Silverstream Priory has just published its updated Act of Reparation in this time of plague and pestilence. I link to it here so that pious souls may more readily avail themselves of this salutary oration, thereby making reparation to the Most Sacred Heart of Jesus. Although the prayer is written with Ireland in mind, I am sure any believer could substitute their own country as well and the prayer would remain substantially the same. For instance, one could change “Ireland” to “America,” “Irish” to “American,” “at Knock” to “upon Thine Altars,” and “island” to “land.” But the alterations will of course be different depending upon the geographical scope of one’s prayer.
“Is it my will that a sinner should die, saith the Lord God, and not that he should be converted from his ways, and live?” – Ezekiel 18:23 DRA.
In Nomine Patris et Filii et Spiritus Sancti, Amen.
Stella Caeli extirpavit, quae lactavit Dominum:
mortis pestem quam plantavit primus parens hominum.
Ipsa stella nunc dignetur sidera compescere
quorum bella plebem caedunt dirae mortis ulcere.
O piisima Stella Maris, a peste succurre nobis.
Audi nos, Domina, nam filius tuus nihil negans te honorat.
Salva nos, Jesu, pro quibus virgo mater te orat.
God the Father Almighty, Maker of Heaven and Earth, have mercy on us.
God the Son, Redeemer of the World, have mercy on us.
God the Holy Ghost, Sanctifier and Vivifier of All Things, have mercy on us.
Holy Mary, Mother God, pray for us.
Our Lady, Queen of Heaven, pray for us.
Our Lady of Sorrows, pray for us.
Our Lady, Help of Christians, pray for us.
Our Lady, Health of the Sick, pray for us.
Our Lady, Salvation of the Roman People, pray for us.
Our Lady, Star of the Sea, pray for us.
Our Lady, Untier of Knots, pray for us.
St. John the Baptist, pray for us.
St. Joseph, pray for us.
St. Mary Magdalene, pray for us.
St. Michael and All Angels, pray for us.
St. Thecla, pray for us.
St. Valerian, pray for us.
St. Corona, pray for us.
SS. Cosmas and Damian, pray for us.
St. Zacharias of Jerusalem, pray for us.
St. Roch, pray for us.
St. Sebastian, pray for us.
St. Christopher, pray for us.
St. Adrian, pray for us.
St. Blaise, pray for us.
St. Macarius of Ghent, pray for us.
St. Patrick, pray for us.
St. Pantaleon, pray for us.
St. Dymphna, pray for us.
St. Rosalia, pray for us.
St. Anthony of Egypt, pray for us.
St. Benedict, pray for us.
St. Gregory, pray for us.
St. Bernardine of Siena, pray for us.
St. Anthony of Padua, pray for us.
St. Philip Neri, pray for us.
St. John Nepomuk, pray for us.
St. Charles Borromeo, pray for us.
St. Camillus of Lellis, pray for us.
St. Aloysius Gonzaga, pray for us.
St. Damien of Molokai, pray for us.
St. Thérèse of Lisieux, pray for us.
O Sacred Heart, Furnace of Charity, have mercy on us.
Lamb of God, Who takest away the sins of the world, spare us, O Lord.
Lamb of God, Who takest away the sins of the world, graciously hear us, O Lord.
Lamb of God, Who takest away the sins of the world, have mercy on us.
O Crux, ave spes unica
hoc Passionis tempore!
Piis adauge gratiam
reisque dele crimina.
We beseech Thee O Lord, in Thy compassion, to turn away from Thy People Thy wrath, which indeed we deserve for our sins, but which in our human frailty we cannot endure; therefore embrace us with that tenderness which Thou art wont to bestow on the unworthy; through Jesus Christ our Lord.
Gloria Patri, et Filio, et Spiritui Sancto,
Sicut erat in principio, et nunc, et semper, et in saecula saeculorum.
The Bishop of Northampton has announced that G.K. Chesterton’s cause for canonization has been dropped. There will be no St. Gilbert Keith Chesterton, his portly visage peering out of a halo over an altar in some out-of-the-way country church. There will be no Gilberttide Novenas, with each day dedicated to some tired and over-labored paradox the man squirted out for an article on H.G. Wells some time in the late Edwardian period. There will be no holy relics passed around – “The pipe he used to smoke with the Blessed Belloc!” – nor even little medals or fat statues cramming the shelves of the stores that specialize in such pious kitsch.
