I am pleased and humbled to announce that The Amish Catholic has received 150,000 views! It’s been a wonderful experience since February of 2017. Thank you to all my many readers, especially those of you who take the time to comment on, share, or promote my work. It means more than you know. May God bless all of you!
Dr. Peter Kwasniewski has an excellent Facebook post (which I very much hope he will turn into an article) demonstrating why the pre-1955 Easter Vigil is superior to alternatives within the Roman Rite. An excerpt:
One could go on and on… The bottom line is that the whole liturgy, one vast hymn of praise to the might of God revealed in the creation of the world, the creation of the old Israel, and the creation of the new Israel, possessed a cosmic sweep, an historical rootedness, and an immersion into mystery that I have never seen before, in a seamless interconnection with none of those embarrassing modular joints or ceremonial caesuras typical of the work of Vatican committees from 1948 onwards.Dr. Peter Kwasniewski
This is spot on. I would add that this year, I was struck by the particularly insistent if understated theme of divine paternity, generation, and filiation found throughout the twelve readings. They build perfectly to the blessing of the font. This ritual, so clearly a stylised evocation of the procreative act, is elaborated through repeated prayers of fecundation. The font is renewed as a vessel of new life, the place where souls are adopted by God. The divine paternity in Christ, through the Spirit in the sacraments of the Church, is one of the Vigil’s great themes. I hadn’t noticed it before. But it makes sense. After all, our adoption as “filii et filiae” (in the words of the Vigil’s vesperal hymn) is entirely constituted by the death and resurrection of Jesus Christ. In other words, the whole of the Paschal Mystery.
I was likewise struck by the apostrophising of the fire, candle, and water…I hadn’t noticed it before. It reminded me of the Old Believer icons that show the elemental spirits and the angels of the weather.
This Rite is clearly the product of a similar worldview. One gets the distinct sense that these are not mere poetic effluvia, but, as Dr. Kwasniewski notes, a real address to the material world, as if summoning it to sacramentality.
The liturgy had a majesty to it, a mounting series of joined but unconfused symbols, which the orations and lessons and ceremonies brought forth at a stately, leisurely pace: fire, candle, water, all *directly* addressed in words of power. It is the Church taking command of the rudiments of creation and literally ordering them to serve Christ and the salvation of souls.Dr. Peter Kwasniewski
Man imprints a touch of humanity upon those animals and things he takes up into his own life. Dogs, for instance, are not mere beasts; they occupy a quasi-human realm by virtue of their adoption into our own homes and rhythms of life. That is – our culture.
God does much the same with His creation. A self-diffusing goodness, He creates and redeems us as integral persons after His own image and likeness. The old Paschal Vigil suggests that He also imprints both sacrality and a kind of elemental personality upon the non-hypostatic creation, too. The Trinity has, if you like, its own culture. God wishes us to join in that culture, that pattern of common life shared by the three Divine persons. God assimilates us to that culture by cultus.
Namely, the sacraments. In these rites, the Church teaches us how God animates the sacramental potential inherent in all nature.
There is much to meditate here upon the underlying spirituality of the natural and material world we inhabit. At any rate, all Catholics would do well to attend a pre-55 Easter next year if they can. They will experience the Church’s liturgical pedagogy at its deepest and most mystically resonant.
Perhaps the most ubiquitous tradition of Christmas in America is decorating a Christmas tree. Whether live or artificial, green or white, festooned in tinsel or bedecked with bells, the Christmas tree is the image that adorns all our houses and heralds the coming of the Yuletide. And not just the houses of Christians. Many who celebrate Christmas as a merely secular holiday will still put up a tree. It just wouldn’t really feel like Christmas without it.
Yet the Christian discerns in this symbol something more than just a festive sign of the season.
First, a short excursus about symbols in general. Metaphor opens the speaker to the experience of “augmented reality,” though not at all in the way that phrase has come to be understood in the world of cheap tricks and tacky technology. Pokemon Go is not a metaphor. It’s just an add-on. It discerns nothing essential and establishes no real connections between unlike objects. Metaphor can. The truer the metaphor, the firmer the connection. It’s a dialectical process. Or, if you like a Trinitarian one: two unlike things are drawn together by the speaker, thus forming an entirely new third.
The Sophianic potential of language lies in metaphor. Name and metaphor permit us to imprint, image, and discern a level of reality beyond the merely immediate and sensible. That is why metaphor is impossible in the face of the Beatific Vision. All words die away, since the soul experiences the most heightened level of reality – Being itself.
