Elsewhere: Benedictine Mementos from England

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A procession on Caldey Island. (Source)

I’m not sure how I missed this astounding collection of photos of old Caldey, Prinknash, Pershore, Nashdom, and Farnborough when it came out last year, but I’m very glad to have discovered the trove yesterday. Some highlights include:

1. The barge fitted with heraldic devices that Peter Anson describes in Abbot Extraordinary, which was used specifically for the translation of St. Samson’s relics.

2. The silver sanctuary lamp in the shape of a galleon at full sail – once in Aelred Carlyle’s abbatial house (read: palace), now in the main oratory at Prinknash.

3. The various stones of dissolved abbeys brought to Caldey and placed into a single altar. If I’m not mistaken, Fr. Hope Patten must have gotten the idea for the Shrine at Walsingham from Caldey, as he knew Aelred Carlyle quite well.

4. Some lovely images of St. Samson and the Holy Face of Jesus used on printed material from the monasteries.

5. One or two excellent frontals, especially the one embroidered with seraphim at Prinknash.

6. An abbess of Kylemore Abbey in Ireland.

7. Peter Anson’s several drawings of Prinknash.

8. A procession for the 1964 Nashdom jubilee.

9. F.C. Eden’s terrifically English reredos at Caldey.

10. Scenes of the community’s collective reception into Rome in 1914 – including a shot of the Bl. Columba Marmion, who was an enthusiastic supporter of old Caldey.

Those who like Anglo-Catholic or monastic history will no doubt be as excited about this collection as I am.

UPDATE: A reader has kindly reminded me that, of course, Caldey Island is off the coast of Wales. So my title is perhaps a little misleading.

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On Gallicanism and Ultramontanism

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Scene from the Council of Constance, the Sixteenth Ecumenical Council (Source)

Over at Notre Dame’s Church Life Journal, there are two important pieces worth your time. The first, Dr. Taylor Patrick O’Neill’s “A Defense of Ultramontanism Contra Gallicanism,” is a theological analysis of the recent use of “ultramontanism” as a pejorative in Catholic discourse. Dr. O’Neill, a Neo-Thomist theologian, suggests that Ultramontanism is “the golden mean” by which to preserve a healthy and authentically Catholic respect for the Papacy. He writes:

But how does the historical usage of the term “ultramontane” hold any significance for us today? Given that the term arose as an insult against those who challenged the claims of Gallicanism, and given that those who championed papal primacy over local kings and bishops were legitimized at Vatican I, the term ought not to be associated with heterodoxy but rather orthodoxy.

To equate ultramontanism and orthodoxy is an extraordinary claim. While Dr. O’Neill recognizes that there are some excessively papalist versions of ultramontanism – a phenomenon he would prefer to call “super-ultramontanism” or “ultra-ultramontanism” – he fails to escape the very alienation from the term’s “historical significance” that he attempts to address.

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Umberto Benigni (1862-1934), Ultramontane church historian. (Source)

Take, for instance, his citation of Umberto Benigni’s article on “Ultramontanism” in the 1912 Catholic Encyclopedia. The passage O’Neill cites reads:

For Catholics it would be superfluous to ask whether Ultramontanism and Catholicism are the same thing: assuredly, those who combat Ultramontanism are in fact combating Catholicism, even when they disclaim the desire to oppose it.

If O’Neill had borrowed his words merely for a theological point, we might pass over the citation. But his is an historical judgment, not primarily a theological one. O’Neill doesn’t mention that Benigni is an out-dated, partisan, and sectarian Church historian whose article manifests those faults. It is hard to imagine any contemporary historian making much use of Benigni, whose other works include a volume entitled Ritual Murder Among the Jews (Belgrade, 1926-29).

