Elsewhere: A Medieval Sermon on the Ascension

The Ascension, Rembrandt van Rijn, 1636 (Source)

Ascensiontide is perhaps my favorite season of the Church Kalendar for personal as well as theological reasons. And so I am delighted to share with my readers an extremely good post over at Canticum Salomonis, featuring a translated sermon by Honorius Augustodunensis (c. 1080-1154), a lesser-known contemporary of St. Bernard. Here is an excerpt from the beginning of this richly-illustrated translation:

The sun was raised aloft, and the moon stood still in her course.[1] Christ is the eternal sun who sheds his radiance upon all the choirs of angels; he is the true light[2] who enlightens every soul, who long lay concealed behind the cloud of his flesh, wreathed in the shadows of our frailty. Emerging at last from the shadows of Hell, today he rises gloriously above the stars and, raised above all the decorated ranks of angels, he sits, Lord of majesty, at the right hand of the Father. The moon, that is the Church, stands still in her course, gleaming in his light, when in the person of the apostles she saw him ascend into heaven. For the apostles showed themselves to be the Church’s course when they taught her the course of good living, and taught her how to order her course[3] after the Sun of justice. O! what brilliant horns the new-born moon has beamed forth today, when the Sun reaching the heights of heaven has infused her with a ray of eternal light! O! how serene her face as she stood in her course, when she saw her flesh penetrate the heavens in her Head, her Redeemer, her Spouse, her God! She saw them, I say, through the eyes of the apostolic chorus, who were her course, and of the Virgin Mother of God, her type! O what joy burst forth today among the angels in heaven when the Son of God, who had gone from his palace into the Prison for the sake of his servant, yea from his fatherland into banishment, an exile for an exile, now returns in triumph to his Father’s kingdom! And so today is clept the day of God’s triumph, when the victor over death triumphant was welcomed by the senate of the celestial court with hymnic praises, glorifying the author of life!

Honoratus Augustodunensis, On Our Lord’s Ascension

Read the whole thing, and have a blessed Ascension Day.

The Saint, the Centaur, and the Satyr

On this feast of St. Anthony the Abbot, I am reminded of a peculiar episode in the life of the saint that St. Jerome records. In full, it reads:

Francesco Guarino, St. Anthony Abbot and Centaur, 1642 (Source)

But to return to the point at which I digressed. The blessed Paul had already lived on earth the life of heaven for a hundred and thirteen years, and Antony at the age of ninety was dwelling in another place of solitude (as he himself was wont to declare), when the thought occurred to the latter, that no monk more perfect than himself had settled in the desert. However, in the stillness of the night it was revealed to him that there was farther in the desert a much better man than he, and that he ought to go and visit him. So then at break of day the venerable old man, supporting and guiding his weak limbs with a staff, started to go: but what direction to choose he knew not. Scorching noontide came, with a broiling sun overhead, but still he did not allow himself to be turned from the journey he had begun. Said he, I believe in my God: some time or other He will show me the fellow-servant whom He promised me. He said no more. All at once he beholds a creature of mingled shape, half horse half man, called by the poets Hippocentaur. At the sight of this he arms himself by making on his forehead the sign of salvation, and then exclaims, Holloa! Where in these parts is a servant of God living? The monster after gnashing out some kind of outlandish utterance, in words broken rather than spoken through his bristling lips, at length finds a friendly mode of communication, and extending his right hand points out the way desired. Then with swift flight he crosses the spreading plain and vanishes from the sight of his wondering companion. But whether the devil took this shape to terrify him, or whether it be that the desert which is known to abound in monstrous animals engenders that kind of creature also, we cannot decide.