Sophianic vision relies upon this kind of metaphorical thinking. Without dissolving the dogmas of the faith, Sophiology reads them sideways so as to gain an insight into the mystical realities more properly understood via poetry than, say, the logical language of the manuals. American Sophiologist Dr. Michael Martin has called for a “poetic metaphysics” by which we more potently discern the presence of God in His Wisdom, seen throughout Creation.
What would this “poetic metaphysics” look like beyond textual confines? That is, what would it look like if people actually lived out this search for the Wisdom of God?
For one thing, the soul that sees all in Wisdom will be always immersed in metaphor. The eyes of their heart would discern the connection of lower things to the higher. This is not mere cataphasis, the use of images in prayer. I mean that the daily impressions of life are experienced as taking place on more than one level of reality. The events of the day are read as symbols and metaphors. We encounter this in the life of the Ven. Seraphina di Dio:
“…Anything I looked at I was able to turn into a meditation… When I saw it raining, I thought of the refreshment which the rain brought to the earth and that without it the earth would be arid. I would say: ‘If the water of divine grace did not fall on the soul, it would dry up without providing the fruits of good works.’ … The sight of fish swimming in the sea made me remember how the saints are immersed in God… And in such wise everything, even the slightest things, served me for my spiritual nourishment.”-Ven. Seraphina di Dio
Such is one example of sapiential living. We might turn to another. Over at Sancrucensis, Pater Edmund Waldstein has furnished a charming passage from St. John of Karpathos:
Nothing is more weak and powerless than a spider. It has no possessions, makes no journeys overseas, does not engage in litigation, does not grow angry, and amasses no savings. Its life is marked by complete gentleness, self-restraint and extreme stillness. It does not meddle in the affairs of others, but minds its own business; calmly and quietly it gets on with its own work. To those who love idleness it says, in effect : ‘If anyone refuses to work, he should have nothing to eat’ (2 Thess. 3 : 1o). The spider is far more silent than Pythagoras, whom the ancient Greeks admired more than any other philosopher because of the control that he exercised over his tongue. Although Pythagoras did not talk with everyone, yet he did speak occasionally in secret with his closest friends; and often he lavished nonsensical remarks on oxen and eagles. He abstained altogether from wine and drank only water. The spider, however, achieves more than Pythagoras: it never utters a single word, and abstains from water as well as from wine. Living in this quiet fashion, humble and weak, never going outside or wandering about according to its fancy, always hard at work – nothing could be more lowly than the spider. Nevertheless the Lord, ‘who dwells on high but sees what is lowly’ (Ps . 1 1 3 : 5-6 . LXX), extends His providence even to the spider, sending it food every day, and causing tiny insects to fall into its web.-St. John of Karpathos
One could name many other saints who exhibit this Sophianic tendency of vision through metaphor. For St. Paul of the Cross, as Fr. Faber notes,
“…everything served to remind him of God, and he used to imagine that all creatures cried out to entreat the love of man for Him who made them. He was often observed, when walking in the fields, to gaze earnestly at the flowers as he went along and to touch them with his stick, saying, ‘Hold your tongues; hold your tongues!’ And he used to tell his religious that the flowers were always calling upon them to lift up their hearts in love and adoration toward their heavenly Creator.”-Fr. Faber, All For Jesus, Ch. 6, pg. 153
When carefully fostered in the soul – usually by ascetic rigors and conscious efforts of love – it ceases to be merely Sophianic and takes on an iconographic character, such that everything in our field of sensible experience becomes a symbol of union with the higher realm it represents. Namely, God. Thus can we preserve the presence of God in our waking hours out of prayer.
So what does this have to do with Christmas trees?
The decoration of a Christmas tree is, in a certain sense, a concrete realization of this process. Bringing a part of the natural world into our home imprints something of the human and thus of the spiritual. We can see this with animals who have been domesticated. Cats and dogs become part of the family. We discern their personalities. They are not just “dog” but “Buster” or “Gabby.” Thus, name and metaphor go hand in hand in elevating the merely natural to something approximating the human.
We don’t personalize Christmas trees. But in placing them in our homes and filling them with glittering lights and baubles, we heighten the tree into something more than what it was. As we were commanded to do in Eden, we improve the creation and make it radiant. We lend it a new beauty, the fruit of our Godlike creativity. We place a star or an angel at its peak, and a reminder of Our Lord’s Nativity at its base. Thus we turn it into a little Tree of Life, reaching between Heaven and Earth, the natural world manifested in the splendor of its potential divinization.*
In other words, the power of metaphor allows us to experience the tree as something more than what it is at the purely material level. It becomes for us an icon of Holy Wisdom, of Christ abiding in His redeemed Creation.