Ultramontanism arose as a coherent and self-identified ecclesiological tendency under the pressures of post-Napoleonic Europe. While Papalism has always existed in the Church, the emergence of a self-consciously “Ultramontane” party before and after Vatican I was bound up with the Catholic response to modernity. And in some places – especially France – it was synonymous with less savory elements such as antisemitism. This fact alone hardly invalidates O’Neill’s theological point. But if we want to look at the term’s “historical significance,” I see little way to escape the actual history. “Historical significance” might just as well mean “connotations” as any sort of precise theological definition. O’Neill delimits ultramontanism by confining it to the realm of ideas as a functionally timeless truth. Yet he mires Gallicanism in the muck of human history. Ultramontanism is just the consistent teaching of the Church; Gallicanism, by contrast, is the small and fractious complaint of tendentious and self-interested minorities such as French kings and the Old Catholic schismatics. This discursive move may not be disingenuous, but it does set up a problematic historical imbalance. Ultramontanism is just as historically-conditioned as Gallicanism. Both involve something rather more than mere ideas – they enlisted social, political, and ecclesiastical movements, not always with very good results. And unfortunately, some of O’Neill’s history is simply incorrect.

At the same publication, the historian Dr. Shaun Blanchard’s “A Quasi-Defense of Gallicanism” provides some helpful correctives. It is a nuanced and well-argued piece (and well-sourced, too – Dr. Blanchard has seen fit to provide his readers with eight end-notes referring to reputable historical literature).

Against O’Neill’s suggestion that Gallicanism only arose after the Reformation, Blanchard correctly notes that the Medieval Conciliarist tradition most eloquently expressed by Jean Gerson (1368-1429) and the fathers of the Council of Constance (1414-18) provide ample groundwork for what would later be called “Gallicanism.” And Dr. Blanchard is right to point out that “Gallicanism” was never just one phenomenon, but a disparate tendency that crystallized into different forms of resistance to Papal centralization – not all of which were at play in Vatican I. Moreover, Blanchard correctly argues that, against Benigni and O’Neill’s interpretation, the Gallican minority at Vatican I preserved certain ecclesiological truths later vindicated by Vatican II. One could go on. Blanchard provides a great deal more historical background than O’Neill in support of his point.

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Cardinal Newman in his winter cappa. The man was no Ultramontanist. (Source)

Blanchard’s defense of Gallican thinkers such as Gerson, Bossuet, and Fleury is admirable. One could add to their names that of Cardinal Newman, whose soft-conciliarist ecclesiology earned the ire of ultramontanists like Cardinal Manning and W.G. Ward and Monsignor George Talbot, who famously wrote to Manning,

What is the province of the laity? To hunt, to shoot, to entertain? These matters they understand, but to meddle with ecclesiastical matters they have no right at all, and this affair of Newman is a matter purely ecclesiastical…Dr. Newman is the most dangerous man in England, and you will see that he will make use of the laity against your Grace.

None of this broader historical context appears in O’Neill’s piece. Perhaps it’s a little unfair to demand it, insofar as O’Neill is more interested in our contemporary debates than in the genealogy of the terms at play. But if we are to properly recognize “the historical significance” of ultramontanism, then we can’t really dodge the issue. If O’Neill is right to suggest that “the term ought not to be associated with heterodoxy but rather orthodoxy,” then men like Newman are beyond the pale of orthodoxy. And that seems like rather an impoverished vision of the Catholic intellectual life. I will conclude with Dr. Blanchard’s own measured words on the matter.

My point in this qualified defense of Gallicanism is not that we should “return” to Gallicanism, if such a thing were even possible. Neither must we equate ultramontanism with Catholic orthodoxy, simply because ultramontanes triumphed at Vatican I. Catholic orthodoxy is too big to be equated with either. The Catholic faith is big enough and dynamic enough to include what is good and true in ultramontanism and in Gallicanism, and likewise to reject what is harmful, false, or exaggerated in both.

Read them both.

Prosaic Relics

Earlier this week, I went to the Birmingham Oratory for the Feast of Bl. John Henry Newman. Fr. Ignatius Harrison, the Provost, was kind enough to open up the Oratory house to me. I must offer him my tremendous thanks for his hospitable willingness to let me see such an incredible (and, it must be said, holy) place. Likewise, I thank Br. Ambrose Jackson of the Cardiff Oratory for taking time out of his busy schedule to give me what was an extraordinarily memorable tour. I went away from the experience with a rekindled devotion to Cardinal Newman.

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Your humble servant in Cardinal Newman’s own library. Photo taken by Br. Ambrose Jackson of the Cardiff Oratory. You can see Cardinal Newman’s violin case on the lower shelf of his standing desk at right.