Antony was amazed, and thinking over what he had seen went on his way. Before long in a small rocky valley shut in on all sides he sees a mannikin with hooked snout, horned forehead, and extremities like goats’ feet. When he saw this, Antony like a good soldier seized the shield of faith and the helmet of hope: the creature none the less began to offer to him the fruit of the palm-trees to support him on his journey and as it were pledges of peace. Antony perceiving this stopped and asked who he was. The answer he received from him was this: I am a mortal being and one of those inhabitants of the desert whom the Gentiles deluded by various forms of error worship under the names of Fauns, Satyrs, and Incubi. I am sent to represent my tribe. We pray you in our behalf to entreat the favour of your Lord and ours, who, we have learned, came once to save the world, and ‘whose sound has gone forth into all the earth.’ As he uttered such words as these, the aged traveller’s cheeks streamed with tears, the marks of his deep feeling, which he shed in the fullness of his joy. He rejoiced over the Glory of Christ and the destruction of Satan, and marvelling all the while that he could understand the Satyr’s language, and striking the ground with his staff, he said, Woe to you, Alexandria, who instead of God worships monsters! Woe to you, harlot city, into which have flowed together the demons of the whole world! What will you say now? Beasts speak of Christ, and you instead of God worship monsters. He had not finished speaking when, as if on wings, the wild creature fled away. Let no one scruple to believe this incident; its truth is supported by what took place when Constantine was on the throne, a matter of which the whole world was witness. For a man of that kind was brought alive to Alexandria and shown as a wonderful sight to the people. Afterwards his lifeless body, to prevent its decay through the summer heat, was preserved in salt and brought to Antioch that the Emperor might see it.

St. Jerome, The Life of Paul the First Hermit, 7-8.

Let it never be said that the lives of the saints are boring. Artists, like Demonologists, have throughout the centuries returned to these scenes again and again. The Centaur shows up a lot, probably because it’s a subject that permits the artist to show off his own talents at depicting both human and equine anatomy. Yet we can also detect here a certain visual sensibility that can only be described as picturesque delight and fascination.

Jacopo Palma il Giovane, Saint Anthony Abbot asking the Centaur the way (Source)
Osservanza Master, The Meeting of Saint Anthony and Saint Paul, 1430-35, detail (Source)
Benedetto di Montagna, St. Anthony and the Centaur. The depiction of the Centaur as a monk is particularly unusual. (Source)
A less common depiction, St. Anthony and the Satyr (Source)
A medieval depiction of St. Anthony with both the Centaur and the Satyr, by Robert Testard. (Source)
John Mandeville’s take on the scene, with color highlighting the hybridity of the Centaur’s nature. (Source)
St. Anthony meets the Centaur in an illumination by Jean de Limbourg (Source)

The Hidden Wound of Christ

Christ Carrying the Cross, Titian, c. 1560 (Source)

In Holy Week, we edge ever closer to the Paschal Mystery that begins on Maundy Thursday and does not end until the joy of Easter Morning. Or, more rightly, the joy that never ends. The Paschal Mystery is always present on our altars. Christ deigns to give us all of the glory and drama of those frightful, baffling, sacred days in the course of every single Mass. The reverse is also true. Our meditation on the events of the first Holy Week must be impregnated by a sense of the profound Eucharisticity of it all. Everywhere, be it in the shadowed garden or the iniquitous court or the clamorous street or the desolate mount where Our Lord died, we discover hints of Eucharistic air. We cannot approach these scenes without catching a whiff of incense.

This scent of paradise would seem to waft from the very wounds of Christ as from the most fragrant flowers on earth. For they are the vessels of the new creation, the blooms of the new Eden, and the stars in the new Heaven. If we would have an idea of paradise, we must study the shape and depth and hue and feel and – in the Eucharist – the taste of these wounds. They are our gates to Heaven. They are our safe passage through the sea of tohu-va-bohu, the chaos of this sinful world. Yet, one must not carry the comparison too far. If the Israelites reached the Mountain of God kept dry of the waters of the Red Sea, the Christian must do quite the opposite. He finds God by drowning in that very different red sea, Christ’s Precious Blood. He must die there in that flood, just as His Savior did. But this death brings new life – and that everlasting.

