As part of my Lenten Spirituality Series, here is Dame Julian of Norwich’s meditation on the thirst of Christ, Chapter XVII of Revelations of Divine Love:
“How might any pain be more to me than to see Him that is all my life, and all my bliss, and all my joy suffer?
And in this dying was brought to my mind the words
of Christ: I thirst.
For I saw in Christ a double thirst: one bodily; another spiritual…
For this word was shewed for the bodily thirst: the which I understood was caused by failing of moisture. For the blessed flesh and bones was left all alone without blood and moisture. The blessed body dried alone long time with wringing of the nails and weight of the body. For I understood that for tenderness of the sweet hands and of the sweet feet, by the greatness, hardness, and grievousness of the nails the wounds waxed wide and the body sagged, for weight by long time hanging. And [therewith was] piercing and pressing of the head, and binding of the Crown all baked with dry blood, with the sweet hair clinging, and the dry flesh, to the thorns, and the thorns to the flesh drying; and in the beginning while the flesh was fresh and bleeding, the continual sitting of the thorns made the wounds wide. And furthermore I saw that the sweet skin and the tender flesh, with the hair and the blood, was all raised and loosed about from the bone, with the thorns where-through it were rent in many pieces, as a cloth that were sagging, as if it would hastily have fallen off, for heaviness and looseness, while it had natural moisture. And that was great sorrow and dread to me: for methought I would not for my life have seen it fall. How it was done I saw not; but understood it was with the sharp thorns and the violent and grievous setting on of the Garland of Thorns, unsparingly and without pity. This continued awhile, and soon it began to change, and I beheld and marvelled how it might be. And then I saw it was because it began to dry, and stint a part of the weight, and set about the Garland. And thus it encircled all about, as it were garland upon garland. The Garland of the Thorns was dyed with the blood, and that other garland [of Blood] and the head, all was one colour, as clotted blood when it is dry. The skin of the flesh that shewed (of the face and of the body), was small-rimpled  with a tanned colour, like a dry board when it is aged; and the face more brown than the body.
I saw four manner of dryings: the first was bloodlessness;
the second was pain following after; the third,
hanging up in the air, as men hang a cloth to dry; the
fourth, that the bodily Kind asked liquid and there was
no manner of comfort ministered to Him in all His woe
and distress. Ah! hard and grievous was his pain, but
much more hard and grievous it was when the moisture
failed and began to dry thus, shrivelling.
These were the pains that shewed in the blessed head:
the first wrought to the dying, while it had moisture;
and that other, slow, with shrinking drying, [and] with
blowing of the wind from without, that dried and pained
Him with cold more than mine heart can think.
And other pains—for which pains I saw that all is
too little that I can say: for it may not be told.
The which Shewing of Christ’s pains filled me full of
pain. For I wist well He suffered but once, but [this
was as if] He would shew it me and fill me with mind
as I had afore desired. And in all this time of Christ’s
pains I felt no pain but for Christ’s pains. Then thought-me:
I knew but little what pain it was that I asked; and,
as a wretch, repented me, thinking: If I had wist what
it had been, loth me had been to have prayed it. For methought
it passed bodily death, my pains.
I thought: Is any pain like this? And I was answered in my reason: Hell is another pain: for there is despair. But of all pains that lead to salvation this is the most pain, to see thy Love suffer. How might any pain be more to me than to see Him that is all my life, all my bliss, and all my joy, suffer? Here felt I soothfastly  that I loved Christ so much above myself that there was no pain that might be suffered like to that sorrow that I had to [see] Him in pain.
Perhaps the most ubiquitous tradition of Christmas in America is decorating a Christmas tree. Whether live or artificial, green or white, festooned in tinsel or bedecked with bells, the Christmas tree is the image that adorns all our houses and heralds the coming of the Yuletide. And not just the houses of Christians. Many who celebrate Christmas as a merely secular holiday will still put up a tree. It just wouldn’t really feel like Christmas without it.
Yet the Christian discerns in this symbol something more than just a festive sign of the season.
First, a short excursus about symbols in general. Metaphor opens the speaker to the experience of “augmented reality,” though not at all in the way that phrase has come to be understood in the world of cheap tricks and tacky technology. Pokemon Go is not a metaphor. It’s just an add-on. It discerns nothing essential and establishes no real connections between unlike objects. Metaphor can. The truer the metaphor, the firmer the connection. It’s a dialectical process. Or, if you like a Trinitarian one: two unlike things are drawn together by the speaker, thus forming an entirely new third.
