A Heathen Song in Time of War

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“Then the black snake coursed the meadow,/The red dragon rose unwombed,/While the storm wailed like a shadow/To eternal anguish doomed.” – Johannes Carsten Hauch (Source)

As the world seems to be reeling towards another horrendous conflict, I am reminded of one of the greatest, most Dionysian pieces of recent anti-war art, Veljo Tormis’s Raua Needmine (Curse Upon Iron). Bleak as the Baltic, majestic as the dark woods of the north, and terrifying as Ragnarok itself, the 1972 piece from Estonia managed to capture the frenzied devastation of war. It is music best listened to with eyes firmly shut.

The Art of Amoris Laetitia

Many of the great controversies of the Faith’s history have been played out in its visual culture. From the iconoclast mosaics of Hagia Irene to the Tridentine monuments of Bernini to the Jansenist portraits of Philippe de Champaigne and beyond, we find clear expressions of theological tensions throughout the centuries. So it should be no surprise to find the present troubles in the Church reflected in art.

I was recently in Ireland and came across a curious sight. In both of the Catholic Churches I entered during my stay, I found copies of the National Icon of the Holy Family, also known as the Amoris Laetitia Icon.

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The Amoris Laetitia Icon. (Source)

On a purely aesthetic level, the icon is visually striking. It was clearly written by an iconographer who knew his craft. Specially commissioned for the 2018 World Meeting of Families in Ireland, the icon presents the Holy Family seated at table (in imitation of the the Rublev Trinity), flanked on either side by scenes from the Gospel.

I won’t trouble my readers with the wider ecclesiastical context, as I assume most will already be familiar with the present unpleasantness in the Church. I would, however, point out two significant irregularities in the icon, both in its construction and in its reception.

To the best of my knowledge, it is highly unusual for documents to be the subjects of icons. Only the Creeds of the Church are ordinarily enshrined in the iconographic canon.

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An icon of the Nicene Creed. (Source)

To treat Amoris Laetitia as a worthy subject for inclusion in iconography is deeply problematic. An Apostolic Exhortation is nowhere near as magisterial as a Creed of the One, Holy, Catholic, and Apostolic Church speaking in her undivided voice. Icons are meant to manifest the transfigured reality of the Eschaton and lead us to contemplate the presence of divinized persons. Insofar as Creeds are foundational manifestations of the theanthropic Tradition, they are of one piece with the iconographic canon. Thus, we can write icons about them. But to write an icon about a document of quasi-magisterial status and, at best, uncertain orthodoxy is to do violence to the canon itself. I suppose there are those who would defend the icon by saying it primarily represents the Holy Family, and not the Apostolic Exhortation at all. The rather ostentatious title at the foot of the icon vitiates this interpretation.

The other issue with the Amoris Laetitia icon is the way it is being received. Or rather, imposed. The icon itself is currently making the rounds of the Irish dioceses, almost as if it were the Kursk Root Icon or some other wonder-working image. I found laminated copies on a side-altar in one church, and before the ambo in another (not to mention the pocket-sized editions at the back of the church; even these have the words Amoris Laetitia at the bottom). I’m not sure whether either case was really appropriate. I do know that both looked very tacky. And aside from the theological issues I have already described, there is another reason why I find it all so unnerving. It is a political icon, manifestly written and deployed to suppress dissent from the official line when it comes to the interpretation of AL. The image belongs to the Church’s present crisis of confidence, and cannot be read apart from it.

But the Kasperite triptych is not the only recent translation of the Church’s internal divisions into visual media. What’s good for the goose is good for the gander. And who should come to the defense of Tradition, but our old friend Giovanni Gasparro? I am still puzzled as to how Mr. Gasparro could have been accused of Modernism, as he continues to produce a body of Caravaggiste work that speaks very clearly to the priorities of Traditional Catholics. Case in point, his new painting.