I am reminded of today’s O Antiphon.
O Sapientia, quae ex ore Altissimi prodiisti,attingens a fine usque ad finem, fortiter suaviterque disponens omnia: veni ad docendum nos viam prudentiae.-O Antiphon for 17 Dec.
O Wisdom, coming forth from the mouth of the Most High, reaching from one end to the other, mightily and sweetly ordering all things: Come and teach us the way of prudence.
These words are manifested in so many ways throughout time and space. They don’t just belong to Advent. Yet the Christmas Tree can (if we come to it with a Sophianic imagination) serve as one meditative example of Wisdom “sweetly ordering all things” in this holy season.
It’s no surprise that Archpriest Sergius Bulgakov wrote favorably of the Christmas Tree.
*I realize of course that not all families use real trees, and that they don’t all place a Nativity under it. But even here, the power of metaphor enters in. In calling an assemblage of wire or aluminum or plastic a “tree,” we are already entering into the world of metaphor and artifice. In that case, we are only one degree removed from what I have described above.
I confess, I had meant to get this post out earlier. The end of term was hectic and the start of vacation distracting. So here I am, offering my thoughts on Advent reading when the season is already here and nearly halfway done. Still, we can begin to read true and edifying things on any day, especially in the a holy time set apart by the Church for reflection and contemplation of Our Lord in one of His cardinal mysteries. So I offer here a few reading ideas for those looking for a spiritual boost this winter.
1. In Sinu Jesu: When Heart Speaks to Heart – the Journal of a Priest at Prayer
This meditative book is the sort of thing you’ll want to take to Adoration. Written by an anonymous Benedictine monk, it is jam-packed with consoling thoughts and inspiring messages. The author relates the various locutions from Our Lord and, occasionally, the Virgin and Saints, received in the inward ear of the heart in the course of profound prayer. Over the course of several years’ worth of journal entries, we read of the author’s deep vocation to reparation and adoration for the sanctification of priests. I would recommend this volume to any men considering a vocation of any kind. Its rhythmic, prayerful passages breathe and bristle with a sense of holiness rare among contemporary spiritual authors. The voice of Our Lord sings through it all, not as a trumpet or thunderclap, but as “a whistling of a gentle air” (1 Kings 19:12 DRA). Speaking only as a layman, I can say that this book completely revolutionized my spiritual life. I wonder where I should be now if it had not come into my hands a little over two years ago.
2. Bethlehem or 3. All For Jesus
This list wouldn’t really be an Amish Catholic post about spiritual authors without some reference to Fr. Faber. The Apostle of London wrote many books about special devotions, graces, and mysteries of Our Lord’s life. His last volume, Bethlehem, is devoted to the birth and infancy of Jesus, making it especially suited for perusal at this season.
Like many of his other texts, Bethlehem is more devotional that practical. It is intended to inspire love for Our Lord under the particular mystery of his Incarnation. While this may be just what you need this Advent (and Christmas), you may desire something a bit more practical. How to grow in the practice of the love of Jesus? How to keep on in the unflagging task of Christian charity at a time so full of worldly distractions and weariness? How do we live out the Incarnation in our own lives?
If this is the sort of thing you’d prefer in your Advent reading, then perhaps turn to Fr. Faber’s first great devotional work, All For Jesus, or the Easy Ways of Divine Love.
In this great volume, it is Fr. Faber’s task to kindle the zeal of his readers by demonstrating the sheer ease of love. He points to concrete, simple practices by which to further what he calls “the Interests of Jesus,” to save other souls, and to sanctify our own.
All For Jesus is my main spiritual reading this Advent, and I have already found it working marvels. If you would love God with warmer enthusiasm and brighter joy, then read Fr. Faber!
4. “A Short Tale About the Antichrist.”
This short story by Vladimir Solovyov, the “Russian Newman,” may seem like an odd choice for Advent. Yet Advent is the apocalyptic season par excellence. The liturgy turns our ears to the voices of the prophets and our eyes towards the visions of the Last Day. And so it can be helpful to think creatively about what the end will be like.