Good. The Bishop has decided wisely. The cause never should have been opened in the first place. Its continuation would represent, if not an abuse of the process, then a serious misstep in the liturgical and devotional life of the Church.
Quaeritur: Why do we raise saints to the altar?
Respondeo: There are three reasons.
1) To hallow and liturgically organize a pre-existing popular cult of a holy person.
2) To recognize that said holy person is in Heaven.
3) To raise up a holy soul as an example to the Faithful.
The third is insufficient on its own. The second is implied and proven in the act of canonization itself, though the inquiry into a saint’s alleged miracles is adjunct to it. The first is thus the most important, foundational reason for the whole process.
As the Bishop pointed out in his statement, there is essentially no local cult of G.K. Chesterton in either his diocese or, I would wager, in the rest of the United Kingdom. There is such a cult in America. I was once part of it, as a member, officer, and president of UVA’s G.K. Chesterton Society. I was thus shocked to discover when I moved to England that nobody – not even most Catholics I knew – read or particularly cared about Chesterton. The British, for reasons I have never really understood, ignore much of their own “spiritual heritage,” as Americans might think of it. Even the relics of St. Edmund Campion barely raised an eyebrow when they visited Oxford in Hilary Term 2018. In the chapel where they were offered for public veneration after a sparsely-attended Mass, I watched as less than half the room went forward to pay their respects to the Jesuit martyr. Can you imagine the crowds that the same small relic would draw in Chicago or Virginia or California?
I digress. The point is that instituting an official cult of Chesterton where no such popular cult exists is to vitiate the process of Beatification.
I remain agnostic as to whether Chesterton is in heaven. I hope he is, and I pray that he might achieve the Beatific Vision if he hasn’t already. But we’ll never know until we get to heaven ourselves, now that the cause won’t advance.
But, is Chesterton an example to the faithful? My own thoughts on the matter are mixed. Clearly, he was a great apologist who presented an appealing if idiosyncratic vision of orthodox Christianity. His conversion was to be commended, as all conversions are. There are, of course, some moral objections one could make. Lingering questions remain about Chesterton’s attitude towards Jews, though the issue is probably overblown. Some have pointed to his large frame as a sign of intemperance and gluttony. However, I think there is perhaps another matter at stake.
It must be said that Chesterton was, as far as we can tell, a very good man. He could be riotously funny. He was probably just the sort of fellow with whom one would enjoy getting a pint. But that quality of conviviality, even when wedded to right doctrine, does not equate to sanctity. If anything, it speaks to the opposite quality, a lack of the salutary ascesis proper to the Christian life. We hear much today of Chesterton’s alleged quote: “In Catholicism, the pint, the pipe and the Cross can all fit together.” Let us leave aside the question of whether the man actually said it (I have struggled to find the source), and accept that he did. The question we should be asking is whether it’s true. And if it is, is it really the sort of thing worth saying anyway? What are pints and pipes but little human vices and pleasures, the things of this world, the ordinary hobbies we enjoy from time to time? A Catholicism that fits them in is probably what most of us (myself included) can strive for, what most of us achieve. But surely that’s not the heroic, sacrificial faith of the Fathers. Would any of the Desert monastics or the martyrs say such a thing? Would any of them really consider it truly pious, if acceptable? Surely we can do better than a religion of the pub stool. Let us aim higher. Let us not canonize this symbol of comfortable Catholicism.
Perhaps the best reason to refrain from canonizing Chesterton was offered in 2013 by Melanie McDonagh:
The first argument against making him a saint is that he was a journalist (the profession he called the easiest in the world); it’s a contradiction in terms. And canonising the man would make his output unreadable. It would invest all the pieces he wrote in railway waiting rooms and Fleet Street bars with the leaden quality of official sanctity. He wrote some of the best literary criticism of the last century — give The Victorian Age in Literature a go — and it would forever be burdened with the approbation of the Catholic Church, which would put a great fat halo between the reader and the text.Melanie McDonagh, “Why G.K. Chesterton shouldn’t be made a saint.”