Christ the True Vine. (Source)

It is thus the peculiar mission of the Christian soul to devote herself to the Holy Wounds. Few devotions are more perfect, for few are so closely bound to the very quick and marrow of our salvation. Indeed, devotion to the Holy Wounds is little more than devotion to Christ precisely as Redeemer of Mankind, and thus as our Prophet, Priest, and King, as Victim and Altar, as the Word Incarnate – in short, to Christ Himself.

It also inevitably means devotion to Christ in the Eucharist. All of the Holy Wounds remind us of the Blessed Sacrament. We find them there, on the altar, and we discover the shadow of the tabernacle falling over each wound in turn.

Anyone who has seen the Medieval materials produced around this devotion (including the flag of the doomed and valorous Pilgrimage of Grace) will know that, typically, there were five Holy Wounds: two feet, two hands, and heart. One could bring this count up to six if the wound in the side were considered separately from the heart. Yet St. Bernard of Clairvaux suggests there is another wound, rarely depicted, that gave Our Lord exquisite dolors unrecognized by men. Once, in conversation with Jesus, the Mellifluous Doctor asked him about his greatest unrecorded suffering. Jesus answered,

“I had on My Shoulder while I bore My Cross on the Way of Sorrows, a grievous Wound that was more painful than the others, and which is not recorded by men. Honor this Wound with thy devotion, and I will grant thee whatsoever thou dost ask through its virtue and merit. And in regard to all those who shall venerate this Wound, I will remit to them all their venial sins and will no longer remember their mortal sins.”

From the Annals of Clairvaux

A prayer to the Holy Shoulder Wound, bearing the imprimatur of Thomas D. Beaven, Bishop of Springfield, has circulated on the internet. It reads:

O most loving Jesus, meek lamb of God, I, a miserable sinner,
salute and worship the most sacred Wound of Thy Shoulder
on which Thou didst bear Thy heavy Cross, which so
tore Thy flesh and laid bare Thy bones as to inflict on Thee
an anguish greater than any other wound of Thy most blessed body.
I adore Thee, O Jesus most sorrowful; I praise and glorify Thee,
and give Thee thanks for this most sacred and painful
Wound, beseeching Thee by that exceeding pain, and by
the crushing burden of Thy heavy Cross, to be merciful to me,
a sinner, and to forgive me all my mortal and venial sins, and
to lead me on toward Heaven along the Way of the Cross. Amen.

Prayer to the Holy Shoulder Wound

All the wounds of Jesus teach us something of his Eucharistic life. The wounds and the Blessed Sacrament are mutually illuminating. If we would understand the Eucharist, we can look to the wounds; if we desire to penetrate those wounds more deeply, we must adore and receive the Eucharist. This can be seen in each of the typical wounds. The feet remind us of the absolute fixity as well as the global universality of the Blessed Sacrament. The hands remind us of Christ’s priesthood. The Wounds in the side and heart of Jesus speak to the burning charity which motivated the institution of the Sacrament as well as its generative power; along with Baptism, it makes mortal men into Sons of God.

A medieval image of the Holy Wounds and instruments of the Passion. (Source)

The shoulder wound, however, tells us something different. It points to the veil of the Eucharist. It reminds us of the hiddenness of Christ in the Blessed Sacrament. It is a silent and unseen wound, and it tells us about the silent and unseen God who becomes present for us, silently and invisibly, in the Eucharist. It was this wound, so St. Bernard tells us, that caused Our Lord such terrible pain in His Passion.

Consider the duty of the Christian soul towards this admirable wound. She must make reparation to the Father for this wound on the unblemished Son; she can only do this by uniting her own sorrows to His. She must prayerfully let the Holy Spirit mold her hidden suffering into the very likeness of the shoulder wound. No suffering is too great for this transfiguration, nor any soul too far gone in sin for this empowerment. All that is needed is a penitent heart, a sacramental life, and humble prayer before the Father. The Almighty is merciful, and His mercy comes to us through the Wounds of Jesus Christ. In fact, we find here one of the great paradoxes of the Christian faith. If we would behold the mercy of the Father, we must look at the wounds of the Son – they are His mercy.