The Sophianic potential of language lies in metaphor. Name and metaphor permit us to imprint, image, and discern a level of reality beyond the merely immediate and sensible. That is why metaphor is impossible in the face of the Beatific Vision. All words die away, since the soul experiences the most heightened level of reality – Being itself.
Sophianic vision relies upon this kind of metaphorical thinking. Without dissolving the dogmas of the faith, Sophiology reads them sideways so as to gain an insight into the mystical realities more properly understood via poetry than, say, the logical language of the manuals. American Sophiologist Dr. Michael Martin has called for a “poetic metaphysics” by which we more potently discern the presence of God in His Wisdom, seen throughout Creation.
What would this “poetic metaphysics” look like beyond textual confines? That is, what would it look like if people actually lived out this search for the Wisdom of God?
For one thing, the soul that sees all in Wisdom will be always immersed in metaphor. The eyes of their heart would discern the connection of lower things to the higher. This is not mere cataphasis, the use of images in prayer. I mean that the daily impressions of life are experienced as taking place on more than one level of reality. The events of the day are read as symbols and metaphors. We encounter this in the life of the Ven. Seraphina di Dio:
“…Anything I looked at I was able to turn into a meditation… When I saw it raining, I thought of the refreshment which the rain brought to the earth and that without it the earth would be arid. I would say: ‘If the water of divine grace did not fall on the soul, it would dry up without providing the fruits of good works.’ … The sight of fish swimming in the sea made me remember how the saints are immersed in God… And in such wise everything, even the slightest things, served me for my spiritual nourishment.”
-Ven. Seraphina di Dio
Such is one example of sapiential living. We might turn to another. Over at Sancrucensis, Pater Edmund Waldstein has furnished a charming passage from St. John of Karpathos:
Nothing is more weak and powerless than a spider. It has no possessions, makes no journeys overseas, does not engage in litigation, does not grow angry, and amasses no savings. Its life is marked by complete gentleness, self-restraint and extreme stillness. It does not meddle in the affairs of others, but minds its own business; calmly and quietly it gets on with its own work. To those who love idleness it says, in effect : ‘If anyone refuses to work, he should have nothing to eat’ (2 Thess. 3 : 1o). The spider is far more silent than Pythagoras, whom the ancient Greeks admired more than any other philosopher because of the control that he exercised over his tongue. Although Pythagoras did not talk with everyone, yet he did speak occasionally in secret with his closest friends; and often he lavished nonsensical remarks on oxen and eagles. He abstained altogether from wine and drank only water. The spider, however, achieves more than Pythagoras: it never utters a single word, and abstains from water as well as from wine. Living in this quiet fashion, humble and weak, never going outside or wandering about according to its fancy, always hard at work – nothing could be more lowly than the spider. Nevertheless the Lord, ‘who dwells on high but sees what is lowly’ (Ps . 1 1 3 : 5-6 . LXX), extends His providence even to the spider, sending it food every day, and causing tiny insects to fall into its web.
-St. John of Karpathos
One could name many other saints who exhibit this Sophianic tendency of vision through metaphor. For St. Paul of the Cross, as Fr. Faber notes,
“…everything served to remind him of God, and he used to imagine that all creatures cried out to entreat the love of man for Him who made them. He was often observed, when walking in the fields, to gaze earnestly at the flowers as he went along and to touch them with his stick, saying, ‘Hold your tongues; hold your tongues!’ And he used to tell his religious that the flowers were always calling upon them to lift up their hearts in love and adoration toward their heavenly Creator.”
-Fr. Faber, All For Jesus, Ch. 6, pg. 153
When carefully fostered in the soul – usually by ascetic rigors and conscious efforts of love – it ceases to be merely Sophianic and takes on an iconographic character, such that everything in our field of sensible experience becomes a symbol of union with the higher realm it represents. Namely, God. Thus can we preserve the presence of God in our waking hours out of prayer.
So what does this have to do with Christmas trees?
The decoration of a Christmas tree is, in a certain sense, a concrete realization of this process. Bringing a part of the natural world into our home imprints something of the human and thus of the spiritual. We can see this with animals who have been domesticated. Cats and dogs become part of the family. We discern their personalities. They are not just “dog” but “Buster” or “Gabby.” Thus, name and metaphor go hand in hand in elevating the merely natural to something approximating the human.