I hate even the secular canonisation of the writers I love best — Flann O’Brien is a recent victim — with all the rites of summer schools, conferences and journals. It puts too much weight on their lightest utterances, ossifies their personalities and turns their perfectly lucid writing into the stuff of PhDs. In the case of Chesterton this phenomenon has an especially deadly quality, because the conferences and journals are bound up with contemporary Christian apologetics, a bit like what happened to C.S. Lewis. You might still just about be able to read the Father Brown stories with pleasure if they were billed as being by St Gilbert Keith Chesterton — but it would be despite the billing, by pushing it to the back of your mind. It would be a downright hurdle for secular readers.
Chesterton should not be canonized because doing so would establish him as an authority. Never mind that Chesterton’s famous aphorisms and paradoxes were so often little more than the trite (or even false) quips of a journalist. I have in mind quite another matter; canonization would effectively insulate Chesterton from serious criticism, literary or otherwise. Is that really an effective tribute to a man who was, by all accounts, a brilliant mind? Are we doing him any great service by placing his work under the light of a nimbus? Wouldn’t we rather be paying him the greatest of all insults to a writer, namely, to place him beyond serious and fair consideration? On the other hand, perhaps McDonagh is right – canonizing Chesterton could instead spark a lugubrious academic cottage industry, just as the (American) Evangelical discovery of C.S. Lewis has turned that first-rate children’s novelist and second-rate Anglican theologian into big business. I can only imagine Chesterton would find it all extremely drab.
We should not be too quick to canonize, especially when it comes to writers. I love the books of Flannery O’Connor and find much that is edifying in her fiction. I believe she probably died a holy death. But I don’t think she should be canonized; if a cause were to open, it should be based entirely on the merit of her sufferings.
Julien Green thought that the very act of writing a novel – a good one anyway, that deals with real human experience and the truths of the human condition – inevitably implicates the author in mortal sin. One has to imagine evil, and in portraying it, one engages with it at some level. I don’t know whether that’s true. I have no novels on my CV. But his statement speaks to a deeper point about the act of writing. We cannot escape from the fallibility and fragility of our own humanity, nor a certain fallenness inscribed into the fractured and slipshod structures of our language. This is why criticism is a good thing. Criticism, even pointed criticism, is a sign that one takes an author’s work seriously. It also keeps an author within the bonds of a community of writers, each of whom shares the same basic limitations even as their individual geniuses differ. These are truths that Chesterton himself understood; he, too, was a literary critic.
But the work of canonized writers retains an implicit authority. Sure, philosophers and theologians might dispute over a point in St. Thomas, but rarely do they state outright that the Angelic Doctor is wrong (and he was on several occasions). One could point to other examples. There is a degree to which such deference is acceptable. One of the Church’s great strengths is her long memory and the deposit of theology that acts as a shield around the deposit of faith. Yet this quality of authority is entirely inappropriate with a figure like Chesterton, whose voluminous works largely consist of trivial journalism. True, he made a few good points in Orthodoxy and The Everlasting Man. There are strange parts of Orthodoxy, too, that make little sense and must be taken for what they are – Chesterton’s deeply personal attempt to understand his faith. And some of his writings are simply bad, wrong, or unreadable. If we take Chesterton seriously as a thinker and a writer, we should say so.
I realize that many of my readers, especially British ones, will think I am belaboring the point. If there is no popular cult, then are we really in danger of such an uncritical turn? I would direct such readers to the G.K. Chesterton Society’s website. I would direct them to the inclusion of Chesterton in Bishop Barron’s Catholicism: The Pivotal Players alongside objectively more important figures like St. Augustine, St. Benedict, and Cardinal Newman. I would direct them to that inexcusably hagiographic study of Chesterton’s milieu, Joseph Pearce’s Literary Converts. There may be no local cult per se, but there is a Chestertonian cult of personality spread across the Anglophone church. Especially in America.
The hallowed place Chesterton holds in the hearts of American Catholics is a reflection of a deeper American fetishization of English Christianity. This tendency tends to erect little idols of men such as J.R.R. Tolkien, C.S. Lewis, Mons. Robert Hugh Benson (a deeply bizarre man of unsavory connections), and others.