There were many striking and beautiful sights at the Oratory – not the least of which was the Pontifical High Mass in the Usus Antiquior, celebrated by His Excellency, Bishop Robert Byrne. Even from so short an experience, I can tell that the Birmingham Oratory is one of the places where Catholicism is done well, where the Beauty of Holiness is made manifest for the edification of all the faithful. I walked away from that Mass feeling drawn upwards into something supernal, something far beyond my ken. This place that so palpably breathes the essence of Cardinal Newman is, as it were, an island of grace and recollection amidst a worldand, sadly, a Churchso often inimical to things of the spirit.

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The Birmingham Oratory with the relics of the Blessed Cardinal displayed for veneration by the faithful. This photo was taken by the author shortly before Mass.

Yet amidst all this splendor, I found myself peculiarly drawn to one very quiet, very easy-to-miss relic. It lies in the little chapel to St. Philip Neri to the left of the altar; in this placement, one can see the influence of the Chiesa Nuova on Newman and his sons, who modeled their house’s customs on Roman models. And so it is only appropriate to find relics of St. Philip there in that small and holy place, so evocative of the great father’s final resting place.

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The altar of St. Philip Neri, Birmingham Oratory. Photo taken by the author.

The collection of relics in the chapel are mostly second-class. These are not pieces of the body, but materials that touched St. Philip either in his life or after his death. One of these small items spoke to me in an especially strong way.

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The little grey pouch you see to the left is St. Philip’s spectacle case. There is nothing terribly remarkable about it. It may not even be entirely intact, for all I know. A visible layer of dust covers the case, and a hard-to-read, handwritten label is all that identifies its use and provenance. No one comes to the Birmingham Oratory to see what once held St. Philip’s glasses. But of all the glorious relics I saw that day some encrusted in gold, some taken from rare and holy men, some evoking the perilous lives of saints who lived in a more heroic ageit was this humble artifact that most fired my imagination.

A spectacle case is no great thing. It does not shift the balance of empires or change the course of history. But humility and nobility are close cousins all the same. Here we come upon St. Philip in his quotidian life. A saint so marvelously strange, so crammed with the supernatural, so flame-like in darting from one miracle to another, nevertheless bent his fingers to the perfectly ordinary task of opening this case and taking out his spectacles so that he might see just a little better. It is a true maxim that grace builds upon nature. We have been told of St. Philip’s many graces. Here we find him in his nature; frail and imperfect and in need of just a little aid, so like our own.

The supernatural never erases the natural, and God is never more glorified than in our weakness. The hands that took up this case and opened it and drew forth its contents, perhaps a little fumblingly from time to time, are the very same thaumaturgic hands that lifted a prince out of death and Hell so that he might make his final confession. We know the story of the miracle. How rarely do we ponder the everyday conditions of its operation! How rarely do we consider those hands in their ordinary life.

There is a tendency with St. Philipas with many saints, and with Our Lord Himselfto reduce his life to one or two features. Some would make him an avuncular chap, always happy to laugh and thoroughly pleasant to be around, a jokester, a picture of joy and friend to all. On the other hand, we can get lost in the extraordinarily colorful miracles that mark St. Philip’s life, losing him in a fog of pious pictures and pablum. Neither captures his essence. The true middle way is to maintain a healthy sense of the bizarrean approach that recognizes the extraordinary in-breaking of the supernatural precisely because it appreciates the ordinary material of St. Philip’s day-to-day existence. It was this view that Fr. Ignatius himself recommended, though perhaps with a greater emphasis on the “weird,” in his homily delivered last St. Philip’s day.

I was reminded of this double reality when I saw St. Philip’s spectacle case. Prosaic relics carry this two-fold life within them more vividly than those upon which our ancestors’ piety has elaborated in glass and gold. Even Cardinal Newman’s violin case is not so markedly dual in this way; after all, every instrument belongs to that human portion of the supernatural we call “art.” Music, paintings, and other aesthetic forms all lift the human soul out of itself and into another world. In some ways, they are cousins both to Our Lady and to the Sacraments, God’s masterpieces of the sensible creation. Yet a spectacle casehow utilitarian. How plain. How merely functional. There is no poetry in a spectacle case. One can imagine writing a poem about a violinthe sinuous form of the wood almost suggests it, and more so when it carries a connection with so great a man as Newmanbut a spectacle case? Drab as this one is, its beauty comes only from the story it tells, from the life it once served, from the little help it gave its owner in his acquisition of beatitude.