We don’t personalize Christmas trees. But in placing them in our homes and filling them with glittering lights and baubles, we heighten the tree into something more than what it was. As we were commanded to do in Eden, we improve the creation and make it radiant. We lend it a new beauty, the fruit of our Godlike creativity. We place a star or an angel at its peak, and a reminder of Our Lord’s Nativity at its base. Thus we turn it into a little Tree of Life, reaching between Heaven and Earth, the natural world manifested in the splendor of its potential divinization.*
In other words, the power of metaphor allows us to experience the tree as something more than what it is at the purely material level. It becomes for us an icon of Holy Wisdom, of Christ abiding in His redeemed Creation.
I am reminded of today’s O Antiphon.
O Sapientia, quae ex ore Altissimi prodiisti,attingens a fine usque ad finem, fortiter suaviterque disponens omnia: veni ad docendum nos viam prudentiae.
O Wisdom, coming forth from the mouth of the Most High, reaching from one end to the other, mightily and sweetly ordering all things: Come and teach us the way of prudence.
-O Antiphon for 17 Dec.
These words are manifested in so many ways throughout time and space. They don’t just belong to Advent. Yet the Christmas Tree can (if we come to it with a Sophianic imagination) serve as one meditative example of Wisdom “sweetly ordering all things” in this holy season.
It’s no surprise that Archpriest Sergius Bulgakov wrote favorably of the Christmas Tree.
*I realize of course that not all families use real trees, and that they don’t all place a Nativity under it. But even here, the power of metaphor enters in. In calling an assemblage of wire or aluminum or plastic a “tree,” we are already entering into the world of metaphor and artifice. In that case, we are only one degree removed from what I have described above.
I confess, I had meant to get this post out earlier. The end of term was hectic and the start of vacation distracting. So here I am, offering my thoughts on Advent reading when the season is already here and nearly halfway done. Still, we can begin to read true and edifying things on any day, especially in the a holy time set apart by the Church for reflection and contemplation of Our Lord in one of His cardinal mysteries. So I offer here a few reading ideas for those looking for a spiritual boost this winter.
1. In Sinu Jesu: When Heart Speaks to Heart – the Journal of a Priest at Prayer
This meditative book is the sort of thing you’ll want to take to Adoration. Written by an anonymous Benedictine monk, it is jam-packed with consoling thoughts and inspiring messages. The author relates the various locutions from Our Lord and, occasionally, the Virgin and Saints, received in the inward ear of the heart in the course of profound prayer. Over the course of several years’ worth of journal entries, we read of the author’s deep vocation to reparation and adoration for the sanctification of priests. I would recommend this volume to any men considering a vocation of any kind. Its rhythmic, prayerful passages breathe and bristle with a sense of holiness rare among contemporary spiritual authors. The voice of Our Lord sings through it all, not as a trumpet or thunderclap, but as “a whistling of a gentle air” (1 Kings 19:12 DRA). Speaking only as a layman, I can say that this book completely revolutionized my spiritual life. I wonder where I should be now if it had not come into my hands a little over two years ago.
2. Bethlehem or 3. All For Jesus
This list wouldn’t really be an Amish Catholic post about spiritual authors without some reference to Fr. Faber. The Apostle of London wrote many books about special devotions, graces, and mysteries of Our Lord’s life. His last volume, Bethlehem, is devoted to the birth and infancy of Jesus, making it especially suited for perusal at this season.
Like many of his other texts, Bethlehem is more devotional that practical. It is intended to inspire love for Our Lord under the particular mystery of his Incarnation. While this may be just what you need this Advent (and Christmas), you may desire something a bit more practical. How to grow in the practice of the love of Jesus? How to keep on in the unflagging task of Christian charity at a time so full of worldly distractions and weariness? How do we live out the Incarnation in our own lives?
If this is the sort of thing you’d prefer in your Advent reading, then perhaps turn to Fr. Faber’s first great devotional work, All For Jesus, or the Easy Ways of Divine Love.
In this great volume, it is Fr. Faber’s task to kindle the zeal of his readers by demonstrating the sheer ease of love. He points to concrete, simple practices by which to further what he calls “the Interests of Jesus,” to save other souls, and to sanctify our own.