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Amoris Laetitia. St. John the Baptist admonishing the adultery of Herod Antipas and Herodias. Giovanni Gasparro, 2018. (Source)

Like the AL icon, this painting must be read in light of the ongoing disputes within the Church. It would be simplistic, however, to see it as a merely ironic jab at the Pope’s Apostolic Exhortation. St. John the Baptist’s expression is not one of anger or rebuke. We can read in its calm confidence the firm authority that comes from knowledge of the Truth, as well as the gentleness of love. The Forerunner is not a Pharisee.

I would add that the stark stylistic difference with the Amoris Laetitia icon speaks to an important distinction in sensibilities. In the first case, it occurs to me that the selection of iconography is a very deliberate choice. It borrows the authority of the East – and all its Ecumenical associations – to implicitly justify its theology. I suppose we oughtn’t be too surprised. The dispute over Amoris is in large part a question of whether the Latin Church can accept a theology and praxis of marriage that more closely resembles the Eastern custom. And the man who started it all, Cardinal Kasper, was, of course, at one time in charge of the Vatican’s ecumenical relations with the Orthodox. Yet Mr. Gasparro’s painting is clearly situated within the Baroque, and thus Tridentine, aesthetic. His use of chiaroscuro, his slightly orientalist costuming, and the exaggerated theatricality of his gestures are all emblematic of the conventions of Early Modern sacred art.

In these two representative paintings and their disparate stylistic choices, we see two ways of thinking about Doctrinal Development: horizontal and vertical. The AL icon dramatizes the horizontal view of development. Doctrine can change through ecumenical encounter. Catholicism can move forward by learning from the experience of sister churches (or, in its most extreme iteration, other religions entirely). The Gasparro painting, on the other hand, stands for the vertical notion of development: the faith remains essentially the same through time, and is only clarified or deepened as the ages pass. There are, of course, elements of both views that are true. But the vertical view is the established theory of Tradition that, with some important developments (e.g. Newman), was put forth consistently from Trent to the Second Vatican Council. The question of which model will prevail is the center of the argument about Amoris.

Of course, someone will chime in and object to me reading any meaning into either image from the church political context in which they were produced. Fair enough. But while we should always start with the object in itself, it is not always possible in interpretation to keep art hermetically sealed off from the circumstances of its own creation. To do so in the case of either the AL icon or the Gasparro painting would be to ignore what is, I wager, a crucial context. And if we admit that important factor, we can start to see how the arts are speaking to the wider life of the Church in our own moment.

Elsewhere: Newman Against the Nazis

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White Rose members Hans and Sophie Scholl. (Source)

A big thanks to Fr. David Abernethy of the Pittsburgh Oratory for bringing to my attention an article in the Catholic Herald about the influence of Cardinal Newman’s thought on die Weiße Rose. Apparently the Doctor of Conscience was an important impetus for their resistance to Nazi oppression. From the article:

The man who brought Newman’s writings to the attention of the Munich students was the philosopher and cultural historian Theodor Haecker. Haecker had become a Catholic after translating Newman’s Grammar of Assent in 1921, and for the rest of his life Newman was his guiding star. He translated seven of Newman’s works, and on several occasions read excerpts from them at the illegal secret meetings Hans Scholl convened for his friends. Strange though it may seem, the insights of the Oxford academic were ideally suited to help these students make sense of the catastrophe they were living through.

Haecker’s influence is evident already in the first three White Rose leaflets, but his becomes the dominant voice in the fourth: this leaflet, written the day after Haecker had read the students some powerful Newman sermons, finishes with the words: “We will not be silent. We are your bad conscience. The White Rose will not leave you in peace! Please read and distribute!”

Read the whole thing. And pray that Bl. John Henry Newman might, by his intercession, assist us in the struggle against every tyranny.