I believe this tendency reflects a deep cultural anxiety proper to both Americans in general and American Catholics in particular. Unlike Europeans and South Americans, we live in an unhallowed, “historically empty” landscape. We US Catholics carry on an agon with European culture, especially British culture, because we feel deep down that we have never developed an authentically rooted version of American Catholicism. There are few saints native to our shores; the recent popular cult of St. Kateri Tekakwitha is a positive development, as we move beyond the lineup of immigrant clergy who used to make up most of the canon of American saints. If Fr. Augustus Tolton is canonized, all the better. But there remains an unspoken if everywhere manifest anxiety about the authenticity of American Catholicism. Its identity is new, still forming, and thus up for grabs. One effect is a relentless, internecine preoccupation with the culture wars. Liberals and conservatives in the Church largely map on to our broader political axis. But there’s another method of identity-formation, deployed primarily by those on the right end of that spectrum. We borrow the British writers as if they’re our heritage. But this borrowing blinds us to the faults of the men (and it is largely men) whom we take as representatives of a common spiritual ancestry with the Brits. Lewis and Tolkien are emblematic of this trend, and he’s not even Catholic. Yet they are invoked breathlessly by conservative Catholics and Christians in the same way that Harry Potter has become a shibboleth of secular liberals. Chesterton’s memory is in danger of becoming just another tribal marker.
I don’t claim any special insight beyond my compatriots. However, I do think that living in England for the better part of two years has disillusioned me of my former support for this tendency. Chesterton is bigger (in many ways) than the narrow role he has been asked to play by American conservatives. Let him rest in peace, let us read him on his own terms, and let us preserve the altars of the Church from a dubious canonization.
“Behold the tabernacle of God with men, and he will dwell with them. And they shall be his people; and God himself with them shall be their God.” – Revelation 21:3
St. Philip’s feast always falls within that sunny period of the Church’s year when, passing from Easter to Ascensiontide and following on to Pentecost and Corpus Christi, we find our days running over with the majesty of these great mysteries. The days grow longer, and so they seem to grow more golden with the ever-descending light of the Holy Ghost. We are in a season of peculiar glory. The culminating lesson of these mysteries is clear: God has made his dwelling among men, and in the midst of His people shall He reign.
St. Philip knew this truth well. His whole life could well be described as a journey between Pentecost and Corpus Christi, the two feasts that most clearly teach us of God’s enduring presence in His Church. It was on the Vigil of Pentecost, 1544, that St. Philip received the grace that would define his vocation and the character of his sanctity. While praying in the catacombs of San Sebastiano, the Holy Ghost descended into St. Philip’s heart visibly and sensibly in the form of a ball of fire. This experience, which provided as much heat and pain as rapturous joy, marked the true beginning of St. Philip’s active ministry. In St. Philip, the Holy Ghost once again made His dwelling among men.
From then on, St. Philip’s whole life would be marked by a singular union with the Holy Ghost. He became the “tabernacle of the Most High” and a living fountain of graces. His many miracles testify to the indwelling of the Spirit within him. So does his manifest oddity, his clear and salutary estrangement from the ways and works of ordinary men. The prophet writes, “For my thoughts are not your thoughts: nor your ways my ways, saith the Lord.” So does the Holy Ghost speak from the heart of St. Philip. For this reason, the Church applies the words of St. Paul to the new Apostle of Rome:
The love of God has been poured into our heartsIntroit for the Feast of St. Philip Neri
through the Spirit of God dwelling within us
St. Philip’s priestly life was marked by the overwhelming presence of God. Everything about him spoke to the present reality of the supernatural. This reality took two chief forms. The most famous were the astounding miracles wrought by St. Philip – most notably the raising of Prince Paolo Massimo from the dead. But there was also St. Philip’s profound adoration of the Eucharist. His popularization of the Forty Hours’ Devotion was but the visible extension of his love of the Blessed Sacrament. So too were the Eucharistic ecstasies to which he was increasingly susceptible as he became older. St. Philip knew no sweeter hours than those that he spent at Mass as an old man, kneeling in darkness before the altar, lost in the rarefied heights of a contemplation we can barely begin to fathom.
One particularly perceptive observer has written:
In recalling the holiness of Saint Philip, it occurs to me that it was essentially this: he was all priest. He was always and everywhere a priest. His priesthood suffused his very being, making him incandescent with the fire of the Cross and of the altar.Vultus Christi
St. Philip’s extraordinary endowment with the Spirit was ordered towards his life as a priest – namely, towards the glory of God in the Eucharist. This is the case with all of us. The Spirit, God in us, is given precisely for us to receive the Eucharist, God with us. Confirmation, like all the other sacraments, exists with the Eucharist as its proper telos.