I don’t believe Solovyov envisioned his (in some ways, rather prescient) tale of the future to be a literal prediction of what would happen. The man was not a fundamentalist, and this is not Left Behind. But he did see it as his spiritual last will and testament. The story is a powerful meditation on the nature of real evil, real Christian love, and what Christians will have to stand for in their last and terrible hour.
An edifying read, for sure.
5. The Book of Revelation
If you like your apocalypse unalloyed, then open your Bible, sit down, and read the entire Book of Revelation in one or two sittings. That may seem like a lot, but it brings lots of rewards. We often lose sight of the unity of the Bible’s individual books when we just pick at passages here and there. Reading the text fully through can help restore our vision of each book as what it is – an integral whole. With a book as symbol-laden as Revelation, that reclamation becomes even more important.
It is a holy and pious thing to meditate on the Second Coming of Our Lord in Advent. Reading the Apocalypse nourishes the soul’s sense of expectation and, indeed, her desire for the final judgment. The pious soul who seeks to be immersed in the text’s sapiential logic will gain many fruits. Those who go into it with only a narrow literalism will find nothing but an arid maze. This truth applies to all of Scripture, but most especially to its apocalyptic passages.
So, those are just five options for Advent reading. There are probably hundreds of other texts I could have chosen; thus we come one example of the great diversity that characterizes the true mind of the Church.
Occasionally I like to present obscure poetry here, especially by unusual figures. My readers will no doubt be well aware of my love of the bizarre and morbid. Here are two extremely rare poems from that equally strange poet, Count Eric Stanislaus Stenbock, an Anglo-Baltic aristocrat who dabbled in just about every religion known to man, kept a menagerie of wild animals at his Estonian palace, and carried a doll he called “le Petit Comte” that he always insisted was his son.
Original collections of his Decadent verse fetch tens of thousands on the open market. I was privileged enough to view two of them at the Bodleian last year, my source for these two poems. The first dates from 1893, the second from 1883. I chose these two from several others because of the rather striking thematic contrast they afford.
“O vos ómnes qui transítis per víam, atténdite et vidéte: Si est dólor símilis sícut dólor méus.”
All suffer, but thou shalt suffer inordinately.
All weep, but thy tears shall be tears of blood.
I will destroy the blossom in the blood,
Nathless, I will not slay thee utterly—
Nay, thou shalt live—I will implant in thee
Strange lusts and dark desires, lest any should,
In passing, look on thee in piteous mood,
For from the first I have my mark on thee.
So shalt thou suffer without sympathy,
And should’st thou stand within the street and say:
“Look on me, ye that wander by the way,
If there be any sorrow like to mine.”
They shall not bind thy wounds with oil and wine,
But with strange eyes downcast, shall turn from thee.
Sonnet I – Composed in St. Isaac’s Cathedral, St. Petersburg
On waves of music borne it seems to float
So tender sweet, so fraught with inner pain,
And far too exquisite to hear again
Above the quivering clouds that single note,—
The tremendous fires of the lamp-light gloat
On the exceeding sweetness of that strain—
Though mightest spend a lifetime all in vain
In striving to recall it, yet recall it not.
Therein are mingled mercy, pity, peace,
Tears wiped away and sorrow comforted,
Bearing sweet solace and a short relief
To those, that are acquainted well with grief,
Reviving for a time joys long since dead,
And granting to the fettered soul release.
A few months ago, I published a post entitled “The Best Monastic Documentaries.” It was quickly pointed out to me that, although I had covered several good features, they were all about Western monks. So I decided that, once I had the time, I would assemble a review of the best documentaries covering Eastern Monasticism. That time has finally arrived! So buckle up, get out your chotki, and watch some of these films.
60 Minutes Goes to Mount Athos
In 2011, viewers who tuned into the Christmas episode of CBS’s popular weekly news-documentary series, 60 Minutes, were greeted with an extraordinarily rare treat. For the first time in thirty years, the monks of Mount Athos had opened up their peninsula to a television crew. I remember when it premiered; this was one of my earliest encounters with the monastic tradition of the East. Bob Simon layers on the journalistic smarm, clearly stunned by and slightly distasteful at the various sacrifices and remnants of Medieval life on the Holy Mountain. Nevertheless, the holy simplicity of the monks that he interviews nevertheless shines through. I’m particularly impressed with the testimony to perpetual prayer – the prayer of the heart – given in this film. And luckily enough for us, both Part 1 and Part 2 can both be found online.