Elsewhere: A Brief Note on the Napoleonic Church

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Allegory of the Concordat of 1801, Pierre Joseph Célestin François. Here’s some heavy-handed metanarrative for you. (Source)

Or, rather, the post-Napoleonic Church. Fascinating stuff about canonical life after Napoleon over at Canticum Salomonis. Some of my own research covers precisely this period, so I appreciate finding a contemporary Catholic blogger willing to post excerpted material of this nature. One does rather wish that he (I’m assuming it’s a he) had also provided the name of the original author, or at least the date of publication. Alas. The content is still very interesting.

“The Fair and Fatal King”

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Two heroes, one square: Charles I and Nelson. (Source)

Today may be the anniversary of Louis XVI’s execution, but I just found a wonderful poem about His Majesty Charles I that I wanted to share with my readers. Something to meditate upon before the 30th.

By the Statue of King Charles at Charing Cross

Lionel Johnson
To William Watson

Sombre and rich, the skies,
Great glooms, and starry plains;
Gently the night wind sighs;
Else a vast silence reigns.

The splendid silence clings
Around me: and around
The saddest of all kings,
Crowned, and again discrowned.

Comely and calm, he rides
Hard by his own Whitehall.
Only the night wind glides:
No crowds, nor rebels, brawl.

Gone too, his Court: and yet,
The stars his courtiers are:
Stars in their stations set;
And every wandering star.

Alone he rides, alone,
The fair and fatal King:
Dark night is all his own,
That strange and solemn thing.

Which are more full of fate:
The stars, or those sad eyes?
Which are more still and great:
Those brows, or the dark skies?

Although his whole heart yearn
In passionate tragedy,
Never was face so stern
With sweet austerity.

Vanquished in life, his death
By beauty made amends:
The passing of his breath
Won his defeated ends.

Brief life, and hapless? Nay:
Through death, life grew sublime.
Speak after sentence? Yea:
And to the end of time.

Armoured he rides, his head
Bare to the stars of doom;
He triumphs now, the dead,
Beholding London’s gloom.

Our wearier spirit faints,
Vexed in the world’s employ:
His soul was of the saints;
And art to him was joy.

King, tried in fires of woe!
Men hunger for thy grace:
And through the night I go,
loving thy mournful face.

Yet, when the city sleeps,
When all the cries are still,
The stars and heavenly deeps
Work out a perfect will.

January is for Jacobites

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Henry Benedict Stuart, Cardinal Duke of York, also known from January 1788 as King Henry IX of England, Scotland, and Ireland according to the Jacobite peerage. (Source)

There’s much in the calendar this month that makes one think of the Kings over the Water. On January 30th, we remember the death (cough cough *martyrdom* cough cough) of Charles I. James II was made Duke of York in January. On the 7th of January, 1689, Louis XIV received James in exile at St. Germain-en-Laye. His son, the Old Pretender, died on January 1st, 1766.

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Charles I and James, Duke of York, Sir Peter Lely, 1647. (Source)

The very next day is the anniversary of the death of the Young Pretender, and thus of the accession to the Pretendence by his brother, Henry Benedict Stuart, Cardinal Duke of York, Cardinal Priest of Santa Maria in Portico, Cardinal Priest of Santi XII Apostoli, Cardinal Priest of Santa Maria in Trastevere, Cardinal Bishop of Frascati, Comendatario of San Lorenzo in Damaso, Dean of the College of Cardinals, and nominally Cardinal Bishop of Ostia e Velletri.

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Bonnie Prince Charlie Entering the Ballroom at Holyroodhouse, John Pettie, 1892. He died on the 31st of January, 1788. (Source)

There is a delightful passage about that event by Brian Fothergill in his book, The Cardinal King. It comes to me by way of Mr. Connor McNeill. You can find him at Mary’s Dowry.

So it was decided that the funeral should take place at Frascati, for in his own Cathedral the Cardinal might do as he pleased.