The Christian must burrow into them. We must bury ourselves in the wounds of Christ. We cannot be stingy with this self-offering. Every part of the soul belongs to God. The hidden wound of the shoulder reminds us that, even those parts we wish to keep away from the eyes of the world, those most interior sins, those most private sufferings, those darkest sorrows and temptations – all these unseen afflictions of body and soul – all must be given over to God. Nothing can remain outside His grasp. In the words of the Evangelist, “there is nothing hid which shall not become manifest, nor secret which shall not be known and come to light” (Luke 8:17 DRA). It is fruitless to hide from God, just as it was when our first parents fled from His voice in the Garden. And so, the hidden wound of Christ reminds us that we will be judged, even as it offers us mercy.

These considerations must spur us to a more authentically Eucharistic life. We cannot hope to save ourselves. Christ has died for us, and to take on His dying life, we must cleave to the Blessed Sacrament. Acts of Reparation, Adoration, and frequent reception of communion are all ways to press our souls into the sacrifice of Christ.

Have you sanctified the Holy Wounds in your heart? (Source)

In this sacred time of year, let us make a special effort to hallow the Holy Wounds in our heart, to unite our sufferings to those endured by our Savior, and to make reparation for the offenses that sin has wrought. And above all, let us praise God the Father Almighty, the author of these Holy Wounds, for His infinite mercy.

Dame Julian of Norwich on the Thirst of Christ

Christ on the Cross, from the Isenheim Altarpiece of Matthias Grünewald (Source)

As part of my Lenten Spirituality Series, here is Dame Julian of Norwich’s meditation on the thirst of Christ, Chapter XVII of Revelations of Divine Love:

“How might any pain be more to me than to see Him that is all my life, and all my bliss, and all my joy suffer?

And in this dying was brought to my mind the words of Christ: I thirst.

For I saw in Christ a double thirst: one bodily; another spiritual…

For this word was shewed for the bodily thirst: the which I understood was caused by failing of moisture. For the blessed flesh and bones was left all alone without blood and moisture. The blessed body dried alone long time with wringing of the nails and weight of the body. For I understood that for tenderness of the sweet hands and of the sweet feet, by the greatness, hardness, and grievousness of the nails the wounds waxed wide and the body sagged, for weight by long time hanging. And [therewith was] piercing and pressing of the head, and binding of the Crown all baked with dry blood, with the sweet hair clinging, and the dry flesh, to the thorns, and the thorns to the flesh drying; and in the beginning while the flesh was fresh and bleeding, the continual sitting of the thorns made the wounds wide. And furthermore I saw that the sweet skin and the tender flesh, with the hair and the blood, was all raised and loosed about from the bone, with the thorns where-through it were rent in many pieces, as a cloth that were sagging, as if it would hastily have fallen off, for heaviness and looseness, while it had natural moisture. And that was great sorrow and dread to me: for methought I would not for my life have seen it fall. How it was done I saw not; but understood it was with the sharp thorns and the violent and grievous setting on of the Garland of Thorns, unsparingly and without pity. This continued awhile, and soon it began to change, and I beheld and marvelled how it might be. And then I saw it was because it began to dry, and stint a part of the weight, and set about the Garland. And thus it encircled all about, as it were garland upon garland. The Garland of the Thorns was dyed with the blood, and that other garland [of Blood] and the head, all was one colour, as clotted blood when it is dry. The skin of the flesh that shewed (of the face and of the body), was small-rimpled [1] with a tanned colour, like a dry board when it is aged; and the face more brown than the body.