One Day in the Life of a Men’s Monastery
This quiet, reverent film covers the daily routine of a monastery in Georgia. There is no dialogue and no plot, per se. We don’t follow the actions of any single monk. But the viewer does gain an insight into the feeling of the monastic rhythm in this little, faraway community of Abkhazia. Viewers who have seen Into Great Silence will recognize a very similar style in this film. My only criticism is that there’s rather too much focus on the work of the monks, and not enough on their prayer. Still, those moments of prayer we do see are also noteworthy for clearly showing the larger lay community that depends upon the monastery for spiritual sustenance. This short film is thus perhaps the most poetic production on our list.
Monks have always sought “the desert,” though sometimes that desert takes the form of tundra. The monks of Trifonov Pechengsky monastery, Kolsky Peninsula, Russia, must be some of the northernmost monastics on earth. This intimate portrait of the community gives insight not only into the externals of ascetic life at the edge of the world, but also the reasons why men become and remain monks. It also shows, in a more explicit way than One Day in the Life of a Men’s Monastery, that the monks play an important role in their small town’s life and history.
“Hermits of Our Times – Orthodox Christian Monasticism (Hesychasm)”
To be fair, this isn’t really a documentary. It seems to be footage from a Romanian Orthodox news service taken in the late 1990’s. But it does shine a helpful spotlight on modern anchorites (then) living in the Romanian forest. Anchorites are not monks per se; at least, they are not cenobites, living in cells within a larger community. They are hermits who may once have been attached to a community but now seek God in solitude. I always find myself deeply impressed by the simplicity and manifest wisdom of these holy men whenever I return to this clip. I am reminded of the sayings of the Optina Elders, the Desert Fathers, or even my good St. Philip Neri.
“The Motorbike Rider Who Became a Monk”
Again, I’m not sure this technically counts as a documentary. But it’s a good interview with a Cypriot who became a monk in Israel, at St. Gerasimos Monastery. One of the great strengths of this film, besides relating a vocation story, is the emphasis it places on the role of the Elder or Spiritual Father. For the Eastern Orthodox, and especially for monks, there is a spiritual lineage passed on from one old monk to younger ones (or to those in the world). In the West, we have mostly lost the sense of Spiritual Fatherhood by dividing its roles between the confessor and the spiritual director, neither of which carries the same weight as the Spiritual Father. But this short and helpful film is a good reminder of what still persists in the monastic tradition.
Behind the Monastery Walls
This 2011 documentary looks at the personal stories of various monks and nuns in Romania. It’s an artfully made piece, with a very good choral track throughout. But I admire its spiritual insights more than its aesthetic notes. Although the filmmaker does not seem to take a definitively Christian standpoint, she allows the monastics to speak for themselves. They provide a remarkable testimony to the strength of Orthodox traditions in the wake of Communism. We see not only the monks and nuns themselves, but also the devotional practices of ordinary believers who come to the monasteries. There are, for instance, many prostrations before icons. I also enjoyed the film for my own personal reasons. Romanian monasticism will always hold a special place in my heart, as it was a trip to a Transylvanian monastery that started my conversion, about seven years ago.
I’m sure there are other examples one could point to, but for now, these are some good places to start. They cover a wide range of Orthodox practices and values, all refracted through the lens of its monastic tradition.
One of the great works of Vultus Christi has been the exposure of many English-speaking Catholics to the spiritual treasures of the continental Benedictine tradition, especially the life and work of Mother Mectilde de Bar. The good nun was a profound mystic of the Eucharist and a spiritual heir to the French School. Anyone with any interest in Benedictine life, Catholicism in early modern France, or spirituality generally should take note.
I am very happy to refer my readers to an excellent translation of one of Mother Mectilde’s letters of spiritual direction. The translator, an Oblate of Silverstream, has rendered the 17th century French into elegant and very readable English. A job well done!
Here’s a particularly potent excerpt:
The whole of Christian perfection consists in continual attention to Jesus Christ, and a constant adherence or submission to His good pleasure. These two points contain everything, and their faithful practice will lead you to the highest degree of perfection. Blessed is the soul who observes them.
The first point consists in seeing Jesus Christ in everything; in all events and in all our dealings; in such way that this divine sight removes from us the sight of creatures, ourselves, and our interests, in order to see nothing except Jesus Christ. In a word, it is to have the presence of God continually.
The second point consists in being constantly submissive to His holy will; in being so much subject to His good pleasure that we no longer have any return, at least voluntarily, by which we can withdraw from this respectful obedience.
