Richard Crashaw, one of the great Catholic poets of the seventeenth century, is a perennial source of inspiration. His verse preserves a mystical sensibility that is as refreshing today as it was when it was first composed in the Baroque era. This selection, “A Song,” is one of my favorites. I first had to memorize it many years ago in an English class on prayers (at Mr. Jefferson’s famously secular University, no less). I keep returning to it only to find new riches and new consolations. It seems eminently suited to our mid-Lenten moment, when the faithful yearn to see the face of the Resurrected and Glorified Christ.
LORD, when the sense of thy sweet grace Sends up my soul to seek thy face. Thy blessed eyes breed such desire, I dy in love’s delicious Fire.
O love, I am thy Sacrifice. Be still triumphant, blessed eyes. Still shine on me, fair suns! that I Still may behold, though still I dy.
Though still I dy, I live again; Still longing so to be still slain, So gainfull is such losse of breath. I dy even in desire of death.
Still live in me this loving strife Of living Death and dying Life. For while thou sweetly slayest me Dead to my selfe, I live in Thee.
As part of my Lenten Spirituality Series, here is Dame Julian of Norwich’s meditation on the thirst of Christ, Chapter XVII of Revelations of Divine Love:
“How might any pain be more to me than to see Him that is all my life, and all my bliss, and all my joy suffer?
And in this dying was brought to my mind the words
of Christ: I thirst.
For I saw in Christ a double thirst: one bodily; another spiritual…
For this word was shewed for the bodily thirst: the which I understood was caused by failing of moisture. For the blessed flesh and bones was left all alone without blood and moisture. The blessed body dried alone long time with wringing of the nails and weight of the body. For I understood that for tenderness of the sweet hands and of the sweet feet, by the greatness, hardness, and grievousness of the nails the wounds waxed wide and the body sagged, for weight by long time hanging. And [therewith was] piercing and pressing of the head, and binding of the Crown all baked with dry blood, with the sweet hair clinging, and the dry flesh, to the thorns, and the thorns to the flesh drying; and in the beginning while the flesh was fresh and bleeding, the continual sitting of the thorns made the wounds wide. And furthermore I saw that the sweet skin and the tender flesh, with the hair and the blood, was all raised and loosed about from the bone, with the thorns where-through it were rent in many pieces, as a cloth that were sagging, as if it would hastily have fallen off, for heaviness and looseness, while it had natural moisture. And that was great sorrow and dread to me: for methought I would not for my life have seen it fall. How it was done I saw not; but understood it was with the sharp thorns and the violent and grievous setting on of the Garland of Thorns, unsparingly and without pity. This continued awhile, and soon it began to change, and I beheld and marvelled how it might be. And then I saw it was because it began to dry, and stint a part of the weight, and set about the Garland. And thus it encircled all about, as it were garland upon garland. The Garland of the Thorns was dyed with the blood, and that other garland [of Blood] and the head, all was one colour, as clotted blood when it is dry. The skin of the flesh that shewed (of the face and of the body), was small-rimpled  with a tanned colour, like a dry board when it is aged; and the face more brown than the body.
I saw four manner of dryings: the first was bloodlessness;
the second was pain following after; the third,
hanging up in the air, as men hang a cloth to dry; the
fourth, that the bodily Kind asked liquid and there was
no manner of comfort ministered to Him in all His woe
and distress. Ah! hard and grievous was his pain, but
much more hard and grievous it was when the moisture
failed and began to dry thus, shrivelling.
These were the pains that shewed in the blessed head:
the first wrought to the dying, while it had moisture;
and that other, slow, with shrinking drying, [and] with
blowing of the wind from without, that dried and pained
Him with cold more than mine heart can think.
And other pains—for which pains I saw that all is
too little that I can say: for it may not be told.
The which Shewing of Christ’s pains filled me full of
pain. For I wist well He suffered but once, but [this
was as if] He would shew it me and fill me with mind
as I had afore desired. And in all this time of Christ’s
pains I felt no pain but for Christ’s pains. Then thought-me:
I knew but little what pain it was that I asked; and,
as a wretch, repented me, thinking: If I had wist what
it had been, loth me had been to have prayed it. For methought
it passed bodily death, my pains.
I thought: Is any pain like this? And I was answered in my reason: Hell is another pain: for there is despair. But of all pains that lead to salvation this is the most pain, to see thy Love suffer. How might any pain be more to me than to see Him that is all my life, all my bliss, and all my joy, suffer? Here felt I soothfastly  that I loved Christ so much above myself that there was no pain that might be suffered like to that sorrow that I had to [see] Him in pain.
I have just discovered that Once I Was a Clever Boy, a blog I used to enjoy but was sorry to see in hiatus, has returned. John Whitehead, the blog’s author, is a friend and a Brother of the Little Oratory here in Oxford. He hasn’t put up any new content recently. Nevertheless, there was a long time when for whatever technical reason – either on John’s end or mine, I was never sure – the blog was totally inaccessible. I’m very happy to see it’s back, and I look forward to more content from this quintessentially Oxonian blog.