How fitting, then, that St. Philip should pass into eternal life when he did. May the 25th, 1595, was the feast of Corpus Christi. As Fr. Faber has it,
Day set on Rome! its golden morn“St. Philip’s Death,” F.W. Faber
Had seen the world’s Creator borne
Around St. Peter’s square
Trembling and weeping all the way,
God’s Vicar with his God that day
Made pageant brave and rare!
Providence often grants the saints a Christ-like death. It is a sign that, even in suffering and death, God is still dwelling with us. St. Benedict died in choro during a liturgy, just as Christ died in the fulfillment of His high priesthood. Many martyrdoms were accompanied by strange signs and mystical evocations of the Sacrifice of Christ. It should be no surprise that God would take St. Philip in a similarly edifying manner.
In his death, St. Philip reminds us that we are all meant to imitate Christ in His Sacrifice, that is, in the Blessed Sacrament. There is no more perfect pedagogue in the life of the Spirit than the Son, who has presented Himself to us on all the altars of the world. Would that we might take this lesson to heart!
St. Philip died when he did because, by a singular grace of Providence, God was pleased to mark His servant’s passing with the Church’s celebration of the Most Holy Sacrament of the Altar. Just as St. Philip honored the Eucharistic God in his life, so did the Eucharistic God honor him in his death.
We, too, can honor the saint best by cleaving to the Lord. St. Philip’s words to a spiritual daughter are as true today as they once were:
“Let us concentrate ourselves so completely in the divine love, and enter so far into the living fountain of wisdom, through the wounded Side of our Incarnate God, that we may deny ourselves and our self-love, and so be unable to find our way out of that Wound again.”St. Philip Neri
God dwells with us just as He once dwelt in the blessed heart of St. Philip. He comes to us just as He came once to the priestly hands of St. Philip. Let us abide in Him, just as St. Philip did once and does forevermore in the heights of Heaven.
Dr. Peter Kwasniewski has an excellent Facebook post (which I very much hope he will turn into an article) demonstrating why the pre-1955 Easter Vigil is superior to alternatives within the Roman Rite. An excerpt:
One could go on and on… The bottom line is that the whole liturgy, one vast hymn of praise to the might of God revealed in the creation of the world, the creation of the old Israel, and the creation of the new Israel, possessed a cosmic sweep, an historical rootedness, and an immersion into mystery that I have never seen before, in a seamless interconnection with none of those embarrassing modular joints or ceremonial caesuras typical of the work of Vatican committees from 1948 onwards.Dr. Peter Kwasniewski
This is spot on. I would add that this year, I was struck by the particularly insistent if understated theme of divine paternity, generation, and filiation found throughout the twelve readings. They build perfectly to the blessing of the font. This ritual, so clearly a stylised evocation of the procreative act, is elaborated through repeated prayers of fecundation. The font is renewed as a vessel of new life, the place where souls are adopted by God. The divine paternity in Christ, through the Spirit in the sacraments of the Church, is one of the Vigil’s great themes. I hadn’t noticed it before. But it makes sense. After all, our adoption as “filii et filiae” (in the words of the Vigil’s vesperal hymn) is entirely constituted by the death and resurrection of Jesus Christ. In other words, the whole of the Paschal Mystery.
I was likewise struck by the apostrophising of the fire, candle, and water…I hadn’t noticed it before. It reminded me of the Old Believer icons that show the elemental spirits and the angels of the weather.
This Rite is clearly the product of a similar worldview. One gets the distinct sense that these are not mere poetic effluvia, but, as Dr. Kwasniewski notes, a real address to the material world, as if summoning it to sacramentality.
The liturgy had a majesty to it, a mounting series of joined but unconfused symbols, which the orations and lessons and ceremonies brought forth at a stately, leisurely pace: fire, candle, water, all *directly* addressed in words of power. It is the Church taking command of the rudiments of creation and literally ordering them to serve Christ and the salvation of souls.Dr. Peter Kwasniewski
Man imprints a touch of humanity upon those animals and things he takes up into his own life. Dogs, for instance, are not mere beasts; they occupy a quasi-human realm by virtue of their adoption into our own homes and rhythms of life. That is – our culture.