I am reminded, in reading this passage, of a concept in Jewish mysticism called devekut. To practice devekut is to cleave to God constantly, even in the midst of everyday, profane activities. The Rabbis who founded and nurtured Hasidism in the 18th century made it a central feature of their mystical praxis, though the idea has roots in the Temple traditions of the Old Testament (vide Barker 2004, 37). Dr. Margaret Barker notes that, according to the older, priestly understanding of the word “cleaving” in Hebrew, “to cleave” meant quite literally to join. However, this sense was displaced when the Moses-focused Deuteronomist tradition came to ascendance. The new meaning of “cleaving” was, instead, obedience (Ibid. 37). Mother Mectilde has here joined both meanings in a salutary way.
However, I think she places a bit more emphasis on the first, as the primary and indispensable basis of the second. She goes on to write,
Have Jesus Christ imprinted and carved on the center of your soul. Have him in all the faculties of your mind. May your heart be able to think of and long for nothing except Jesus Christ. May your whole inclination be to please Him. Attach all your fortunes and your happiness to knowing and loving Jesus Christ. May nothing on earth, however great it seems, prevail in you against the constant union you should have with Jesus Christ. May neither heaven, nor earth, nor hell, nor any power, ever separate you from Him.
She continues on and apostraphizes Divine Love, writing
O Jesus all powerful and all love, work in us these two effects of mercy: attract us by your omnipotence and transform us by your love into Yourself.
O love, O love divine, may you burn in us, and that you may consume in us everything that is contrary to you and opposed to your workings.
O life that is not animated by love, how can you be called life? You are a hideous death, and most terrible.
O pure and holy love of Jesus Christ, do not allow a single moment of my life to be spent without love; make me die and throw me into hell a thousand times rather than not to love Jesus Christ.
The first line here is the key; this is the loving and even conjugal language of devekut, not simple obedience. But obedience is implied as the sustaining force and natural result of such attentive love.
It seems appropriate to me that Mother Mectilde, a Benedictine, should advocate for this kind of “cleaving” prayer, vigilant love in every moment. It has always been the task of the monastic throughout history to preserve this kind of remembrance of God that is itself a form of His presence in the heart. Precisely this “cleaving” constitutes the positive good underlying hesychasm in the East, but it can also be found in many monastic writers of both East and West. Mother Mectilde is not speaking alone. Indeed, she expresses the perennial Wisdom that has always infused the monastic life and made it fruitful.
Read the whole thing over at Vultus Christi.
Now there are of course those who do not use the senses and the subsequent meditation on creation and Holy Scripture to rise through them to the knowledge and love of God, who both spoke the Scriptures and created the world. On the contrary, such people use this sense perception simply for human aggrandizement, for the marvel and mere pleasure of the corruptible beauty in creatures, and for other bodily purposes. Or, at least, they simply remain on the level of the limited purposes of the creatures and of the Scriptures. They thus neglect to proceed further, to rise to the catholic and comprehensive view of things, to God’s wisdom through which all things are known and in which all the reasons for each creature are to be found, according to St. Maximos. “The Lord by wisdom founded the earth…When he established the heavens, I was there” (Prv. 3:19, 27). St. Basil the Great too had something to say on this point: “There are indeed certain reasons why the primordial wisdom of God was laid as a foundation to nature at the time of creation.” Now, those who do not rise – through the reason endowed in nature and in the Holy Scriptures – to the hypostatic Logos of God, those who do not love Him “through whom all things were made” (Jn 1:3), as most of the worldly philosophers do not, all of these people act contrary to the Creator’s purpose in nature and in Holy Scripture. And according to the wise and most insightful Kallistos, the thought of such people has lost its natural tendency and has become unnatural. This has occurred because they use the means as ends in themselves, and the causes as results, and they love the gifts more than the Giver and the creatures more than the Creator, as St. Augustine has said. Since creation was not created for itself, but for the vision and glory of its Creator, it is not proper that it should be seen and admired for its own sake, but rather for the sake of its Creator. It is the same with the mirror which one does not look at for its own sake, but for the sake of the one reflected in it.
We may add, finally, that the secondary goal and purpose for the creation of the senses is so that the material body may be able to enjoy through them material nourishment, growth, and life. Truly, I do not know what to marvel at most: the “palace” that is so intricately constructed or the “king” who dwells therein. But of these two, I must certainly marvel most at the master artist and the Creator who with infinite wisdom not only created both of them, but also united the mind and body in such perfect harmony.