Too often we wish to be God’s violins. In our quest for holiness, we wish to be admired, to cast our voice abroad, to give and seek beauty. These are not necessarily unworthy goals. But they are not the most important thing. Too infrequently do we turn our mind to the spectacle case. All too rarely do we seek our holiness in the gentle, quiet, everyday task of being useful, unnoticed, and present to God precisely when He needs us.

St. Philip knew how to be both, when he needed to be. May we learn to be like him in this as in so many respects.

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The effigy of Holy Father Philip, Chapel of St. Philip Neri, Birmingham Oratory. Photo taken by author.

 

Newman and Divine Providence

Bl. John Henry Newman, Doctor of Conscience and Doctor of Tradition, remains one of my dear friends in Heaven. Some of his prayers and devotions are as puissant today as they were when they were first composed. I am consoled by and draw courage from this extended passage of the Meditations and Devotions:

I have always thought this portrait captures the humanity and essential kindness of Cardinal Newman. (Source)

GOD has created all things for good; all things for their greatest good; everything for its own good. What is the good of one is not the good of another; what makes one man happy would make another unhappy. God has determined, unless I interfere with His plan, that I should reach that which will be my greatest happiness. He looks on me individually, He calls me by my name, He knows what I can do, what I can best be, what is my greatest happiness, and He means to give it me.

God knows what is my greatest happiness, but I do not. There is no rule about what is happy and good; what suits one would not suit another. And the ways by which perfection is reached vary very much; the medicines necessary for our souls are very different from each other. Thus God leads us by strange ways; we know He wills our happiness, but we neither know what our happiness is, nor the way. We are blind; left to ourselves we should take the wrong way; we must leave it to Him.

Let us put ourselves into His hands, and not be startled though He leads us by a strange way, a mirabilis via, as the Church speaks. Let us be sure He will lead us right, that He will bring us to that which is, not indeed what we think best, nor what is best for another, but what is best for us.

O, my God, I will put myself without reserve into Thy hands. Wealth or woe, joy or sorrow, friends or bereavement, honour or humiliation, good report or ill report, comfort or discomfort, Thy presence or the hiding of Thy countenance, all is good if it comes from Thee. Thou art wisdom and Thou art love—what can I desire more? Thou hast led me in Thy counsel, and with glory hast Thou received me. What have I in heaven, and apart from Thee what want I upon earth? My flesh and my heart faileth: but God is the God of my heart, and my portion for ever.

God has created me to do Him some definite service; He has committed some work to me which He has not committed to another. I have my mission—I never may know it in this life, but I shall be told it in the next. Somehow I am necessary for His purposes, as necessary in my place as an Archangel in his—if, indeed, I fail, He can raise another, as He could make the stones children of Abraham. Yet I have a part in this great work; I am a link in a chain, a bond of connexion between persons. He has not created me for naught. I shall do good, I shall do His work; I shall be an angel of peace, a preacher of truth in my own place, while not intending it, if I do but keep His commandments and serve Him in my calling.

Therefore I will trust Him. Whatever, wherever I am, I can never be thrown away. If I am in sickness, my sickness may serve Him; in perplexity, my perplexity may serve Him; if I am in sorrow, my sorrow may serve Him. My sickness, or perplexity, or sorrow may be necessary causes of some great end, which is quite beyond us. He does nothing in vain; He may prolong my life, He may shorten it; He knows what He is about. He may take away my friends, He may throw me among strangers, He may make me feel desolate, make my spirits sink, hide the future from me—still He knows what He is about.

O Adonai, O Ruler of Israel, Thou that guidest Joseph like a flock, O Emmanuel, O Sapientia, I give myself to Thee. I trust Thee wholly. Thou art wiser than I—more loving to me than I myself. Deign to fulfil Thy high purposes in me whatever they be—work in and through me. I am born to serve Thee, to be Thine, to be Thy instrument. Let me be Thy blind instrument. I ask not to see—I ask not to know—I ask simply to be used.