I saw four manner of dryings: the first was bloodlessness; the second was pain following after; the third, hanging up in the air, as men hang a cloth to dry; the fourth, that the bodily Kind asked liquid and there was no manner of comfort ministered to Him in all His woe and distress. Ah! hard and grievous was his pain, but much more hard and grievous it was when the moisture failed and began to dry thus, shrivelling.

These were the pains that shewed in the blessed head: the first wrought to the dying, while it had moisture; and that other, slow, with shrinking drying, [and] with blowing of the wind from without, that dried and pained Him with cold more than mine heart can think.

And other pains—for which pains I saw that all is too little that I can say: for it may not be told.

The which Shewing of Christ’s pains filled me full of pain. For I wist well He suffered but once, but [this was as if] He would shew it me and fill me with mind as I had afore desired. And in all this time of Christ’s pains I felt no pain but for Christ’s pains. Then thought-me: I knew but little what pain it was that I asked; and, as a wretch, repented me, thinking: If I had wist what it had been, loth me had been to have prayed it. For methought it passed bodily death, my pains.

I thought: Is any pain like this? And I was answered in my reason: Hell is another pain: for there is despair. But of all pains that lead to salvation this is the most pain, to see thy Love suffer. How might any pain be more to me than to see Him that is all my life, all my bliss, and all my joy, suffer? Here felt I soothfastly [2] that I loved Christ so much above myself that there was no pain that might be suffered like to that sorrow that I had to [see] Him in pain.

[1] or shrivelled.

[2] in sure verity.

“Reversed Thunder, Christ-Side-Piercing Spear”

The holy side-wound of Christ, from a Book of Hours (Source)

Today is the Anglican commemoration of George Herbert, the great English cleric and metaphysical poet of the 17th century. He died on March 1st, 1633. In honor of this bard of the spirit, I offer to my readers one of my favorite Herbert poems. Every time I return to it, I find new edification.

“Prayer (1)”

George Herbert

Prayer the church’s banquet, angel’s age,
God’s breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth
Engine against th’ Almighty, sinner’s tow’r,
Reversed thunder, Christ-side-piercing spear,
The six-days world transposing in an hour,
A kind of tune, which all things hear and fear;
Softness, and peace, and joy, and love, and bliss,
Exalted manna, gladness of the best,
Heaven in ordinary, man well drest,
The milky way, the bird of Paradise,
Church-bells beyond the stars heard, the soul’s blood,
The land of spices; something understood.

An Oxonian Blog Worth Reading

The dreaming spires of Oxford. (Source)

I have just discovered that Once I Was a Clever Boy, a blog I used to enjoy but was sorry to see in hiatus, has returned. John Whitehead, the blog’s author, is a friend and a Brother of the Little Oratory here in Oxford. He hasn’t put up any new content recently. Nevertheless, there was a long time when for whatever technical reason – either on John’s end or mine, I was never sure – the blog was totally inaccessible. I’m very happy to see it’s back, and I look forward to more content from this quintessentially Oxonian blog.

On Gallicanism and Ultramontanism

CouncilofConstance.jpg

Scene from the Council of Constance, the Sixteenth Ecumenical Council (Source)

Over at Notre Dame’s Church Life Journal, there are two important pieces worth your time. The first, Dr. Taylor Patrick O’Neill’s “A Defense of Ultramontanism Contra Gallicanism,” is a theological analysis of the recent use of “ultramontanism” as a pejorative in Catholic discourse. Dr. O’Neill, a Neo-Thomist theologian, suggests that Ultramontanism is “the golden mean” by which to preserve a healthy and authentically Catholic respect for the Papacy. He writes:

But how does the historical usage of the term “ultramontane” hold any significance for us today? Given that the term arose as an insult against those who challenged the claims of Gallicanism, and given that those who championed papal primacy over local kings and bishops were legitimized at Vatican I, the term ought not to be associated with heterodoxy but rather orthodoxy.