All For Jesus is my main spiritual reading this Advent, and I have already found it working marvels. If you would love God with warmer enthusiasm and brighter joy, then read Fr. Faber!
4. “A Short Tale About the Antichrist.”
This short story by Vladimir Solovyov, the “Russian Newman,” may seem like an odd choice for Advent. Yet Advent is the apocalyptic season par excellence. The liturgy turns our ears to the voices of the prophets and our eyes towards the visions of the Last Day. And so it can be helpful to think creatively about what the end will be like.
I don’t believe Solovyov envisioned his (in some ways, rather prescient) tale of the future to be a literal prediction of what would happen. The man was not a fundamentalist, and this is not Left Behind. But he did see it as his spiritual last will and testament. The story is a powerful meditation on the nature of real evil, real Christian love, and what Christians will have to stand for in their last and terrible hour.
An edifying read, for sure.
5. The Book of Revelation
If you like your apocalypse unalloyed, then open your Bible, sit down, and read the entire Book of Revelation in one or two sittings. That may seem like a lot, but it brings lots of rewards. We often lose sight of the unity of the Bible’s individual books when we just pick at passages here and there. Reading the text fully through can help restore our vision of each book as what it is – an integral whole. With a book as symbol-laden as Revelation, that reclamation becomes even more important.
It is a holy and pious thing to meditate on the Second Coming of Our Lord in Advent. Reading the Apocalypse nourishes the soul’s sense of expectation and, indeed, her desire for the final judgment. The pious soul who seeks to be immersed in the text’s sapiential logic will gain many fruits. Those who go into it with only a narrow literalism will find nothing but an arid maze. This truth applies to all of Scripture, but most especially to its apocalyptic passages.
So, those are just five options for Advent reading. There are probably hundreds of other texts I could have chosen; thus we come one example of the great diversity that characterizes the true mind of the Church.
A portrait of Mother Mectilde de Bar adoring the Blessed Sacrament. (Source)
Sometimes readers ask me about more information on Mother Mectilde de Bar (1614-1698), the saintly foundress of the Benedictine Nuns of Perpetual Adoration of the Most Blessed Sacrament of the Altar. I would of course direct those who read French or Italian to any of the several biographical studies about Mother Mectilde that have come out in those languages. However, I would perhaps more eagerly urge my readers to a series of recent posts at Vultus Christi presenting what is, I believe, the first English translations of some of Mother Mectilde’s spiritual letters. Here they are with the titles the translator has given them at VC.
And on top of all that, there’s a letter from the lay mystic Jean de Bernières to Mother Mectilde. Bernières is a good example of someone who, though posthumously condemned as a “Quietist,” is now being recovered as a source of valuable mystical insight. We have seen the same happen to Benet Canfield before, and it may yet occur to someone like Pietro Matteo Petrucci. More work needs to be done in this area. At any rate, translation of these early modern mystical works is badly needed.
Both as a practicing Catholic and as an historian of early modern Catholicism, I am encouraged that these works are being put into English for the first time. The English-speaking world is now getting a much better sense of the importance of this unique tradition within the Benedictine family. More translations, we are told, are coming. I eagerly await their publication.
I’m not sure how I missed this astounding collection of photos of old Caldey, Prinknash, Pershore, Nashdom, and Farnborough when it came out last year, but I’m very glad to have discovered the trove yesterday. Some highlights include:
1. The barge fitted with heraldic devices that Peter Anson describes in Abbot Extraordinary, which was used specifically for the translation of St. Samson’s relics.
2. The silver sanctuary lamp in the shape of a galleon at full sail – once in Aelred Carlyle’s abbatial house (read: palace), now in the main oratory at Prinknash.
3. The various stones of dissolved abbeys brought to Caldey and placed into a single altar. If I’m not mistaken, Fr. Hope Patten must have gotten the idea for the Shrine at Walsingham from Caldey, as he knew Aelred Carlyle quite well.
4. Some lovely images of St. Samson and the Holy Face of Jesus used on printed material from the monasteries.
5. One or two excellent frontals, especially the one embroidered with seraphim at Prinknash.
6. An abbess of Kylemore Abbey in Ireland.
7. Peter Anson’s several drawings of Prinknash.
8. A procession for the 1964 Nashdom jubilee.
9. F.C. Eden’s terrifically English reredos at Caldey.
10. Scenes of the community’s collective reception into Rome in 1914 – including a shot of the Bl. Columba Marmion, who was an enthusiastic supporter of old Caldey.