(Meditations and Devotions “Hope in God – Creator”)

Saint-Denis, Liturgy, and a Royal Nun

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St. Denys, pray for us! (Source)

Canticum Salomonis has a great little piece on the Sequence of St. Denys. Liturgical nerds will find it of particular interest. It mainly attracts my own attention due to a fascinating tidbit:

Beginning with the new Parisian missal promulgated by the Lord Archbishop François de Harlay in 1684, the neo-Gallican liturgical books that festered in France during the Enlightenment Age altered this sequence to expunge any connection between St Dionysius the Areopagite and St Dionysius of Paris. The Abbey of St-Denys, however, remained firm in defending the Greek origins of its patron, and sung the original text until the Revolution.

I’m unaware of any serious scholarship so far that has plunged into the liturgical dynamics of the Revolution – though certainly, the Gallicans, Jansenists, and Cisalpines all had ideas about liturgical reform. What an intriguing project a deeper study might be. Perhaps John McManners has looked at it all already, and I simply haven’t gotten to that part of his famous and positively rococo two-volume study, Church and Society in Eighteenth-Century France.

Madame Louise, Prioress of Saint-Denis. (Source)

Saint-Denis was an important place in the 1780’s. Madame Louise, daughter of Louis XV and aunt of Louis XVI, entered the Carmel of Saint-Denis while her father was still alive. As Sister Thérèse de Saint-Augustin, she eventually rose to the rank of Prioress. Saint-Denis thus became a center of the Parti Dévot, the most conservative (some would say reactionary) part of the French court and church. It’s hardly surprising that the great Abbey there would likewise remain a bastion of liturgy that might otherwise be regarded as “superstitious” or “backwards” by the more radical portions of the French church.

Elsewhere: Two Links on the Rosary

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May Our Lady of the Rosary pray for us. (Source)

Over on Twitter, I refer my readers to an incredible thread from Joshua Jennings, who has posted images from an antique book on the fifteen mysteries of the Rosary. The illustrations are delightful, the devotion is manifest, and the typology is sound. Do give it a look.

At Vultus Christi, there is an excellent meditation on the spiritual power of the Rosary. Here’s an excerpt:

The Rosary confounds complexity and decapitates spiritual pride. There is no problem or difficulty that cannot be solved or resolved by faithful persevering recourse to Mary’s Psalter. The Rosary is the gift of the Mother of God to the poor and the powerless, who alone are capable of hearing the Gospel in all its purity, and of responding to it with a generous heart. It is to such as these — the childlike and the weak, the poor and the trusting — that the Rosary is given. It is to such as these that the Rosary belongs.

Read the whole thing.

Three New Books for Early Modernists

There are some very exciting publications coming out soon…especially for those of us who study religion in the early modern period.

First, there’s a new series from CUA Press on Early Modern Catholic Sources, edited by Ulrich Lehner and Trent Pomplun. The first volume covers Christological debates among the Discalced Carmelites of the School of Salamanca. I think it’s a fair assumption that this material has never been translated before. The first volume should appear in 2019.

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Vol. I of Early Modern Catholic Sources (Source)

Second, and more germane to my own work, we have Jeffrey Burson’s very promising intervention into the perennial “Enlightenment” v. “Enlightenments” debate. His new book, Culture of Enlightening: Abbé Claude Yvon and the Entangled Emergence of the Enlightenment, is scheduled to be released from Notre Dame Press in May 2019. Burson has already established himself as a major scholar of the Catholic Enlightenment, and his newest foray promises to be his most ambitious work yet.

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Burson’s new book (Source)

For those of you who, like me, take an interest in the Jansenists and in early modern Catholic women, you’ll be happy to know that there’s a new study of Pascal’s sisters by Rev. John J. Conley, S.J. The Other Pascals: The Philosophy of Jacqueline Pascal, Gilberte Pascal Périer, and Marguerite Périer, another ND Press piece slated for an April 2019 release, will no doubt shed new light on these fascinating figures. Conley has done important work before on Catholic women in the 17th century – I look forward to his newest treatment of the subject.

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A Jesuit writes about Jansenists (Source)

And if you’re just looking for general book recommendations, might I refer you to Incudi Reddere? You’ll find much more there.