While Prince Charles lay in state dressed in royal robes with crown and sceptre, the stars of the Garter and Thistle on his breast, six altars were created in the antechamber at which more than two hundred masses were offered for the repose of his soul by the Irish Franciscans and Dominicans who attended him in the hour of death. The body was then placed in a coffin of cypress wood and taken to Frascati where the funeral took place on the 3rd of February. The little cathedral was thronged with people, among whom were to be seen many English residents and visitors from Rome, all in the deepest mourning. A guard of honour was formed from the Frascati militia and the chief magistrates if the town were all present. The whole interior of the building was hung with black and adorned with texts chosen by the Cardinal himself, the most appropriate of which was taken from Ecclesiasticus: ‘Ad insulas longe divulgatum est nomen tuum, et dilectus es in pace tua,’ – ‘Thy name went abroad to the islands far off, and thou was beloved in thy peace.’ The coffin was placed on a catafalque raised three steps from the floor of the nave and covered in a magnificent pall emblazoned with the arms of Great Britain; round about it burned many wax tapers while three gentlemen of the household clad in mourning cloaks stood on each side.

As ten o’clock struck the royal Cardinal entered the church, being carried to the door in a sedan chair heavily festooned with black crêpe. He then advanced to his throne and began to chant the office for the dead while at other altars four masses were said by the chief dignitaries of the cathedral. As the Cardinal repeated the solemn words tears were seen to run down his cheeks and more than once his voice faltered as though he were unable to proceed.

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Arms of the Cardinal Duke of York as rendered by Marco Foppoli. (Source)

Fothergill goes on to describe the Cardinal’s performance of certain archaic royal duties.

His assumption of royal rank had brought few if any changes to his mode of life beyond those minor adjustments in arms and title to which we have already referred. He would sometimes, as successor to King Edward the Confessor, touch for the King’s Evil, using a silver-gilt touch-piece engraved with a ship in full sail on one side and an angel on the other. The mystical aspect of royalty to which phlegmatic Hanoverians have never laid claim was probably, with the single exception of Charles X of France, practiced for the last time in human history by Henry IX.

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Engraving of the Cardinal Duke of York, Antonio Pazzi, mid-18th century. (Source)

Your humble correspondent will have more to say as the Memorial of Charles approaches. In the meantime, you can celebrate this auspicious month by listening to an excellent little album of music composed for the court of the the Cardinal King. It is, I believe, the first recording of this recently discovered collection.

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James II wasn’t crowned in January, but this illustration was too magnificent not to include. (For expanded view see Source)

The Lord High Inquisitor’s Song

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Nobody expects it. (Source)

The Lord High Inquisitor’s Song

(tune)

Cardinal Ko-Ko
As some day it may happen that a victim must be found,
I’ve got a little list—I’ve got a little list
Of ecclesial offenders who might well be underground,
And who never would be missed—who never would be missed!
There’s the pestilential journalists who write for NCR,
and all the ultramontanists who think the Pope’s a Czar—
All clergy who wear ugly stoles and vestments as they pray—
And philistines who think that lace is just a little fey—
Theologians from the Argentine who study how to kiss.
They’d none of ’em be missed—they’d none of ’em be missed!

Chorus
He’s got ’em on the list—he’s got ’em on the list;
And they’ll none of ’em be missed—they’ll none of ’em be missed.

Cardinal Ko-Ko
There’s the Jesuit on Twitter who does not believe in hell.
Since God he does resist—I’ve got him on my list!
Then there’s the German Cardinals who pray to Martin L.
They’re just “ecumenist”—they never would be missed!
Then the liberal who praises, with some social justice rage,
The “spiritual but not religious” tenor of the age;
And the parish secretary who makes fruitcake every year
For the congregation’s Christmas Party (and inspires fear);
And that odd phenomenon, theologians feminist
I don’t think they’d be missed—I’m sure they’ll not be missed!

Chorus
He’s got them on the list—he’s got them on the list;
And I don’t think they’ll be missed—I’m sure they’ll not be missed!