Those who like Anglo-Catholic or monastic history will no doubt be as excited about this collection as I am.
UPDATE: A reader has kindly reminded me that, of course, Caldey Island is off the coast of Wales. So my title is perhaps a little misleading.
Canticum Salomonis has a great little piece on the Sequence of St. Denys. Liturgical nerds will find it of particular interest. It mainly attracts my own attention due to a fascinating tidbit:
Beginning with the new Parisian missal promulgated by the Lord Archbishop François de Harlay in 1684, the neo-Gallican liturgical books that festered in France during the Enlightenment Age altered this sequence to expunge any connection between St Dionysius the Areopagite and St Dionysius of Paris. The Abbey of St-Denys, however, remained firm in defending the Greek origins of its patron, and sung the original text until the Revolution.
I’m unaware of any serious scholarship so far that has plunged into the liturgical dynamics of the Revolution – though certainly, the Gallicans, Jansenists, and Cisalpines all had ideas about liturgical reform. What an intriguing project a deeper study might be. Perhaps John McManners has looked at it all already, and I simply haven’t gotten to that part of his famous and positively rococo two-volume study, Church and Society in Eighteenth-Century France.
Saint-Denis was an important place in the 1780’s. Madame Louise, daughter of Louis XV and aunt of Louis XVI, entered the Carmel of Saint-Denis while her father was still alive. As Sister Thérèse de Saint-Augustin, she eventually rose to the rank of Prioress. Saint-Denis thus became a center of the Parti Dévot, the most conservative (some would say reactionary) part of the French court and church. It’s hardly surprising that the great Abbey there would likewise remain a bastion of liturgy that might otherwise be regarded as “superstitious” or “backwards” by the more radical portions of the French church.
Today is the Feast of St. Bruno, founder of the Carthusians. While many know of the Carthusians for their famous silence, their holy way of life preserved from corruption down the centuries, and that wonderful green liqueur they make, few are aware of another gift they have given the world: a breed of Andalusian horse known as the Cartujano.
The breed emerged as early as the 1400’s, and had become an important strain of the Spanish equine population by the early modern period. They originated at the Charterhouse of Jerez. The story of their arrival at the monastery is a little uncertain, but one plausible theory holds that:
“Don Pedro Picado, was unable to pay his ground rent to the monks…decided to pay them…in kind by offering them his mares and colts. These animals had been bought…from the brothers Andrés and Diego Zamora…who formed this small stud farm from a stallion bought from a soldier, and one of its sons, a colt of extraordinary beauty and grace, called ‘Esclavo.'”
At any rate, the monks commenced a breeding program that lasted for hundreds of years – they only lost their monopoly on the line at the French invasion. The end result was what one source has called “the purest of Spanish horses.” Take a look at the numbers:
The Carthusian horse, or Cartujano is not a distinct breed of horse but rather an offshoot of the pure Spanish horse and is considered the purest strain remaining with one of the oldest stud books in the world. Roughly 82% of the Pura Raza Espanola (PRE) population in Spain contains Cartujano blood. But there are less than 3% pure Cartujano horses within the PRE population and only 500 pure Cartujanos in existence in Spain today.
We need not justify the monastic life on terms other than its own final good – that is, union with God. Or even its secondary good – prayer for the world. But if one is seeking “useful” or “worldly” benefits of monasticism, look no further than the Cartujano horse. The continuity provided by the monastic state over centuries allowed proper record keeping and a meticulous attention to the intricacies of a sustained lineage. These beautiful creatures are one testament to the salutary work of monks in history.
I’m sure there’s a spiritual metaphor here. (Source)
Today is the feast of the Bl. Abbot Columba Marmion OSB, Abbot of Maredsous. The Irishman who served most of his priestly life (and all of his monastic profession) in Belgium is not yet canonized, but I and many others pray he will one day become a Doctor of the Church. Here are some of his words for my readers’ consideration, along with my own occasional commentary. No doubt, my readers will observe what has often been noted about the Blessed Abbot – that he combines a firm dogmatic foundation with penetrating mystical insight and the soundest of practical advice.