To equate ultramontanism and orthodoxy is an extraordinary claim. While Dr. O’Neill recognizes that there are some excessively papalist versions of ultramontanism – a phenomenon he would prefer to call “super-ultramontanism” or “ultra-ultramontanism” – he fails to escape the very alienation from the term’s “historical significance” that he attempts to address.

Benigni_Umberto

Umberto Benigni (1862-1934), Ultramontane church historian. (Source)

Take, for instance, his citation of Umberto Benigni’s article on “Ultramontanism” in the 1912 Catholic Encyclopedia. The passage O’Neill cites reads:

For Catholics it would be superfluous to ask whether Ultramontanism and Catholicism are the same thing: assuredly, those who combat Ultramontanism are in fact combating Catholicism, even when they disclaim the desire to oppose it.

If O’Neill had borrowed his words merely for a theological point, we might pass over the citation. But his is an historical judgment, not primarily a theological one. O’Neill doesn’t mention that Benigni is an out-dated, partisan, and sectarian Church historian whose article manifests those faults. It is hard to imagine any contemporary historian making much use of Benigni, whose other works include a volume entitled Ritual Murder Among the Jews (Belgrade, 1926-29).

Ultramontanism arose as a coherent and self-identified ecclesiological tendency under the pressures of post-Napoleonic Europe. While Papalism has always existed in the Church, the emergence of a self-consciously “Ultramontane” party before and after Vatican I was bound up with the Catholic response to modernity. And in some places – especially France – it was synonymous with less savory elements such as antisemitism. This fact alone hardly invalidates O’Neill’s theological point. But if we want to look at the term’s “historical significance,” I see little way to escape the actual history. “Historical significance” might just as well mean “connotations” as any sort of precise theological definition. O’Neill delimits ultramontanism by confining it to the realm of ideas as a functionally timeless truth. Yet he mires Gallicanism in the muck of human history. Ultramontanism is just the consistent teaching of the Church; Gallicanism, by contrast, is the small and fractious complaint of tendentious and self-interested minorities such as French kings and the Old Catholic schismatics. This discursive move may not be disingenuous, but it does set up a problematic historical imbalance. Ultramontanism is just as historically-conditioned as Gallicanism. Both involve something rather more than mere ideas – they enlisted social, political, and ecclesiastical movements, not always with very good results. And unfortunately, some of O’Neill’s history is simply incorrect.

At the same publication, the historian Dr. Shaun Blanchard’s “A Quasi-Defense of Gallicanism” provides some helpful correctives. It is a nuanced and well-argued piece (and well-sourced, too – Dr. Blanchard has seen fit to provide his readers with eight end-notes referring to reputable historical literature).

Against O’Neill’s suggestion that Gallicanism only arose after the Reformation, Blanchard correctly notes that the Medieval Conciliarist tradition most eloquently expressed by Jean Gerson (1368-1429) and the fathers of the Council of Constance (1414-18) provide ample groundwork for what would later be called “Gallicanism.” And Dr. Blanchard is right to point out that “Gallicanism” was never just one phenomenon, but a disparate tendency that crystallized into different forms of resistance to Papal centralization – not all of which were at play in Vatican I. Moreover, Blanchard correctly argues that, against Benigni and O’Neill’s interpretation, the Gallican minority at Vatican I preserved certain ecclesiological truths later vindicated by Vatican II. One could go on. Blanchard provides a great deal more historical background than O’Neill in support of his point.

blessed_neman_winter_cappa

Cardinal Newman in his winter cappa. The man was no Ultramontanist. (Source)

Blanchard’s defense of Gallican thinkers such as Gerson, Bossuet, and Fleury is admirable. One could add to their names that of Cardinal Newman, whose soft-conciliarist ecclesiology earned the ire of ultramontanists like Cardinal Manning and W.G. Ward and Monsignor George Talbot, who famously wrote to Manning,

What is the province of the laity? To hunt, to shoot, to entertain? These matters they understand, but to meddle with ecclesiastical matters they have no right at all, and this affair of Newman is a matter purely ecclesiastical…Dr. Newman is the most dangerous man in England, and you will see that he will make use of the laity against your Grace.