Cardinal Ko-Ko
And those mouth-foaming maniacs who write LifeSite clickbait,
Would that they might desist—I’ve got them on the list!
The Neo-Caths at Crisis in a moral panic state.
And a Two-Tiered Thomist—you know he’s on the list!
Then the smug and smarmy statesman who still wears the scarlet hat
Who bows to tyrants’ wishes from a desk chair in the Vat—
And the bishops who decide they want obedience, not truth
All baby boomers who attack the faithful of the youth—
And all the heretics who can be judged quite Modernist.
They’ll none of ’em be missed—they would none of ’em be missed!

Chorus
You may put ’em on the list—you may put ’em on the list;
And they’ll none of ’em be missed—they’ll none of ’em be missed!

A Few Points of Contrast Between the English Cardinals

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Henry Edward Cardinal Manning of Westminster (Source).

It occurs to me that some of the major differences between Newman and Manning’s later careers can already be glimpsed in their early lives. Specifically, in the reasons they converted.

Cardinal Newman converted as the result of long study of the history of doctrine (especially the Church and due to the attacks on Tract 90, which suggested to him that the Bishops of England had no intention of reading the 39 Articles with a Catholic sense. His conversion was thus the result of a deep meditation of a chiefly historical and doctrinal nature, coupled with an affliction from church authorities.

Cardinal Manning converted after Newman when, in 1850, the Privy Council forced the Church of England to ordain an Evangelical who denied the salvific efficacy of Baptism. This move so shocked Manning that he immediately saw that the Church of England was essentially a political construct without any share of the Apostolic inheritance. It could not resist the demands of the state. And thus, he betook himself to Rome.

Newman became a great theologian; Manning became a great ecclesiastical politician. Newman suffered many troubles with controversies and the censure of the authorities; Manning labored as part of the Catholic establishment and did more than anyone else in England (and, due to his role at Vatican I, arguably the world) to advance the cause of Ultramontanism.

On an unrelated note, there is a rather amusing point of contrast in their biographies. Newman matriculated as an undergraduate at Trinity College, Oxford. Manning was at Balliol (like Faber). Anyone who’s been to Oxford will know that these two colleges are next to each other on Broad Street.

Elsewhere: The Josias Podcast

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St. Peter’s, Rome, Viviano Codazzi, c. 1630. (Source)

Since I am currently gnawing my way through the historiography of Late Antiquity, I thought I’d take a quick break to refer you to what I’m sure will be a commendable and highly useful project. Our friends over at The Josias have started a podcast, which will no doubt be a fine resource for anyone wishing to understand a) Catholic Integralism, or b) Neo-Thomistic political theories more generally. Their first episode is chiefly on the Common Good. Give it a listen here.

And After the Fire

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“The Morning After the Deluge,” J.M.W. Turner, c. 1843. (Source).

I am still shocked and furious about the events of the last few days. Fascists of various sorts have descended upon Charlottesville, Virginiaa town I loved and called home for four years—and caused immense pain for the entire community. One woman, a Wobbly protester, died at the hands of a Neo-Nazi who rammed his car into a crowded alley. I had friends in the counter-protest. I had friends who feared for their lives. And all I could do was watch and pray. The Rosary, the Imprecatory Psalms, Invocations to St. Michael. But how I wish I could have done so much more.

I was following the news across Facebook, CNN television, and Twitter. I observed mixed responses. Some, even among baptized Catholics, sympathize with the Alt-Right fascists. They point the finger of blame at Antifa, the several Socialists who showed up in counterprotest, the Media, and Black Lives Matter activists. Likewise, some Christians equivocated. They were happy to condemn the Alt-Right briefly, while also complaining at length about how the Media wasn’t focusing on Antifa, or the Police didn’t do enough, or, incredibly, how all of this is really just the fault of the Democratic Party (here’s looking at you, John Zmirak and Dinesh D’Souza). Then, there were those brave Catholics like Chad Pecknold, Robert George, and Bishop Barron who condemned white supremacy and racism outright. And they received backlashshameful!from those who should know better.

But I haven’t lost hope.