“We must be careful to supernaturalize our work. Never begin your studies without having prayed. Try to watch over your intention: see that it is for God and for truth…Never become the dupes of your own learning: in this life our knowledge will always be imperfect.” (Christ – The Ideal of the Priest, 79). Admirable advice for any students, though perhaps especially for those who have made the divine mysteries their object of study.
“For everything in the life of Jesus, the Incarnate Word, is full of signification. Christ, if I may thus express myself, is the great sacrament of the New Law…each of Our Lord’s mysteries ought to be for us an object of contemplation; His mysteries ought also to be, as it were, sacraments producing within us, according to the measure of our faith and love, their own special grace. And this is true of each of the states of Jesus, of each of his actions. For if Christ is always the Son of God, if in all that He says and does He first of all glorifies His Father, neither does He ever separate us from the thought of Him. To each of His mysteries, He attaches a grace which is to help us to reproduce within ourselves His divine features in order to make us like unto Him.” (Christ in His Mysteries, 232-33). Here we see Dom Marmion presenting two important points, one explicit and one implicit. The explicit note is that every act of Christ, the God-Man, is a substantive work of our salvation even as it lifts up all glory unto the Father. This two-fold movement embedded within all of Christ’s actions thus constitutes the continuing and hidden mediation of Christ as Priest and Victim. Dom Marmion’s implicit point concerns how we come to know of this mediation. As a monk whose soul was well-calibrated to the rhythms of liturgy and lectio divina, Dom Marmion stood in a far more totalizing relationship to the Sacraments and the Scriptures than most of us will ever know. But it is precisely in these, Christ’s “mysteries,” that we encounter His mediation. And the posture of the soul required of the believer is not based primarily on her intellectual capacities, but on that deeper, more personal, super-linguistic sensitivity we call “contemplation.” One could write much more about “contemplation” as an epistemology of the Transcendent, but I digress.
“Whence came this human love of Jesus, this created love? From the uncreated and divine love, from the love of the Eternal Word to which the human nature is indissolubly united. In Christ, although there are two perfect and distinct natures, keeping their specific energies and their proper operations, there is only one Divine Person. As I have said, the created love of Jesus is only a revelation of His uncreated love. Everything that the created love accomplishes is only in union with the uncreated love, and on account of it; Christ’s Heart draws its human kindness from the divine one…The Heart of Jesus pierced upon the Cross reveals to us Christ’s human love; but beneath the veil of the humanity of Jesus is shown the ineffable and incomprehensible love of the Word.” (Christ in His Mysteries, 370-71). Reading these words, I am reminded of the phrase of St. Augustine that Scripture is a tree with its roots in heaven and its fruits on earth. The same could be said of Christ Himself.
“Faith is a seed, and every seed contains in germ the future harvest. Provided that we put away from faith all that can diminish and tarnish it; that we develop it by prayer and practice, that we constantly give it the occasion of manifesting itself in love, faith places in our hands the substance of the joys to come and gives birth to unshaken confidence.” (Christ, the Life of the Soul, 141). The point, here, is that faith is not simply a propositional assent. Its effect is not automatic, as in some of the simpler Protestant ideas of it. It must be lived – it must be cultivated if it is to bear fruit.
“Soon, however, in the same measure as the soul draws near to the Supreme Good, it shares the more in the Divine simplicity.” (Christ, the Life of the Soul, 317). In context, the Blessed Abbot is discussing the practice of prayer. The closer we grow to God, the closer we move to that knowledge of Him in which words fail. For in God, all words are utterly extinguished – all words, that is, except His own divine Name.
“Let us often beseech God to give us that light of faith and strength of love which will render our obedience perfect. Thus supernaturally sustained, this obedience will become easy, generous, simple, prompt, and joyous.” (Christ, the Ideal of the Monk, 279). Although the Blessed Abbot wrote these words for the special edification of monastics, there can be little doubt that they find a wider application in the lives of every devout Christian. For all of us must render obedience to the law of God. As Dom Marmion notes, the “luminous arms” of obedience are made up of faith and charity as a sword is made of hilt and blade. And neither faith nor charity are the exclusive purview of vowed religious.