God does much the same with His creation. A self-diffusing goodness, He creates and redeems us as integral persons after His own image and likeness. The old Paschal Vigil suggests that He also imprints both sacrality and a kind of elemental personality upon the non-hypostatic creation, too. The Trinity has, if you like, its own culture. God wishes us to join in that culture, that pattern of common life shared by the three Divine persons. God assimilates us to that culture by cultus.
Namely, the sacraments. In these rites, the Church teaches us how God animates the sacramental potential inherent in all nature.
There is much to meditate here upon the underlying spirituality of the natural and material world we inhabit. At any rate, all Catholics would do well to attend a pre-55 Easter next year if they can. They will experience the Church’s liturgical pedagogy at its deepest and most mystically resonant.
On March 16th, 1583, St. Philip Neri worked one of his greatest miracles. Having been called to the deathbed of Paolo, the young scion of the noble Massimo family, he arrived to find that he was too late. The youth was half an hour dead and, what’s worse, unshriven. But time and its corrosive powers are nothing before the grace of the Almighty. Thirty minutes of sorrow were given as the short prelude to a feat that would win this servant of God a heavenly renown and, for the youth himself, an eternity of joy.
We can imagine the scene well enough. The wailing mother, pressing her tear-stained face into the breast of her grieving husband, the servants praying for their dear lost lord, the doctors already retreating with a grimace of embarassment at their failure. Into this scene walks the silent old priest, calm as the eye of a hurricane. He receives the news with a stoic frown. Then, lifting his eyes in prayer, imploring the power of the hand that once raised Lazarus, he breathes upon the eyes so lately shut. He whispers,
This invocation brings forth a mystery beyond reckoning – the boy stirs and wakes, as if he had only nodded off a few minutes before.
We can only imagine the joy that fell upon the hearts of the mourners. What stunned clamor must have erupted in that little chamber! Yet the saint is ever in control. He commands all to leave, that he might hear Prince Paolo’s confession. Having cleansed the boy’s soul with the assoiling balms of penance, St. Philip spoke to him for thirty minutes. Would that we had some record of their conversation! There can be no doubt that the solicitous confessor was preparing the soul to meet God.
For that is the strangest thing of all in the story of the Paolo Massimo’s resurrection. It was only temporary. The thirty minutes of death are undone, yes, but only for about another thirty minutes of life. The parents of the young prince were, no doubt, bitterly disappointed at this second loss, a departure made even more painful by the desperate hope it stirred in their hearts.
Yet it was a miracle indeed – and it shows us a salutary truth about miracles. They are not for our comfort. They are not granted to appease our desires, however noble. Providence instead works all things, natural and graced, with only one end in view – the greater glory of God. St. Philip was sent to bring Paolo Massimo into eternal life, not to grant him any more time on earth. That was his duty, the quintessential duty of every priest.
We live in an age when the priesthood seems so mired in scandal and banality, torn this way and that by the worldly ambitions of the clergy, stained with sins of every kind. Lust, violence, abuse, pride, vanity, greed, division, cruelty, party faction – all of these wicked tendencies and more have obscured the nobility of the sacerdotal office, a dignity drawn entirely from the crucified Heart of our Great High Priest.
That is why we must remember the story of St. Philip and Paolo Massimo. It reminds us of why we have priests – of what the priest must do, and of what he must be.
The priest is a conduit of grace. His steps, his works, his words, his hands do not belong to him, but to God. They step into the wounded rhythm of our natural life and bear the healing presence of the supernatural. They raise us from the dead, but only that we might make a better death in the end.
St. Philip’s miracle today is commemorated with a proper Mass. May he pray that all of us might rise from the living death of sin and enter a dying life of grace.
A forgotten Latin text of 1702, the Sacra Exequialia in Funere Jacobi II, provides some wonderful views of early modern Catholic funerary rites. Or at least, as those rites were employed for dead monarchs. The central text is Cardinal Barberini’s funeral oration for the king at Rome. Fun fact: if you Google “Exequialia,” it’s the first and one of the only results. While it may not be a hapax legomenon, it’s the sort of rare word that makes epeolaters and logophiles drool.
At any rate, I’m not writing this post because of Barberini’s text. The book’s more delicious feature is its several illustrations, including the wild Baroque decoration of the church of San Lorenzo in Lucina as well as several emblems.