The Liturgical Providence of God is so calibrated to our salvation that we receive the graces we need at precisely the moment we need them, even when we could never have anticipated needing them in the first place. It works even through a deficient calendar, such as we have in the Novus Ordo. For today, we read and hear about a great many disruptions and turbulent tumults. We turn first to the Prophet Elijah at Sinai where, having cast down fire from heaven upon the Prophets of Baal, he hides and waits for the Lord to speak.

At the mountain of God, Horeb,
Elijah came to a cave where he took shelter.
Then the LORD said to him,
“Go outside and stand on the mountain before the LORD;
the LORD will be passing by.”
A strong and heavy wind was rending the mountains
and crushing rocks before the LORD—
but the LORD was not in the wind.
After the wind there was an earthquake—
but the LORD was not in the earthquake.
After the earthquake there was fire—
but the LORD was not in the fire.
After the fire there was a tiny whispering sound.
When he heard this,
Elijah hid his face in his cloak
and went and stood at the entrance of the cave.

1 Kgs 19:9a, 11-13a

The wind rises high all about Elijah; it howls and screams like the very demons of Hell. It rushes up the mountain like the chariots of the wicked King who sought the prophet’s life. But the Lord was not in the wind.

The earthquake causes the whole mountain to tremble. Rocks shake as if they are about to be torn asunder by invisible hands. The trees seem to dance in an unholy rhythm, threaten to crack and topple over. But the Lord was not in the earthquake.

The fire courses across the plain and up the slopes, hungrily devouring the short desert grasses that line the path to Horeb’s cave. The smoke fills the air; the sweltering heat traps Elijah, and threatens to make a furnace of his narrow cell. But the Lord was not in the fire.

The Lord came, instead, in a “tiny whispering sound” that followed all that tumult and trial. The frightful violence of nature may have been sublime, and it may have sorely threatened Elijah. But it was empty. God does not dwell in the frenzy of the wind, the earthquake, and the fire. He comes in peace, and He meets His servant in peace.

This week’s Psalm takes up the same theme.

R. (8) Lord, let us see your kindness, and grant us your salvation.
I will hear what God proclaims;
the LORD — for he proclaims peace.
Near indeed is his salvation to those who fear him,
glory dwelling in our land.
R. Lord, let us see your kindness, and grant us your salvation.
Kindness and truth shall meet;
justice and peace shall kiss.
Truth shall spring out of the earth,
and justice shall look down from heaven.
R. Lord, let us see your kindness, and grant us your salvation.
The LORD himself will give his benefits;
our land shall yield its increase.
Justice shall walk before him,
and prepare the way of his steps.
R. Lord, let us see your kindness, and grant us your salvation.

Ps 85:9, 10, 11-12, 13-14

The peace and salvation of God is near to those who fear Him. A great mystery hovers within these lines: “Kindness and truth shall meet; justice and peace shall kiss. Truth shall spring out of the earth, and justice shall look down from heaven.”

Justice. Peace. Those are words that scare a lot of us traditionalists. After all, haven’t so many abuses of doctrine and the liturgy occurred precisely in the name of “social justice?” Haven’t whole orders been gutted by their worldly capitulation to liberal standards of “social justice” work? And aren’t the proverbial “Social Justice Warriors” the very people who most oppose the Church’s teachings on abortion, marriage, gender, and so many other issues?

All of these criticisms are valid. But they are not complete. Justice is a cardinal virtue. To quote one of the better Anglican principles, “The abuse of a thing doth not take away the good use of it.” Consider what the Psalm teaches us of God’s Justice. Here is a picture of the Last and Eternal Day, when the New Heavens and the Earth will united at the Wedding Feast of the Lamb. But we also find a practical insight for the here and now. When we read, “Justice shall walk before him, and prepare the way of his steps,” we recognize in this a prophecy of Christ. Our Lord, whose way was prepared by St. John the Baptist (that man so like an icon of Justice), is never far from Justice. The wind and earthquake and fire of injustice will one day yield to the peace of Christ. But in the meantime, we must do what we can to realize that justice in our own communities. Indeed, in our own hearts.