The Horses of St. Bruno

Today is the Feast of St. Bruno, founder of the Carthusians. While many know of the Carthusians for their famous silence, their holy way of life preserved from corruption down the centuries, and that wonderful green liqueur they make, few are aware of another gift they have given the world: a breed of Andalusian horse known as the Cartujano.

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Monks with their horse. (Source)

The breed emerged as early as the 1400’s, and had become an important strain of the Spanish equine population by the early modern period. They originated at the Charterhouse of Jerez. The story of their arrival at the monastery is a little uncertain, but one plausible theory holds that:

“Don Pedro Picado, was unable to pay his ground rent to the monks…decided to pay them…in kind by offering them his mares and colts. These animals had been bought…from the brothers Andrés and Diego Zamora…who formed this small stud farm from a stallion bought from a soldier, and one of its sons, a colt of extraordinary beauty and grace, called ‘Esclavo.'”

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A Cartujano today. (Source)

At any rate, the monks commenced a breeding program that lasted for hundreds of years – they only lost their monopoly on the line at the French invasion. The end result was what one source has called “the purest of Spanish horses.” Take a look at the numbers:

The Carthusian horse, or Cartujano is not a distinct breed of horse but rather an offshoot of the pure Spanish horse and is considered the purest strain remaining with one of the oldest stud books in the world. Roughly 82% of the Pura Raza Espanola (PRE) population in Spain contains Cartujano blood. But there are less than 3% pure Cartujano horses within the PRE population and only 500 pure Cartujanos in existence in Spain today.

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“The Cartujanos,” Jose Manuel Gomez. (Source)

Virtually all Cartujanos today are descended from that first horse at Jerez, that Jacob of horses – “Esclavo.” You can see one in action here.

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Monks and their horse. (Source)

We need not justify the monastic life on terms other than its own final good – that is, union with God. Or even its secondary good – prayer for the world. But if one is seeking “useful” or “worldly” benefits of monasticism, look no further than the Cartujano horse. The continuity provided by the monastic state over centuries allowed proper record keeping and a meticulous attention to the intricacies of a sustained lineage. These beautiful creatures are one testament to the salutary work of monks in history.

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I’m sure there’s a spiritual metaphor here. (Source)

 

“Heaven in Epitome”

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Katherine (or Catherine) Philips. (Source)

One of the great poets of the seventeenth century was Katherine Philips, a Royalist, a major translator of Corneille, and a devotee of Platonic love. Her poetry often explores the deeper meaning of close friendship. She had a few such relationships, and led a society of fellow aristocrats dedicated to Friendship as such. She would often use allegorical names to refer to herself (“Orinda”), her husband (“Antenor”), and her best friend (“Lucasia”). I found these few poems to be particularly moving and insightful into the nature of true friendship.

A Friend

Love, nature’s plot, this great creation’s soul,
The being and the harmony of things,
Doth still preserve and propagate the whole,
From whence man’s happiness and safety springs:
The earliest, whitest, blessed’st times did draw
From her alone their universal law.

Friendship’s an abstract of this noble flame,
‘Tis love refined and purged from all its dross,
The next to angels’ love, if not the same,
As strong in passion is, though not so gross:
It antedates a glad eternity,
And is an heaven in epitome.

*        *        *        *        *

Essential honour must be in a friend,
Not such as every breath fans to and fro;
But born within, is its own judge and end,
And dares not sin though sure that none should know.
Where friendship’s spoke, honesty’s understood;
For none can be a friend that is not good.

*        *        *        *        *

Thick waters show no images of things;
Friends are each other’s mirrors, and should be
Clearer than crystal or the mountain springs,
And free from clouds, design, or flattery.
For vulgar souls no part of friendship share;
Poets and friends are born to what they are.

