undergraduate career, I look back on that experience as a formative stepping-stone in my own scholarly journey.
I don’t know if I’ll agree with everything in the book, as I haven’t yet read it. But it’s wonderful to see a project to which I contributed – however small that contribution may have been – come to completion. I wish Dr. Mumford all the best, and commend the book to my readers.
Some great news to finish the month. Angelico Press has released the first book by (or about) Mother Mectilde de Bar in English, The Mystery of Incomprehensible Love: The Eucharistic Message of Mother Mectilde of the Blessed Sacrament. Translated by a Benedictine Oblate and with a foreword by the Prior of Silverstream, this book of meditative excerpts is sure to inject a new and healthy dose of sound French spirituality into the veins of the modern Church. It will also, I hope, help generate new scholarly interest in the considerable spiritual contributions made by Mother Mectilde.
The book is very reasonably priced, and would make great reading for Ascensiontide, Pentecost, and Corpus Christi. Please consider buying it today!
Just in time for Walpurgisnacht, here’s a short story that will send chills up your spine. “The Funhouse” is a three-part horror now fully released to Patrons on my Patreon. Please consider becoming a patron today to enter the terrifying Funhouse…
I am pleased and proud to announce that I have a book review up at the Genealogies of Modernity Blog. I examine a compelling recent work by historian of science, Michael Hunter. The Decline of Magic: Britain in the Enlightenment (Yale UP, 2020) is well worth your time. I think it provokes really intriguing questions about the process of disenchantment – a transition that Hunter effectively describes as the methodological eclipse of Francis Bacon and Robert Boyle by Isaac Newton. You’ll understand what I mean when you read the review (and the book), so please head on over and give it a read-through!
Thank you to the GoM Blog for hosting my writing, and especially to Mr. Terence Sweeney for kindly asking me to contribute. It was an honor and a pleasure to write for a platform with such intriguing content.
I must refer my readers to two very moving pieces written by two dear friends of mine. Both are intensely personal and both are profound meditations on the present moment as a lived reality. The first is an almost Pascalian intervention from Mr. Jackson Wolford, who writes that our first task in this crisis – before any interpretations of what is going on all around us – is to witness the suffering. The second is a quiet reflection on impending fatherhood from Mr. Nathan Goodroe. He considers what it means to face the birth of a child in the midst of suffering through an extended look at the Holy Family’s trek to Bethlehem. We may be in Holy Week, but I still found his words to be very timely. In fact, both are. Please give them a read.
I must refer my readers to a new recording of some Gregorian chant from Silverstream Priory. The beautiful responsory, Media Vita, is very timely during this pandemic. Here is the translation, passed on by the Prior:
In the midst of life we are in death; from whom shall we seek help, save Thee, O Lord? Who for our sins art justly angered. * Holy God, Holy mighty One, Holy merciful Saviour, hand us not over to the bitterness of death.
1. In Thee our fathers hoped; they hoped, and Thou hast liberated them. * Holy God, Holy mighty One, Holy merciful Saviour, hand us not over to the bitterness of death.
2. To Thee our fathers cried; they cried and were not confounded. * Holy God, Holy mighty One, Holy merciful Saviour, hand us not over to the bitterness of death.
3. Glory be to the Father, and to the Son, and to the Holy Ghost. * Holy God, Holy mighty One, Holy merciful Saviour, hand us not over to the bitterness of death.
Translation of the Media Vita
I know I speak for the monks when I encourage you to give it a listen and take some comfort from this ancient prayer of the Church in a time when death is all around.
I would particularly note the highly idiosyncratic harmonic arrangement used here. I have not heard any other renditions of this chant like it. I grew up listening to the Benedictines of Santo Domingo do Silos, and although I like their hauntingly pure Media Vita, the Silverstream version has a complexity and depth that feels very different, if just as moving.
The accompanying film is also of very high quality. I have known the monks of Silverstream for six years. This is by far the best video I’ve seen from them. It does a good job capturing the peculiar beauty of that monastery in Springtime, as well as the powerful sense of holiness that radiates throughout the house and grounds from the Blessed Sacrament. And for those who care about such things, there’s a lovely conical requiem chasuble from 3:23 on.
Give it a listen, and please consider supporting the monks through a donation or by shopping at their excellent online store. The monks are streaming their masses and some of their offices throughout this crisis, and I recommend following them for what will no doubt be a stirring and holy Paschal Triduum (albeit at a distance).