“The devil tries to trouble you by his [subtleties], so that you may cease to act well for fear of acting from vanity. We must never cease doing well for that reason, but quietly purify our intention. The best way is to unite it with Jesus Christ, and with His intentions, and if there is anything imperfect in your intentions this union with Jesus Christ will heal it.” (Letter quoted in Union with God According to the Letters of Direction of Dom Marmion, 70). Here we see the theological basis behind a point made independently by Julian of Norwich and, later, T.S. Eliot. In the words of the latter: “And all shall be well and / All manner of thing shall be well / By the purification of the motive / In the ground of our beseeching.” That ground, of course, is Christ dwelling in us.
A view of the Bodleian Library from Radcliffe Square. Photo taken by author.
Fr. Frederick William Faber, that great son of St. Philip, was one of the many Oxford converts. He was a Balliol man who later became a fellow of University College, where he embarked on an ecclesiastical career as an Anglican. Later, of course, he came to the Church of Rome and founded the London Oratory. But as I am now settling back into Oxford, I thought it might my readers might enjoy a few of his poems about life at the University. I’ll probably break the collection up into a few different posts. Although Faber was later famous as a hymn-writer, in his youth he was a Romantic poet who won the admiration of none other than Wordsworth, whom he met in the Lake District. Faber’s style may be rather too Victorian for our tastes today. They also represent his spirituality at a very immature stage, when he was still an Anglican. The contrast between “College Chapel’s” rather pathetic final line and Faber’s “Muscular” pose in “College Hall” amuses, to say the least. But occasionally, as in “College Garden,” his sensuality and yearning anticipate the best of the Decadents who came at the end of the century. Finally, I’ll add that Faber’s romantic attachment to the legends and traditions of the English medieval monastics once again confirms my point that there remains an abiding affinity between the Oratorian and Benedictine charisms.
A shady seat by some cool mossy spring,
Where solemn trees close round, and make a gloom,
And faint and earthy smells, as from a tomb,
Unworldly thoughts and quiet wishes bring:
Such hast thou been to me each morn and eve;
Best loved when most thy call did interfere
With schemes of toil or pleasure, that deceive
And cheat young hearts; for then thou mad’st me feel
The holy Church more night, a thing to fear.
Sometimes, all day with books, thoughts proud and wild
Have risen, till I saw the sunbeams steal
Through painted glass at evensong, and weave
Their threefold tints upon the marble near,
Faith, prayer, and love, the spirit of a child!
Still may the spirit of the ancient days
Rest on our feasts, nor self-indulgence strive
Nor languid softness to invade the rule,
Manly, severe, and chaste—the hardy school
Wherein our might fathers learnt to raise
Their souls to Heaven, and virtue best could thrive.
They, who have felt how oft the hour is past
In idle, worldly talk, would fain recall
The brazen Eagle that in times of yore
Was wont to stand in each monastic hall;
From whence the Word, or some old Father’s lore,
Or Latin hymns that spoke of sin and death
Were gravely read; and lowly-listening faith
In silence grew, at feast as well as fast.
Sacred to early morn and evening hours,
Another chapel reared for other prayers,
And full of gifts,—smells after noon-day showers,
When bright-eyed birds look out from leafy bowers,
And natural perfumes shed on midnight airs,
And bells and old church-clocks and holy towers,
All heavenly images that cluster round.
The rose, and pink acacia, and green vine
Over the fretted wall together twine,
With creepers fair and many, woven up
Into religious allegories, made
All out of strange Church meanings, and inlaid
With golden thoughts, drunk from the dewy cup
Of morns and evenings spent in that dear ground!
A churchyard with a cloister running round
And quaint old effigies in act of prayer,
And painted banners mouldering strangely there
Where mitered prelates and grave doctors sleep,
Memorials of a consecrated ground!
Such is this antique room, a haunted place
Where dead men’s spirits come, and angels keep
Long hours of watch with wings in silence furled.
Early and late have I kept vigil here:
And I have seen the moonlight shadows trace
Dim glories on the missal’s blue and gold,
The work of my monastic sires that told
Of quiet ages men call dark and drear,
For Faith’s soft light is darkness to the world.
A few months ago, I published a post entitled “The Best Monastic Documentaries.” It was quickly pointed out to me that, although I had covered several good features, they were all about Western monks. So I decided that, once I had the time, I would assemble a review of the best documentaries covering Eastern Monasticism. That time has finally arrived! So buckle up, get out your chotki, and watch some of these films.