This can only begin when we faithfully repair to the sacrament of penance, confessing our sins with compunction, and seek to live always as Christ would have us. For some, this may mean abandoning deep bigotries like white supremacy or a hatred of the poor. It will be difficult for those caught in such snares to relinquish their demonic ideologies, so we must pray for them. But is there anyone among us who does not cherish some prejudice, some little parasite of pride, some vice that blinds us to the manifold ways we are complicit in the oppression of our brethren? Even I am no saint in this respect, and I pray that God’s mercy might change me to better reflect His love for all people.

For some, direct action may be the right course. I am not an activist. I started this essay confessing that I wish I could have done more to help those standing against white supremacists yesterday. Yet I recognize that I have a temperamental aversion to any kind of on-the-ground activism. The task of marching, picketing, and chanting songs of justice may be what some are called to. Dorothy Day provides a wonderful Catholic example of this kind of work.

And there are other strategies, which theologians and activists have pursued for years, that aim at incarnating Justice. It would be redundant to attempt any kind of review here. But no matter how we go about the task of Justice, we musn’t lose hope. Let us hear the commiserating words of St. Paul to the Romans:

Brothers and sisters:
I speak the truth in Christ, I do not lie;
my conscience joins with the Holy Spirit in bearing me witness
that I have great sorrow and constant anguish in my heart.
For I could wish that I myself were accursed and cut off from Christ
for the sake of my own people,
my kindred according to the flesh.
They are Israelites;
theirs the adoption, the glory, the covenants,
the giving of the law, the worship, and the promises;
theirs the patriarchs, and from them,
according to the flesh, is the Christ,
who is over all, God blessed forever. Amen.

Rom 9:1-5

Even amidst the anguish we feel for our brethren, we must not lose sight of the Holy Face triumphant. Nor must we forget that Justice is not itself the highest good. God is. With these two truths in mind, we turn to the Gospel.

After he had fed the people, Jesus made the disciples get into a boat
and precede him to the other side,
while he dismissed the crowds.
After doing so, he went up on the mountain by himself to pray.
When it was evening he was there alone.
Meanwhile the boat, already a few miles offshore,
was being tossed about by the waves, for the wind was against it.
During the fourth watch of the night,
he came toward them walking on the sea.
When the disciples saw him walking on the sea they were terrified.
“It is a ghost,” they said, and they cried out in fear.
At once Jesus spoke to them, “Take courage, it is I; do not be afraid.”
Peter said to him in reply,
“Lord, if it is you, command me to come to you on the water.”
He said, “Come.”
Peter got out of the boat and began to walk on the water toward Jesus.
But when he saw how strong the wind was he became frightened;
and, beginning to sink, he cried out, “Lord, save me!”
Immediately Jesus stretched out his hand and caught Peter,
and said to him, “O you of little faith, why did you doubt?”
After they got into the boat, the wind died down.
Those who were in the boat did him homage, saying,
“Truly, you are the Son of God.”

Mt 14:22-33

We learn from the Psalm that “Justice shall walk before him, and prepare the way of his steps.” So Our Lord sends forth His Apostles, His Church, to “precede him to the other side” of the sea. The Church mystically incarnates Justice at every Mass. And it can only hope to sustain Justice, a Cardinal Virtue, with Faith. For when Peter, Prince of the Apostles, goes out of the boat to walk towards His Lord, he only sinks when he loses his Faith in fear.

But all is not lost. Christ comes through the storm and shows that He is master of it. He walks on water. No tempest can withstand Him, just as no wind, earthquake, fire, flood, protest, or violence of this world can drown out His voice. No slogan of oppression, no act of terrorism, no brawl in the summer streets can overcome the peace that Christ alone brings in and to and through His Church.

I hope that my friends in Charlottesville will take heart. The last few days have been tempestuous, to say the least. But Christ will conquer the waves of this world. Have faith, and He will grant us both justice and peace.