
The Bonham House, Saluda, SC (Source).
It’s been a while since I posted any original wordcraft, so here’s a poem I wrote recently. The last part is a song. I wanted to hearken to the Scotch-Irish traditions of the poor folks who settled the Carolinas. You can hear me sing it on the embedded audio I have included.
On the Strange and Lamentable Tale of the Witches of Saluda
I. The Town
I saw them dancing at the old waterworks
with torchlight in their eyes, huge
gates to unseen countries
of the damned and dying.
Off in the woods, the fog
snaked through like a hungry hound bent
low over the scent
of some lesser beast.
The pines keep our secrets from us,
so we can forget.
Didn’t you know that even the
goats and horses have eyes, ears,
loose lips muttering imprecations
under their breath? Never
look over your shoulder
at a crossroads. Men have died,
petrified, for less.
Or else they shoot into space
and freeze in the rictus of their fathers,
grinning madly at the dead sun
below. I have drawn
salt from the shadow of your footsteps,
I have planted rows of teeth in my head.
What dragons will come
when I bring a scythe
to the harvest?
II. The Purlieu
You hardly know how dark
the young pine woods can be.
Not a patch of tall trees, mind you,
but ones that stand
just about twice your size.
Still plenty of silent life ahead of them.
You can see them at the edge of evening,
surrounding a field surrounding
a low crop of tombstones
all asunder and blurred
by the rain’s improvident hand.
The trees wait there, wordless,
dusk-bleached, lined up like so many
carious teeth. But they are not
what draws my eye—
the fathomless
dark that spreads behind
like a growling and
hungry gullet.
III. The Back Yard
It will not go away.
Momma said to come to the table,
no use passing your life
by the back window
daydreaming.
But I could see it pacing the lawn as I ate.
Huge, black,
unblinking, white
of tooth.
I don’t think it ever sleeps.
The heat of the noonday and the
shadow that flies by night
do not afflict it—
the stones in its shoes
and the rancid water it sips
out of our traschan lids
do not injure it—
the play of the neighbors
and the tumult of the street
do not distract it.
I have not yet seen it blink.
I have not yet seen it turn its gaze
from the house.
It watches.
I don’t think it ever sleeps.
Momma says
daddy woudn’t have tolerated
any such foolishness.
I don’t know.
It makes not a sound.
I think it knows what we talk about
in the house.
I think it knows when we rise and fall
to our prayers.
I think it listens to what we confess,
to our fights, to the whisper of the rain.
I don’t want to go out there.
I don’t want it to get it.
I don’t think it ever sleeps.
IV. Found in a Buried Notebook, Written in Red Ink
Don’t turn your back to the trees
or walk up the weed-cracked pavement
beneath the sign that reads
CAR ASH CO N LAUNDRY
and don’t keep the pottery you dig up
in your garden
bonewhite under the red
clay and grey sand. Don’t
venture to the edge of the field that
smells like salt
and don’t keep your teeth in a shoebox
(it might become a skull)
and don’t knock on walls
where there should be a door
or take down the portraits
of the nameless.
Don’t ponder what might have
broken the sign from the fencepost
or written its replacement
in an unknown script.
Don’t let your children go to the post office alone.
Don’t let your daughter play with the dolls
she doesn’t remember receiving.
V. The Song of the Lost Daughters
The young girls singing thread silk in their hair
Io Hymen Hymenaee
Io Hymen Hymenaee
Discarding the rest of the clothes that they wear
Io Hymen Hymenaee
Io Hymen Hymenaee
They join with the voices of the torchbearing throng
Io Hymen Hymenaee
Io Hymen Hymenaee
And soon they forget every other sweet song
Io Hymen Hymenaee
Io Hymen Hymenaee
Songs that illumine the queer, darkened lands
Io Hymen Hymenaee
Io Hymen Hymenaee
Like the water you pour over bloody hands
Io Hymen Hymenaee
Io Hymen Hymenaee
Her lace crown covers her eyes as they lead
Io Hymen Hymenaee
Io Hymen Hymenaee
Her into a thicket that smells of ripe seed
Io Hymen Hymenaee
Io Hymen Hymenaee
To hide from the angels that watch in the trees
Io Hymen Hymenaee
Io Hymen Hymenaee
And teach her the sacred rites of the bees
Io Hymen Hymenaee
Io Hymen Hymenaee
“An will ye cam back to yer mother so fine?”
Io Hymen Hymenaee
Io Hymen Hymenaee
“Ah will ye return to me, daughter of mine?”
Io Hymen Hymenaee
Io Hymen Hymenaee
“Ah mother, dear mother, I can’t come at all”
Io Hymen Hymenaee
Io Hymen Hymenaee
“Until I’ve repeated our first mother’s fall”
Io Hymen Hymenaee
Io Hymen Hymenaee
“The Sabbath is waiting, the dance oh so dear”
Io Hymen Hymenaee
Io Hymen Hymenaee
“To teach us the meaning behind every fear”
Io Hymen Hymenaee
Io Hymen Hymenaee
They never did see her again in the day
Io Hymen Hymenaee
Io Hymen Hymenaee
But once on a new moon, as old people say
Io Hymen Hymenaee
Io Hymen Hymenaee
Seven years waiting and seven years won
Io Hymen Hymenaee
Io Hymen Hymenaee
Seven years burning, but far from the Sun
Io Hymen Hymenaee
Io Hymen Hymenaee
Beware, all me daughters, what hides in the air
Io Hymen Hymenaee
Io Hymen Hymenaee
And never thread silks so fine in your hair
Io Hymen Hymenaee
Io Hymen Hymenaee
Wow – so good! The song has such an Irish feeling and sound to it!
On Wed, Aug 23, 2017 at 10:10 PM, The Amish Catholic wrote:
> Rick Yoder posted: ” It’s been a while since I posted any original > wordcraft, so here’s a poem I wrote recently. The last part is a song. I > wanted to hearken to the Scotch-Irish traditions of the poor folks who > settled the Carolinas. You can hear me sing it on the embedded ” >
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