60 Minutes Goes to Mount Athos
Simonopetra Monastery, Mount Athos, one of the monasteries profiled by 60 Minutes. (Source)
In 2011, viewers who tuned into the Christmas episode of CBS’s popular weekly news-documentary series, 60 Minutes, were greeted with an extraordinarily rare treat. For the first time in thirty years, the monks of Mount Athos had opened up their peninsula to a television crew. I remember when it premiered; this was one of my earliest encounters with the monastic tradition of the East. Bob Simon layers on the journalistic smarm, clearly stunned by and slightly distasteful at the various sacrifices and remnants of Medieval life on the Holy Mountain. Nevertheless, the holy simplicity of the monks that he interviews nevertheless shines through. I’m particularly impressed with the testimony to perpetual prayer – the prayer of the heart – given in this film. And luckily enough for us, both Part 1 and Part 2 can both be found online.
One Day in the Life of a Men’s Monastery
The sound of the wooden doaca awakens the monks from their sleep and calls them to prayer. (Source)
This quiet, reverent film covers the daily routine of a monastery in Georgia. There is no dialogue and no plot, per se. We don’t follow the actions of any single monk. But the viewer does gain an insight into the feeling of the monastic rhythm in this little, faraway community of Abkhazia. Viewers who have seen Into Great Silence will recognize a very similar style in this film. My only criticism is that there’s rather too much focus on the work of the monks, and not enough on their prayer. Still, those moments of prayer we do see are also noteworthy for clearly showing the larger lay community that depends upon the monastery for spiritual sustenance. This short film is thus perhaps the most poetic production on our list.
Monks have always sought “the desert,” though sometimes that desert takes the form of tundra. The monks of Trifonov Pechengsky monastery, Kolsky Peninsula, Russia, must be some of the northernmost monastics on earth. This intimate portrait of the community gives insight not only into the externals of ascetic life at the edge of the world, but also the reasons why men become and remain monks. It also shows, in a more explicit way than One Day in the Life of a Men’s Monastery, that the monks play an important role in their small town’s life and history.
“Hermits of Our Times – Orthodox Christian Monasticism (Hesychasm)”
To be fair, this isn’t really a documentary. It seems to be footage from a Romanian Orthodox news service taken in the late 1990’s. But it does shine a helpful spotlight on modern anchorites (then) living in the Romanian forest. Anchorites are not monks per se; at least, they are not cenobites, living in cells within a larger community. They are hermits who may once have been attached to a community but now seek God in solitude. I always find myself deeply impressed by the simplicity and manifest wisdom of these holy men whenever I return to this clip. I am reminded of the sayings of the Optina Elders, the Desert Fathers, or even my good St. Philip Neri.
“The Motorbike Rider Who Became a Monk”
The basics of monastic life, as communicated by a monk in Israel. (Source)
Again, I’m not sure this technically counts as a documentary. But it’s a good interview with a Cypriot who became a monk in Israel, at St. Gerasimos Monastery. One of the great strengths of this film, besides relating a vocation story, is the emphasis it places on the role of the Elder or Spiritual Father. For the Eastern Orthodox, and especially for monks, there is a spiritual lineage passed on from one old monk to younger ones (or to those in the world). In the West, we have mostly lost the sense of Spiritual Fatherhood by dividing its roles between the confessor and the spiritual director, neither of which carries the same weight as the Spiritual Father. But this short and helpful film is a good reminder of what still persists in the monastic tradition.
This 2011 documentary looks at the personal stories of various monks and nuns in Romania. It’s an artfully made piece, with a very good choral track throughout. But I admire its spiritual insights more than its aesthetic notes. Although the filmmaker does not seem to take a definitively Christian standpoint, she allows the monastics to speak for themselves. They provide a remarkable testimony to the strength of Orthodox traditions in the wake of Communism. We see not only the monks and nuns themselves, but also the devotional practices of ordinary believers who come to the monasteries. There are, for instance, many prostrations before icons. I also enjoyed the film for my own personal reasons. Romanian monasticism will always hold a special place in my heart, as it was a trip to a Transylvanian monastery that started my conversion, about seven years ago.
I’m sure there are other examples one could point to, but for now, these are some good places to start. They cover a wide range of Orthodox practices and values, all refracted through the lens of its monastic tradition.
‘Catholicity, Antiquity, and consent of the Fathers, is the proper evidence of the fidelity or Apostolicity of a professed Tradition’ J.H. Newman, Lectures on the Prophetical Office of the Church, 1837, p. 51