None of this broader historical context appears in O’Neill’s piece. Perhaps it’s a little unfair to demand it, insofar as O’Neill is more interested in our contemporary debates than in the genealogy of the terms at play. But if we are to properly recognize “the historical significance” of ultramontanism, then we can’t really dodge the issue. If O’Neill is right to suggest that “the term ought not to be associated with heterodoxy but rather orthodoxy,” then men like Newman are beyond the pale of orthodoxy. And that seems like rather an impoverished vision of the Catholic intellectual life. I will conclude with Dr. Blanchard’s own measured words on the matter.

My point in this qualified defense of Gallicanism is not that we should “return” to Gallicanism, if such a thing were even possible. Neither must we equate ultramontanism with Catholic orthodoxy, simply because ultramontanes triumphed at Vatican I. Catholic orthodoxy is too big to be equated with either. The Catholic faith is big enough and dynamic enough to include what is good and true in ultramontanism and in Gallicanism, and likewise to reject what is harmful, false, or exaggerated in both.

Read them both.

The Horses of St. Bruno

Today is the Feast of St. Bruno, founder of the Carthusians. While many know of the Carthusians for their famous silence, their holy way of life preserved from corruption down the centuries, and that wonderful green liqueur they make, few are aware of another gift they have given the world: a breed of Andalusian horse known as the Cartujano.

Cartujano1

Monks with their horse. (Source)

The breed emerged as early as the 1400’s, and had become an important strain of the Spanish equine population by the early modern period. They originated at the Charterhouse of Jerez. The story of their arrival at the monastery is a little uncertain, but one plausible theory holds that:

“Don Pedro Picado, was unable to pay his ground rent to the monks…decided to pay them…in kind by offering them his mares and colts. These animals had been bought…from the brothers Andrés and Diego Zamora…who formed this small stud farm from a stallion bought from a soldier, and one of its sons, a colt of extraordinary beauty and grace, called ‘Esclavo.'”

Cartujanotoday.jpg

A Cartujano today. (Source)

At any rate, the monks commenced a breeding program that lasted for hundreds of years – they only lost their monopoly on the line at the French invasion. The end result was what one source has called “the purest of Spanish horses.” Take a look at the numbers:

The Carthusian horse, or Cartujano is not a distinct breed of horse but rather an offshoot of the pure Spanish horse and is considered the purest strain remaining with one of the oldest stud books in the world. Roughly 82% of the Pura Raza Espanola (PRE) population in Spain contains Cartujano blood. But there are less than 3% pure Cartujano horses within the PRE population and only 500 pure Cartujanos in existence in Spain today.

Music Study III_ 004

“The Cartujanos,” Jose Manuel Gomez. (Source)

Virtually all Cartujanos today are descended from that first horse at Jerez, that Jacob of horses – “Esclavo.” You can see one in action here.

Cartujano2

Monks and their horse. (Source)

We need not justify the monastic life on terms other than its own final good – that is, union with God. Or even its secondary good – prayer for the world. But if one is seeking “useful” or “worldly” benefits of monasticism, look no further than the Cartujano horse. The continuity provided by the monastic state over centuries allowed proper record keeping and a meticulous attention to the intricacies of a sustained lineage. These beautiful creatures are one testament to the salutary work of monks in history.

Cartujano3

I’m sure there’s a spiritual metaphor here. (Source)

 

Faber’s Oxford Poems: Part I

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A view of the Bodleian Library from Radcliffe Square. Photo taken by author.