Of course, James II died in Paris and buried in the English Benedictine church there. It is a testament to the respect he was held in by the Papal court that a Cardinal of such standing as Carlo Barberini, Archpriest of the Vatican Basilica, should preach an oration for him in Rome.
I’m not sure how I missed this astounding collection of photos of old Caldey, Prinknash, Pershore, Nashdom, and Farnborough when it came out last year, but I’m very glad to have discovered the trove yesterday. Some highlights include:
1. The barge fitted with heraldic devices that Peter Anson describes in Abbot Extraordinary, which was used specifically for the translation of St. Samson’s relics.
2. The silver sanctuary lamp in the shape of a galleon at full sail – once in Aelred Carlyle’s abbatial house (read: palace), now in the main oratory at Prinknash.
3. The various stones of dissolved abbeys brought to Caldey and placed into a single altar. If I’m not mistaken, Fr. Hope Patten must have gotten the idea for the Shrine at Walsingham from Caldey, as he knew Aelred Carlyle quite well.
4. Some lovely images of St. Samson and the Holy Face of Jesus used on printed material from the monasteries.
5. One or two excellent frontals, especially the one embroidered with seraphim at Prinknash.
6. An abbess of Kylemore Abbey in Ireland.
7. Peter Anson’s several drawings of Prinknash.
8. A procession for the 1964 Nashdom jubilee.
9. F.C. Eden’s terrifically English reredos at Caldey.
10. Scenes of the community’s collective reception into Rome in 1914 – including a shot of the Bl. Columba Marmion, who was an enthusiastic supporter of old Caldey.
Those who like Anglo-Catholic or monastic history will no doubt be as excited about this collection as I am.
UPDATE: A reader has kindly reminded me that, of course, Caldey Island is off the coast of Wales. So my title is perhaps a little misleading.
Earlier this week, I went to the Birmingham Oratory for the Feast of Bl. John Henry Newman. Fr. Ignatius Harrison, the Provost, was kind enough to open up the Oratory house to me. I must offer him my tremendous thanks for his hospitable willingness to let me see such an incredible (and, it must be said, holy) place. Likewise, I thank Br. Ambrose Jackson of the Cardiff Oratory for taking time out of his busy schedule to give me what was an extraordinarily memorable tour. I went away from the experience with a rekindled devotion to Cardinal Newman.
There were many striking and beautiful sights at the Oratory – not the least of which was the Pontifical High Mass in the Usus Antiquior, celebrated by His Excellency, Bishop Robert Byrne. Even from so short an experience, I can tell that the Birmingham Oratory is one of the places where Catholicism is done well, where the Beauty of Holiness is made manifest for the edification of all the faithful. I walked away from that Mass feeling drawn upwards into something supernal, something far beyond my ken. This place that so palpably breathes the essence of Cardinal Newman is, as it were, an island of grace and recollection amidst a world—and, sadly, a Church—so often inimical to things of the spirit.
Yet amidst all this splendor, I found myself peculiarly drawn to one very quiet, very easy-to-miss relic. It lies in the little chapel to St. Philip Neri to the left of the altar; in this placement, one can see the influence of the Chiesa Nuova on Newman and his sons, who modeled their house’s customs on Roman models. And so it is only appropriate to find relics of St. Philip there in that small and holy place, so evocative of the great father’s final resting place.
The collection of relics in the chapel are mostly second-class. These are not pieces of the body, but materials that touched St. Philip either in his life or after his death. One of these small items spoke to me in an especially strong way.
The little grey pouch you see to the left is St. Philip’s spectacle case. There is nothing terribly remarkable about it. It may not even be entirely intact, for all I know. A visible layer of dust covers the case, and a hard-to-read, handwritten label is all that identifies its use and provenance. No one comes to the Birmingham Oratory to see what once held St. Philip’s glasses. But of all the glorious relics I saw that day —some encrusted in gold, some taken from rare and holy men, some evoking the perilous lives of saints who lived in a more heroic age—it was this humble artifact that most fired my imagination.