Friendship’s Mystery, To my Dearest Lucasia

1
Come, my Lucasia, since we see
That Miracles Mens faith do move,
By wonder and by prodigy
To the dull angry world let’s prove
There’s a Religion in our Love.
2
For though we were design’d t’ agree,
That Fate no liberty destroyes,
But our Election is as free
As Angels, who with greedy choice
Are yet determin’d to their joyes.
3
Our hearts are doubled by the loss,
Here Mixture is Addition grown ;
We both diffuse, and both ingross :
And we whose minds are so much one,
Never, yet ever are alone.
4
We court our own Captivity
Than Thrones more great and innocent :
’Twere banishment to be set free,
Since we wear fetters whose intent
Not Bondage is, but Ornament.
5
Divided joyes are tedious found,
And griefs united easier grow :
We are our selves but by rebound,
And all our Titles shuffled so,
Both Princes, and both Subjects too.
6
Our Hearts are mutual Victims laid,
While they (such power in Friendship lies)
Are Altars, Priests, and Off’rings made :
And each Heart which thus kindly dies,
Grows deathless by the Sacrifice.

To My Excellent Lucasia, on Our Friendship

I did not live until this time

    Crowned my felicity,
When I could say without a crime,
    I am not thine, but thee.
This carcass breathed, and walked, and slept,
    So that the world believed
There was a soul the motions kept;
    But they were all deceived.
For as a watch by art is wound
    To motion, such was mine:
But never had Orinda found
    A soul till she found thine;
Which now inspires, cures and supplies,
    And guides my darkened breast:
For thou art all that I can prize,
    My joy, my life, my rest.
No bridegroom’s nor crown-conqueror’s mirth
    To mine compared can be:
They have but pieces of the earth,
    I’ve all the world in thee.
Then let our flames still light and shine,
    And no false fear control,
As innocent as our design,
    Immortal as our soul.

Friendship

Let the dull brutish World that know not Love,
Continue heretics, and disapprove
That noble flame; but the refinèd know
‘Tis all the Heaven we have here below.
Nature subsists by Love, and they do tie
Things to their causes but by sympathy.
Love chains the different Elements in one
Great harmony, link’d to the Heav’nly Throne.
And as on earth, so the blest quire above
Of Saints and Angels are maintain’d by Love;
That is their business and felicity,
And will be so to all Eternity.
That is the ocean, our affections here
Are but streams borrow’d from the fountain there.
And ’tis the noblest argument to prove
A beauteous mind, that it knows how to Love.
Those kind impressions which Fate can’t control,
Are Heaven’s mintage on a worthy soul.
For Love is all the Arts’ epitome,
And is the sum of all Divinity.
He’s worse than beast that cannot love, and yet
It is not bought for money, pains or wit;
For no chance or design can spirits move,
But the eternal destiny of Love:
And when two souls are chang’d and mixèd so,
It is what they and none but they can do.
This, this is Friendship, that abstracted flame
Which grovelling mortals know not how to name.
All Love is sacred, and the marriage-tie
Hath much of honour and divinity.
But Lust, Design, or some unworthy ends
May mingle there, which are despis’d by Friends.
Passion hath violent extremes, and thus
All oppositions are contiguous.
So when the end is serv’d their Love will bate,
If Friendship make it not more fortunate:
Friendship, that Love’s elixir, that pure fire
Which burns the clearer ’cause it burns the higher.
For Love, like earthly fires (which will decay
If the material fuel be away)
Is with offensive smoke accompanied,
And by resistance only is supplied:
But Friendship, like the fiery element,
With its own heat and nourishment content,
Where neither hurt, nor smoke, nor noise is made,
Scorns the assistance of a forein aid.
Friendship (like Heraldry) is hereby known,
Richest when plainest, bravest when alone;
Calm as a virgin, and more innocent
Than sleeping doves are, and as much content
As Saints in visions; quiet as the night,
But clear and open as the summer’s light;
United more than spirits’ faculties,
Higher in thoughts than are the eagle’s eyes;
What shall I say? when we true friends are grown,
W’ are like—Alas, w’ are like ourselves alone.

 

“Lovely in Limbs, and Lovely in Eyes Not His”

Kingfisher

Kingfisher in action. (Source)

It’s beautiful weather in Oxford today, so I thought I’d celebrate with a quick poem by Hopkins. It’s one of my favorites.

As Kingfishers Catch Fire

As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell’s
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying Whát I dó is me: for that I came.
I say móre: the just man justices;
Keeps grace: thát keeps all his goings graces;
Acts in God’s eye what in God’s eye he is —
Chríst — for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men’s faces.