Fr. Frederick William Faber, that great son of St. Philip, was one of the many Oxford converts. He was a Balliol man who later became a fellow of University College, where he embarked on an ecclesiastical career as an Anglican. Later, of course, he came to the Church of Rome and founded the London Oratory. But as I am now settling back into Oxford, I thought it might my readers might enjoy a few of his poems about life at the University. I’ll probably break the collection up into a few different posts. Although Faber was later famous as a hymn-writer, in his youth he was a Romantic poet who won the admiration of none other than Wordsworth, whom he met in the Lake District. Faber’s style may be rather too Victorian for our tastes today. They also represent his spirituality at a very immature stage, when he was still an Anglican. The contrast between “College Chapel’s” rather pathetic final line and Faber’s “Muscular” pose in “College Hall” amuses, to say the least. But occasionally, as in “College Garden,” his sensuality and yearning anticipate the best of the Decadents who came at the end of the century. Finally, I’ll add that Faber’s romantic attachment to the legends and traditions of the English medieval monastics once again confirms my point that there remains an abiding affinity between the Oratorian and Benedictine charisms. 

College Chapel

A shady seat by some cool mossy spring,
Where solemn trees close round, and make a gloom,
And faint and earthy smells, as from a tomb,
Unworldly thoughts and quiet wishes bring:
Such hast thou been to me each morn and eve;
Best loved when most thy call did interfere
With schemes of toil or pleasure, that deceive
And cheat young hearts; for then thou mad’st me feel
The holy Church more night, a thing to fear.
Sometimes, all day with books, thoughts proud and wild
Have risen, till I saw the sunbeams steal
Through painted glass at evensong, and weave
Their threefold tints upon the marble near,
Faith, prayer, and love, the spirit of a child!

College Hall

Still may the spirit of the ancient days
Rest on our feasts, nor self-indulgence strive
Nor languid softness to invade the rule,
Manly, severe, and chastethe hardy school
Wherein our might fathers learnt to raise
Their souls to Heaven, and virtue best could thrive.
They, who have felt how oft the hour is past
In idle, worldly talk, would fain recall
The brazen Eagle that in times of yore
Was wont to stand in each monastic hall;
From whence the Word, or some old Father’s lore,
Or Latin hymns that spoke of sin and death
Were gravely read; and lowly-listening faith
In silence grew, at feast as well as fast.

College Garden

Sacred to early morn and evening hours,
Another chapel reared for other prayers,
And full of gifts,smells after noon-day showers,
When bright-eyed birds look out from leafy bowers,
And natural perfumes shed on midnight airs,
And bells and old church-clocks and holy towers,
All heavenly images that cluster round.
The rose, and pink acacia, and green vine
Over the fretted wall together twine,
With creepers fair and many, woven up
Into religious allegories, made
All out of strange Church meanings, and inlaid
With golden thoughts, drunk from the dewy cup
Of morns and evenings spent in that dear ground!

College Library

A churchyard with a cloister running round
And quaint old effigies in act of prayer,
And painted banners mouldering strangely there
Where mitered prelates and grave doctors sleep,
Memorials of a consecrated ground!
Such is this antique room, a haunted place
Where dead men’s spirits come, and angels keep
Long hours of watch with wings in silence furled.
Early and late have I kept vigil here:
And I have seen the moonlight shadows trace
Dim glories on the missal’s blue and gold,
The work of my monastic sires that told
Of quiet ages men call dark and drear,
For Faith’s soft light is darkness to the world.

“God is Gone Up With a Merry Noise”

AscensionLetter.jpg

Ascendit Deus in iubilatione, alleluia (Source)

God is Gone Up With a Merry Noise

Rick Yoder

Rear a hill in my heart, O God,
from which Thou might ascend.
But o! How swift I overshoot
and rush on to the end.
For first Thou must come hallow it
with that most kingly flood,
the pearls surpassing every price,
Thine own most precious blood.
And though I wander far, O Lord,
from Thy most holy fount,
yet never shall I lose the sight
of Thine eternal mount.
The shadows of the day grow long
and silence takes the land;
still do I hope in Thy sweet song
and Thy high priestly hand.
“The Lord ascends with gladsome noise
and hath taken the better part.”
So runs the word, so I rejoice,
for He rises there in my heart.