Quoted from Chapter One of A Handbook of Spiritual Counsel by Nicodemos of the Holy Mountain, Trans. Peter A. Chamberas, Paulist Press, 1989, pages 73 and 74.
God seems very fond of doing things in a Trinitarian way. Everywhere we look, in nature, in our lives, in the life of the Church, it seems that we constantly come upon things that speak of threeness-in-oneness. So it is with God’s finest creation, Our Lady. Or rather, with her maternity. She has but one singular motherhood – her highest title, Theotokos, means “Mother of God.” Nothing can surpass this supreme gift. Nothing greater can be said of the Lord’s chosen. Nothing can reveal more about Our Lady’s life and mission. Yet we detect a certain triune quality to this one eminent dignity. We can speak of the threefold maternity of Mary.
First, we encounter Mary’s basic, physical motherhood of Jesus at the Annunciation. In welcoming the will of God into her life, she becomes the mother of the Most High, God Incarnate in Jesus Christ. The Holy Ghost, her divine spouse, conceives the Son in her womb. Her mystical partner and guardian in this parentage is St. Joseph. And in the joy of that maternity, we see Mary and Joseph as two models of chastity. Everything in those joyful mysteries becomes a parable of purity. The sanctity of the Holy Family consists in no small part in the innocence that pervades the hearts of each member. For that innocence is an opening to charity.
Then, after the three and thirty years, Mary stands mournful beneath the cross. It was there that she became Mother of the Eucharistic Christ. For, offering up the sorrow of her own Immaculate Heart in union with her son’s High Priestly sacrifice, she bound herself to all the altars of the world as first adorer and co-redemptrix. Gone is St. Joseph; in his stead we find St. John, the figure of all priests under Christ. He would share the Eucharistic life with Mary forever after, entrusted with her care. Here, the great virtue uniting both of the hearts below the Cross is obedience. Our Lady obeys the paramount Providence of God in consenting to the sacrifice of her son, and St. John obeys the words of Our Lord in taking responsibility for the Sorrowful Mother.
But it is today’s feast of Our Lady of the Cenacle that points to the full and final extension of these two prior forms of motherhood. It falls on a most interesting point in the calendar, Saturday in the Octave of the Ascension. It is as if we are standing in the middle of a bridge between two shining cities, and can hear the mingled music of both. This liminal quality is important. For the feast we celebrate today has a double meaning. Two feasts of different but equal importance and dignity seem to unite in this celebration.
We have just left Christ in his Ascension. The Ascension is a memorial of Christ’s High Priesthood. It is like the prayers at the foot of the altar in the Cosmic Liturgy. Pentecost is a glorious theophany, the arrival of the Holy Ghost. We are thus mid-way between a mystery of veiling, and mystery of unveiling. And who do we turn to, but Mary, she who both hid and manifested God in her person?
When we celebrate Our Lady of the Cenacle, we commemorate her vigil of silent prayer with the Apostles in the upper room in those intense days following Our Lord’s Ascension. But we also remember the descent of the Holy Ghost into her own Immaculate Heart and into those of her companions. At the deepest level of reality, these constitute a single event in the History of Salvation. And they give us a sense of Mary’s deepening, widening maternity.
Wherever Mary communes with her divine spouse, the Holy Ghost, there is conceived the Body of Christ. First, that meant the physically Incarnate Word. Then it was the Eucharist extended throughout all time. And finally, as a consequence of these two forms of motherhood, we come to Mary’s maternity of the Church. This maternity is the crown of the other two, for it has never ended. The Holy Spirit came to that silver throne, the Immaculate Heart of Mary, and has never left. In all the rest of Mary’s earthly life and eternal existence in beatitude, she has never been deprived of that intimate union begun in Pentecost. And so the Church remains. Mary’s union with the Holy Ghost is at the very heart of the Church’s being. That union brought forth Christ once. It brings forth the Eucharist at every Mass. And now, at Pentecost, it brings forth the Eucharistic community, Christ in His members.
Yet in what does this exalted maternity consist? Prayer, offered perfectly in the Immaculate Heart united to the Holy Ghost. Contemplation, adoration, reparation, intercession – in all its forms, prayer rises from Mary’s heart like huge storms of incense blowing across a desert plain, raining down graces to make it fertile. Yet one form of prayer does not. Mary cannot be contrite. She has never sinned. But we turn to her mystic partner in this maternity, and find a pillar of penance. Who else shares in the life of the Spirit in such a fiery way, but St. John the Baptist? Such is the heavenly reality expressed by the Deisis icon. It shows the Blessed Virgin Mary, paragon of prayer, and St. John the Baptist, archetype of penance, adoring Christ the Lord. Both Our Lady and St. John represent the twin realities of the Ecclesial life – prayer and penance – ordered to Christ – the Sacraments. We might thus speak of Mary’s motherhood of the Church as her Sophianic Maternity, for it is entirely drawn from and oriented to the Divine Wisdom.