A spectacle case is no great thing. It does not shift the balance of empires or change the course of history. But humility and nobility are close cousins all the same. Here we come upon St. Philip in his quotidian life. A saint so marvelously strange, so crammed with the supernatural, so flame-like in darting from one miracle to another, nevertheless bent his fingers to the perfectly ordinary task of opening this case and taking out his spectacles so that he might see just a little better. It is a true maxim that grace builds upon nature. We have been told of St. Philip’s many graces. Here we find him in his nature; frail and imperfect and in need of just a little aid, so like our own.
The supernatural never erases the natural, and God is never more glorified than in our weakness. The hands that took up this case and opened it and drew forth its contents, perhaps a little fumblingly from time to time, are the very same thaumaturgic hands that lifted a prince out of death and Hell so that he might make his final confession. We know the story of the miracle. How rarely do we ponder the everyday conditions of its operation! How rarely do we consider those hands in their ordinary life.
There is a tendency with St. Philip—as with many saints, and with Our Lord Himself—to reduce his life to one or two features. Some would make him an avuncular chap, always happy to laugh and thoroughly pleasant to be around, a jokester, a picture of joy and friend to all. On the other hand, we can get lost in the extraordinarily colorful miracles that mark St. Philip’s life, losing him in a fog of pious pictures and pablum. Neither captures his essence. The true middle way is to maintain a healthy sense of the bizarre—an approach that recognizes the extraordinary in-breaking of the supernatural precisely because it appreciates the ordinary material of St. Philip’s day-to-day existence. It was this view that Fr. Ignatius himself recommended, though perhaps with a greater emphasis on the “weird,” in his homily delivered last St. Philip’s day.
I was reminded of this double reality when I saw St. Philip’s spectacle case. Prosaic relics carry this two-fold life within them more vividly than those upon which our ancestors’ piety has elaborated in glass and gold. Even Cardinal Newman’s violin case is not so markedly dual in this way; after all, every instrument belongs to that human portion of the supernatural we call “art.” Music, paintings, and other aesthetic forms all lift the human soul out of itself and into another world. In some ways, they are cousins both to Our Lady and to the Sacraments, God’s masterpieces of the sensible creation. Yet a spectacle case—how utilitarian. How plain. How merely functional. There is no poetry in a spectacle case. One can imagine writing a poem about a violin—the sinuous form of the wood almost suggests it, and more so when it carries a connection with so great a man as Newman—but a spectacle case? Drab as this one is, its beauty comes only from the story it tells, from the life it once served, from the little help it gave its owner in his acquisition of beatitude.
Too often we wish to be God’s violins. In our quest for holiness, we wish to be admired, to cast our voice abroad, to give and seek beauty. These are not necessarily unworthy goals. But they are not the most important thing. Too infrequently do we turn our mind to the spectacle case. All too rarely do we seek our holiness in the gentle, quiet, everyday task of being useful, unnoticed, and present to God precisely when He needs us.
St. Philip knew how to be both, when he needed to be. May we learn to be like him in this as in so many respects.
Canticum Salomonis has a great little piece on the Sequence of St. Denys. Liturgical nerds will find it of particular interest. It mainly attracts my own attention due to a fascinating tidbit:
Beginning with the new Parisian missal promulgated by the Lord Archbishop François de Harlay in 1684, the neo-Gallican liturgical books that festered in France during the Enlightenment Age altered this sequence to expunge any connection between St Dionysius the Areopagite and St Dionysius of Paris. The Abbey of St-Denys, however, remained firm in defending the Greek origins of its patron, and sung the original text until the Revolution.
I’m unaware of any serious scholarship so far that has plunged into the liturgical dynamics of the Revolution – though certainly, the Gallicans, Jansenists, and Cisalpines all had ideas about liturgical reform. What an intriguing project a deeper study might be. Perhaps John McManners has looked at it all already, and I simply haven’t gotten to that part of his famous and positively rococo two-volume study, Church and Society in Eighteenth-Century France.
Saint-Denis was an important place in the 1780’s. Madame Louise, daughter of Louis XV and aunt of Louis XVI, entered the Carmel of Saint-Denis while her father was still alive. As Sister Thérèse de Saint-Augustin, she eventually rose to the rank of Prioress. Saint-Denis thus became a center of the Parti Dévot, the most conservative (some would say reactionary) part of the French court and church. It’s hardly surprising that the great Abbey there would likewise remain a bastion of liturgy that might otherwise be regarded as “superstitious” or “backwards” by the more radical portions of the French church.