The feast of Our Lady of the Cenacle is thus a profoundly maternal day in the Church’s liturgy. Let us join her in prayer. Perhaps we shall taste something of that everlasting life granted to her in the Cenacle.
Not long ago, I came across a new band. What a singular group it is. Their music crosses and confuses genres. They produce content at a far scarcer rate than other musical acts. Even their name, taken from a Buñuel film, sets them apart from most of the offerings one comes across today.
Little did I know that I had stumbled upon a cult gem. The Revolutionary Army of the Infant Jesus has been on the scene for quite a while. Almost thirty years ago, they released their first album, The Gift of Tears (1987). Since then, they have only come out with sporadic releases, such as 1990’s Mirror and 2015’s Beauty Will Save the World. The long hiatus has well earned them the title of “One of music’s most elusive and enigmatic acts,” as we can read on their BandCamp site.
Tim Cooper has a great review of their work over at The Quietus:
…the attention-averse trio, who regard themselves as a creative collective rather than a band, make wildly eclectic music rooted in liturgical texts and ecclesiastical iconography, contrasting ethereal beauty with stark brutalism. Celestial choirs rub their cassocked shoulders with squalls of industrial noise, political speeches are interwoven with celluloid dialogue, instrumentation ranges from sombre neo-classical piano to pounding dance beats by way of folk, free-form jazz and experimental psychedelia.
They draw together a variety of spiritual and cultural influences: folk Catholicism, peasant mysticism, Russian Orthodoxy, the experience of post-Soviet Europe, Simone Weil, Welsh poetry. Their work can, I think, be described as sophianic, but it is a sophanicity carefully drawn through the harried cracks of the fallen world. The truth that the Rev Army grips and holds up to the light gleams all the more for being refracted in the shards of our earthly mirror.
Here are some favorite songs with their proper music videos, many of which are just as important for the meaning of the piece as the score itself.
“Come Holy Spirit” – the very first Rev Army song I discovered. A bit too much flute and too many drums for me, but it was different enough from anything I had ever heard that it caught my attention.
“Bright Field” – the first one that captivated me. The upward lift of the music combined with R.S. Thomas’s stirring paraphrase of the Gospel, not to mention Tarkovsky’s silken, dreamlike visuals, all together inspire something like wonder. Whenever I listen to it, I am reminded of a poem by Rilke.
“After the End” – a simple and haunting French ditty set to the grainy images of villagers at prayer. They seem to be visionaries.
“Psalm” – a few women chant in English against an increasingly dissonant shower of quasi-industrial background noise. The juxtaposition strikes me as an artistic model of transcendence through persistent prayer.
“Repentance” – the most Flannery O’Connor thing you will ever see or hear. I’ll just leave it at that.
“Théme de l’homme qui n’a pas cru en lui méme” – a Latin-flavored and occasionally jazzy piece featuring footage from a (staged?) Spanish Lenten procession. In case you hadn’t already noticed, the band is extremely Catholic.
“Joy of the Cross” – another Lenten procession, but this time with a soft-edged folk music that makes me think of Fleet Foxes.
“Before the Ending of the Day” – the Compline hymn surrounded and supported by an airy yet pulsing larger song. Tarkovsky’s Andrei Rublev provides the meditative visuals. Note that one of the commenters on YouTube wrote, “Please keep making more of these. This helped still my soul.”
Something epicletic moves through their music. But one can find that quality in lots of other work. What sets the Rev Army apart isn’t just their obsession with the Holy Ghost, nor their stylistic eclecticism. It’s their powerful sense of mystery. They never shy away from the divine darkness with which the Holy Ghost enshrouds His manifold works of grace. How refreshing, in an age of “Spirit of the Council” muzak and shallow “praise and worship,” to find music that is overtly Christian and even mystical without ever becoming preachy, dated, or emotivist. They treat their subject, the perennial and universal longing of the human heart for God, with a rare artistic and spiritual sophistication.
Caught up in marvel at the saving mystery of the Holy Ghost, the Revolutionary Army of the Infant Jesus is the real Catholic charismatic revival.